Keanu Reeves movie quotes
287 quotes from 23 movies
Speed (1994) as Jack Traven
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"Mac, we're boned."
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"He's been playing us, since minute one."
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"Do you have insurance?"
Constantine (2005) as John Constantine
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Angels and Demons can't cross over into our plane. So, instead we get what I call half-breeds. The influence peddlers. They can only whisper in our ears. A single word can give you courage, or turn your favorite pleasure into your worst nightmare. Those with the demon's touch and those part angel, living alongside us. They call it the balance. I call it hypocritical bullshit.
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Heaven and hell are right here, behind every wall, every window, the world behind the world. And we're smack in the middle.
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[Constantine traps a spider under a cigarette-smoke filled glass] Welcome to my life.
Bill & Ted's Excellent Adventure (1989) as Ted
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[future Ted to himself] Ted! Don't forget to wind your watch!
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Strange things are afoot at the Circle-K.
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Now where are we, dude? Oh. It's my house.
Sonic the Hedgehog 3 (2024) as Shadow the Hedgehog
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2024? I've been trapped for fifty years? [G.U.N. agents arrive and surround Shadow]
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Why won't you leave me ALONE?! [G.U.N. Agent: Take him down!]
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You're a colorful bunch. [Sonic: Uh, excuse me. Why do you look like me?] I don't look like you. You look like me. Why do you look like me? [Sonic: Hey, you know what? I'll ask the questions, new hedgehog! Who are you?! Why do you look like me?!] This is a waste of time. Walk away, before you get hurt.
The Matrix Reloaded (2003) as Neo
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(After an Agent blocks his attack) Hmm... upgrades.
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Trinity. I know you can hear me. I'm never letting go. I can't. I just love you too damn much.
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Choice. The problem is choice.
The Replacements (2000) as Shane Falco
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I wish I could say something classy and inspirational, but that just wouldn't be our style. Pain heals, chicks dig scars, glory lasts forever.
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You're playing and you think everything is going fine. Then one thing goes wrong. And then another. And another. You try to fight back, but the harder you fight, the deeper you sink. Until you can't move... you can't breathe... because you're in over your head. Like quicksand.
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Annabelle: [examining the extensive bruising of Falco's upper arm and shoulder] Oh, my God... oh, my God...
Shane Falco: It looks worse than it feels.
Annabelle: Oh, my God... it looks like Hell.
Shane Falco: Then it looks exactly like it feels.
Shane Falco: It looks worse than it feels.
Annabelle: Oh, my God... it looks like Hell.
Shane Falco: Then it looks exactly like it feels.
Point Break (1991) as Johnny Utah
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I've been to every city in Mexico. I came across an unclaimed piece of meat in Baja, turned out to be Rosie. I guessed he picked a knife fight with somebody better. Found one of your passport to Sumatra, I missed you by about a week at Fiji. But, I knew you wouldn't miss the fifty year storm, Bodhi.
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[to Bodhi] You gotta go down. You crossed the line and people trusted you and they died.
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You're sayin' the FBI's gonna pay me to learn to surf?
John Wick: Chapter 2 (2017) as John Wick
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You wanted me back... I'm back!
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The knife is in your aorta. You pull it out, you will bleed and you will die. Consider this a professional courtesy. [John walks away]
John Wick (2014) as John Wick
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Iosef Tarasov: [In Russian] Everything’s got a price, bitch.
John Wick: [In Russian] Not this bitch.
John Wick: [In Russian] Not this bitch.
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Viggo Tarasov: [about the safe house where his son is hiding] They know you're coming.
John Wick: Of course. But it won't matter.
John Wick: Of course. But it won't matter.
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[John tracks down Iosef, who is badly wounded]
Iosef Tarasov: [in Russian] It was just a ****—
[John shoots Iosef in the head]
John Wick: [in Russian] Everything's got a price.
Iosef Tarasov: [in Russian] It was just a ****—
[John shoots Iosef in the head]
John Wick: [in Russian] Everything's got a price.
John Wick: Chapter 4 (2023) as John Wick
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I'm going to need a gun.
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The Elder: None of us can escape who we are, and no one escapes the Table. And the only way John Wick will ever have freedom or peace, now or ever, is in death.
