Harrison Ford movie quotes
390 quotes from 30 movies
Indiana Jones and the Kingdom of the Crystal Skull (2008) as Henry "Indiana" Jones, Jr.
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[after hearing siren] Oh, that can't be good. [P.A.: All personel, it is now one minute to zero time. Put on goggles or turn away. Do not remove goggles or face burst until 10 seconds after first light.] Oh, that can't be good at all.
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I have a bad feeling about this. (reference from Star Wars)
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[to a crazy Harold Oxley who is speaking apparent gibberish] We went to the University of Chicago together, and you were never this interesting. My name is Ind... [quietly] My name is Henry Jones Jr.
Raiders of the Lost Ark (1981) as Indiana Jones
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Don't look at it. Shut your eyes, Marion. Don't look at it, no matter what happens.
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Fools! Bureaucratic fools! They don't know what they've got there.
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[after finding Satipo dead, he picks up the golden idol] Adiós Sapito.
Star Wars Episode IV: A New Hope (1977) as Han Solo
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[to the crew] Don't worry. She'll hold together! [quietly] Hear me, baby, hold together.
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I hope that old man got that tractor beam out of commission or this is going to be a real short trip. Okay, hit it!
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You're all clear, kid! Now let's blow this thing and go home!
Indiana Jones and the Temple of Doom (1984) as Indiana Jones
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Nothing shocks me. I'm a scientist.
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[with shoe on fire] Water! Water! Water! Wa... Oh. [sees a flood coming towards him] WATER!
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(as he and Short Round are whipped) Leave him alone, you bastards!
Indiana Jones and the Dial of Destiny (2023) as Henry "Indiana" Jones, Jr.
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Whatever I did, I apologize.
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His daughter selling her soul for bail money!
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I should've retired you when I had the chance!
Star Wars Episode V: The Empire Strikes Back (1980) as Han Solo
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Hurry up, Goldenrod, or you're gonna be a permanent resident!
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Lando Calrissian. He's a card player, a gambler, a scoundrel. You'd like him.
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And I thought they smelled bad... on the outside!
Air Force One (1997) as President James Marshall
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Peace isn't merely the absence of conflict, but the presence of justice.
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Never again will I allow our political self-interest to deter us from doing what we know to be morally right. Atrocity and terror are not political weapons, and to those who would use them, your day is over. We will never negotiate. We will no longer tolerate and we will no longer be afraid. It's your turn to be afraid.
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[Crossing two wires blindly] I'm counting on you, red, white, and blue.
Star Wars Episode VI: Return of the Jedi (1983) as Han Solo
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I'm out of it for a little while, and everybody gets delusions of grandeur.
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Good luck. You're gonna need it.
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Threepio, you tell that slimy piece of worm-ridden filth he'll get no such pleasure from us! ...Right?
Blade Runner (1982) as Deckard
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"One more question. You're watching a stage play. A banquet is in progress. The guests are enjoying an appetizer of raw oysters. The entree consists of boiled dog...". [The question on the Voight-Kampf test that Rachel "fails" when she gives no answer].
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"Replicants are like any other machine. They're either a benefit or a hazard. If they're a benefit, it's not my problem."
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"I was quit when I came in here. I'm twice as quit now."
The Fugitive (1993) as Dr. Richard Kimble
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You switched the samples! You switched the samples after Lenz died! Did you kill Lenz, too? Huh? He falsified his research. He switched the samples so that RDU-90 could be approved and Devlin McGregor could give you... Provasic!
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Officer, there's a man in a blue topcoat waving a gun and screaming at a woman.
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[Final lines]
Kimble: I thought you said you didn't care.
Gerard: I don't. [They begin laughing] Don't tell anyone, will you?
Kimble: I thought you said you didn't care.
Gerard: I don't. [They begin laughing] Don't tell anyone, will you?
Clear and Present Danger (1994) as Jack Ryan
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Jack Ryan: Who authorized this?
Ritter: I'm sure they'll ask you that.
Jack Ryan: Who authorized it?
Ritter: I have no recollection, Senator
Ritter: I'm sure they'll ask you that.
Jack Ryan: Who authorized it?
Ritter: I have no recollection, Senator
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The President: How dare you come in here and lecture me!