John Wick: I know.
The Elder: I'm afraid you've come all this way for nothing.
John Wick: Yeah... not really. [shoots him in the head]
John Wick: I know.
The Elder: I'm afraid you've come all this way for nothing.
John Wick: Yeah... not really. [shoots him in the head]
John Wick: Chapter 3 – Parabellum (2019) as John Wick
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John Wick: Sofia, we're not going in like the old days, just a conversation.
Sofia: Nothing's ever just a conversation with you, John.
Sofia: Nothing's ever just a conversation with you, John.
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The Director: You know, when my pupils first come here, they wish for one thing: a life free of suffering. I try to dissuade them from these childish notions, but as you know, art is pain. Life is suffering. [pause] All of this for what? Because of a puppy?
John Wick: It wasn't just a puppy.
John Wick: It wasn't just a puppy.
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John Wick: I'm just asking you to try. Either way, you and me, we'll be even.
[John slides his marker across the table to Sofia]
Sofia: No. After this, we are less than even.
[John slides his marker across the table to Sofia]
Sofia: No. After this, we are less than even.
My Own Private Idaho (1991) as Scott Favor
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When I turn 21, I don't want any more of this life. My mother and father will be surprised at the incredible change. It will impress them more when such a ****-up like me turns good than if I had been a good son all along. All my bad behavior I'm going to throw away to pay my debt. I will change when everybody expects it the least.
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Why, you wouldn't even look at a clock unless hours were lines of coke, dials looked like the signs of gay bars, or time itself was a fair hustler in black leather. There is no reason to know the time. We are timeless.
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When I left home the maid asked me where I was off to, I said 'Wherever, whatever, have a nice day.'
Bram Stoker's Dracula (1992) as Jonathan Harker
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Dawn. These may be the last words I write in this journal. Dracula has left me with these women, these devils of the pit. They drain my blood to keep me weak, barely alive so I cannot escape. I will try one last time today to escape to the water. There must be passageway to the river, and then away from this cursed land where the devil and his children still walk with earthly feet.
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The letters I have written have undoubtedly sealed my doom. The Count's gypsies, fearless warriors who are loyal to the death to whatever nobleman they serve - day and night they toil, filling boxes with decrepit earth from the bowels of the castle. They are to be delivered to his newly acquired Carfax Abbey in London. Why do they fill these boxes with earth?
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I think strange things which I dare not confess to my own soul. The Count, the way he looked at Mina's picture, fills me with dread - as if I have a part to play in a story that is not known to me.
The Matrix Revolutions (2003) as Neo
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Smith: Mr. Anderson, welcome back. We missed you. [pauses; looks around] You like what I've done with the place?
Neo: It ends tonight.
Smith: I know it does, I've seen it. That's why the rest of me is just going to enjoy the show because we already know that I'm the one that beats you.
Neo: It ends tonight.
Smith: I know it does, I've seen it. That's why the rest of me is just going to enjoy the show because we already know that I'm the one that beats you.
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[In the Hammer hovership]
Trinity: How are you feeling? Are you all right?
Neo: I need time.
Roland: That figures.
Maggie: Captain Roland!
Roland: What’s up, Maggie?
Maggie: It’s Bane. He’s conscious.
Roland: Good. Maybe he’s got some answers.
Trinity: How are you feeling? Are you all right?
Neo: I need time.
Roland: That figures.
Maggie: Captain Roland!
Roland: What’s up, Maggie?
Maggie: It’s Bane. He’s conscious.
Roland: Good. Maybe he’s got some answers.
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Smith: Why, Mr. Anderson? Why, why, why? Why do you do it? Why? Why get up? Why keep fighting? Do you believe you're fighting for something? For more than your survival? Can you tell me what it is? Do you even know? [becomes visibly agitated] Is it freedom or truth?! Perhaps peace?! Could it be for love?! Illusions, Mr. Anderson, vagaries of perception! Temporary constructs of a feeble human intellect trying desperately to justify an existence that is without meaning or purpose! And all of them as artificial as the Matrix itself, although only a human mind could invent something as insipid as love! You must be able to see it, Mr. Anderson! You must know it by now! You can't win! It's pointless to keep fighting! [now clearly enraged] Why, Mr. Anderson?! Why?! WHY DO YOU PERSIST?!
Neo: [manages to stand] Because I choose to. YouTube video
Neo: [manages to stand] Because I choose to. YouTube video
47 Ronin (2013) as Kai
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Mika: My father taught me this world was only a preparation for the next, that all we can ask is that we leave it having loved and being loved.
Kai: I will search for you through 1,000 worlds and 10,000 lifetimes until I find you.
Mika: I will wait for you in all of them.
Kai: I will search for you through 1,000 worlds and 10,000 lifetimes until I find you.
Mika: I will wait for you in all of them.
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Tengu Lord: Was it worth it what you found in the outside world? The love of a woman you can never have?
Kai: Yes.
Tengu Lord: No matter what you do, Mika will never be yours in this life.
Kai: Then I will go to my death and pray I find her in the next!
Kai: Yes.
Tengu Lord: No matter what you do, Mika will never be yours in this life.
Kai: Then I will go to my death and pray I find her in the next!
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Basho: Kai, I have a confession to make. When I was a boy, I used to wait in the woods outside your hut and when you came out, I threw stones at you and hide.
Kai: I knew it was you. I could see your belly sticking out from behind the trees.
Basho: I'm sorry, Kai. You're a good man.
Kai: I knew it was you. I could see your belly sticking out from behind the trees.
Basho: I'm sorry, Kai. You're a good man.
DC League of Super-Pets (2022) as Batman
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I miss my parents.
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Hey! Stop chewing on that Batarang! Bruce Wayne paid a lot of money for that, and then gave it to me as a present.
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[about Squeezy Bruce] That better be a licensed toy or I will freak out.
The Day the Earth Stood Still (2008) as Klaatu
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Only at the precipice we change.
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Klaatu barada nikto
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Professor Barnhardt: There must be alternatives. You must have some technology that could solve our problem.
Klaatu: Your problem is not technology. The problem is you. You lack the will to change.
Professor Barnhardt: Then help us change.
Klaatu: I can not change your nature. You treat the world as you treat each other.
Professor Barnhardt: But every civilization reaches a crisis point eventually.
Klaatu: Most of them don't make it.
Professor Barnhardt: Yours did. How?
Klaatu: Our Sun was dying. We had to evolve in order to survive.
Professor Barnhardt: So it was only when your world was threatened with destruction that you became what you are now.
Klaatu: Yes.
Professor Barnhardt: Well that is where we are. You say we are on the brink of destruction and you are right. But it is only on the brink that people find the will to change. Only at the precipice do we evolve. This is our moment. Don't take it from us, we are close to an answer.
Klaatu: Your problem is not technology. The problem is you. You lack the will to change.
Professor Barnhardt: Then help us change.
Klaatu: I can not change your nature. You treat the world as you treat each other.
Professor Barnhardt: But every civilization reaches a crisis point eventually.
Klaatu: Most of them don't make it.
Professor Barnhardt: Yours did. How?
Klaatu: Our Sun was dying. We had to evolve in order to survive.
Professor Barnhardt: So it was only when your world was threatened with destruction that you became what you are now.
Klaatu: Yes.
Professor Barnhardt: Well that is where we are. You say we are on the brink of destruction and you are right. But it is only on the brink that people find the will to change. Only at the precipice do we evolve. This is our moment. Don't take it from us, we are close to an answer.
The Lake House (2006) as Alex Wyler
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[narrating his letter to Kate] Dear Miss Forster: I got your note, and I'm afraid there must be some kind of misunderstanding. As far as I know, the lake house has been empty for several years. Maybe your note was intended for the Sandburg house down the shore since no one has lived in this house for years. But I'm curious about the paw prints.
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This house is about ownership, not connection. I mean, it's beautiful. Seductive, even. But, it's incomplete.
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Alex Wyler: There should be a stairway down to the water, a porch, a deck. Here, you're in a-- in a box. A glass box with a view to everything that's around you... but you can't touch it. No interconnection between you and what you're looking at.
Henry Wyler: I don't know, you know. He's got this big maple growing right in the middle of the house.
Alex Wyler: Containment. [pushes a button which opens a glass door] Containment and control. This house is about ownership, not connection. I mean, it's beautiful. Seductive, even. But, it's incomplete. [pauses] It was all about him. Dad knew how to build a house, not a home. But you know... I think he wants us to do what he couldn't. But, admitting that would mean admitting that he came up short in some way... that he could do more. And that tortures him.
Henry Wyler: Do you remembering being here with Mom?
Alex Wyler: I remember she tried to make it work here... with us... with him.
Henry Wyler: I don't know, you know. He's got this big maple growing right in the middle of the house.
Alex Wyler: Containment. [pushes a button which opens a glass door] Containment and control. This house is about ownership, not connection. I mean, it's beautiful. Seductive, even. But, it's incomplete. [pauses] It was all about him. Dad knew how to build a house, not a home. But you know... I think he wants us to do what he couldn't. But, admitting that would mean admitting that he came up short in some way... that he could do more. And that tortures him.
Henry Wyler: Do you remembering being here with Mom?
Alex Wyler: I remember she tried to make it work here... with us... with him.
The Watcher (2000) as David Allen Griffin
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[to Dr. Polly Beilman] Do you think... some of your patients might pay to come see you because... you're very pretty?
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Why did you turn away from me? Why was it so hard for you to accept? 'Cause you know I did it for you. You came so close to me that night. I remember clearly what I felt when I heard your footsteps falling behind me. Pride. I thought it would keep us together forever. For me it was our finest moment. I can still see the flames.
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I love her she's decomposing, I love her she's decomposing
Thumbsucker (2005) as Perry Lyman
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That's 'cause we all wanna be problemless. To fix ourselves. We look for some magic solution to make us all better, but none of us really know what we're doing. And why is that so bad? That's all we humans can do. Guess. Try. Hope. But, Justin, just pray you don't fool yourself into thinking you've got the answer. Because that's bullshit. The trick is living without an answer. I think
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Michael Cobb: You know, it was almost easier when he was always **** up.
Audrey Cobb: Yeah?
Michael Cobb: It's like he thinks he's smarter than me.
Audrey Cobb: Well, maybe that's the way it goes.
Audrey Cobb: Yeah?
Michael Cobb: It's like he thinks he's smarter than me.
Audrey Cobb: Well, maybe that's the way it goes.
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Mark: I concur, but lets go farther; TV contributes to the decay of the American Family. And once the family goes, down go our institutions and up goes our drug abuse. Ditto to gambling and pornography.
Justin: You have no evidence to support that claim. Images aren't reality. Violence in art goes back to Egypt. What's important is teaching people to be skeptical, to draw the line, to distinguish between images and life. Lisa, what's your opinion?
Lisa: You're right, TV is not real.
Mark: Hold on, reality is not the point here. Social decline is.
Justin: Kate, reaction?
Kate: Oh, no go ahead.
Justin: Mark, I understand the spirit of your refutation, but society and its conception of reality are inextricable.
Justin: You have no evidence to support that claim. Images aren't reality. Violence in art goes back to Egypt. What's important is teaching people to be skeptical, to draw the line, to distinguish between images and life. Lisa, what's your opinion?
Lisa: You're right, TV is not real.
Mark: Hold on, reality is not the point here. Social decline is.
Justin: Kate, reaction?
Kate: Oh, no go ahead.
Justin: Mark, I understand the spirit of your refutation, but society and its conception of reality are inextricable.
Parenthood (1989) as Tod
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You know, Mrs. Buckman, you need a license to buy a dog, to drive a car - hell, you even need a license to catch a fish. But they'll let any butt-reaming asshole be a father.
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That is one messed-up little dude.
The SpongeBob Movie: Sponge on the Run (2020) as Sage
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I'm made out of sage and I am the Sage, so it works out pretty well.
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Seriously, it's hard enough being stuck in a tumbleweed... [SpongeBob: Patrick! We gotta find Gary!] ...but dealing with you two makes me want to light myself on fire.
Toy Story 4 (2019) as Duke Caboom
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Duke Caboom. Canada’s greatest stunt man.
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Let's Caboom.