Jack Ryan: How dare you, sir!
The President: How dare you come into this office and bark at me like some little junkyard dog? I am the President of the United States!
Jack Ryan: How dare you, sir!
The President: How dare you come into this office and bark at me like some little junkyard dog? I am the President of the United States!
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Ritter: Jack, computer theft is a serious crime.
[hangs up the phone] Jack Ryan: [to himself] So are crimes against the Constitution.
[hangs up the phone] Jack Ryan: [to himself] So are crimes against the Constitution.
Patriot Games (1992) as Jack Ryan
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[showing Marty some pictures of the woman they're after, provided by Paddy O'Neil] Paddy O'Neill can sleep at night. In fact, he probably enjoys the irony. She's not Irish; she's English.
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Listen! Who are we looking for here, huh? IRA terrorists or some ultra-violent faction of the IRA, fighting the cause their way? Jimmy O'Reardon checked into a hotel with a woman with long red hair. Long red hair! This is who we should be looking for! We find her... we'll find him.
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Cathy Ryan: It was him, wasn't it? He's never gonna leave us alone.
Jack Ryan: He'll never get that close to us again, honey. That's why he calls in the middle of the night. It's all he can do.
Cathy Ryan: You get him, Jack. I don't care what you have to do. Just get him.
Jack Ryan: He'll never get that close to us again, honey. That's why he calls in the middle of the night. It's all he can do.
Cathy Ryan: You get him, Jack. I don't care what you have to do. Just get him.
The Call of the Wild (2020) as John Thornton
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[about Spitz] A pack can only have one leader. Spitz has had enough.
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[narrating] There's a place in these mountains where a new breed of timber wolf roams, wiser than men or wolf, because of the dog that runs at the head of a pack. Now... they live without fear, raise their young and flourish.
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but now I say that you are a wonderful snow dog. you are now part of the pack
Firewall (2006) as Jack Stanfield
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Change of plans, asshole: You get the money when I get my family!
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[after Jack transfers the money]
Jack Stanfield: It's done.
[on the phone with Vel]
Bill Cox: Vel, is the money there? Okay, good.
Jack Stanfield: I've done everything you want. When do I get my family back?
Bill Cox: We have some tidying up to do.
Jack Stanfield: It's done.
[on the phone with Vel]
Bill Cox: Vel, is the money there? Okay, good.
Jack Stanfield: I've done everything you want. When do I get my family back?
Bill Cox: We have some tidying up to do.
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Bill Cox: You designed the software, you find me a way in.
Jack Stanfield: I wouldn't know where to start.
Jack Stanfield: I wouldn't know where to start.
K-19: The Widowmaker (2002) as Alexei Vostrikov
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We will not fail.
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We deliver, or we drown.
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Under no circumstances will I abandon my boat or my crew to the enemy.
Star Wars: The Force Awakens (2015) as Han
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[Maz takes out Luke's lightsaber for Han, Finn, and Chewbacca]:
Maz: I kept it locked away.
Han: Where'd you get that?
Maz: Good question, for another time. Take it. Find your friend.
Maz: I kept it locked away.
Han: Where'd you get that?
Maz: Good question, for another time. Take it. Find your friend.
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[BB-8 shows Han, Finn, and Rey the map to Luke Skywalker]
Han: This map's not complete. It's just a piece. Ever since Luke disappeared, people have been looking for him.
Rey: Why did he leave?
Han: He was training a new generation of Jedi. There was nobody else left to do it, so he took the burden on himself. Everything was going great, until... one boy, an apprentice, turned against him and destroyed it all. Luke felt responsible. He just... walked away from everything.
Finn: Do you know what happened to him?
Han: There were a lot of rumors. Stories. People who knew him best, think he went looking for the first Jedi temple.
Rey: [in awe] The Jedi were real?
Han: I used to wonder about that myself. Thought it was a bunch of mumbo jumbo. A magical power holding together good and evil, the dark side and the light. Crazy thing is... it's true. The Force, the Jedi. All of it. It's all true.
Han: This map's not complete. It's just a piece. Ever since Luke disappeared, people have been looking for him.
Rey: Why did he leave?
Han: He was training a new generation of Jedi. There was nobody else left to do it, so he took the burden on himself. Everything was going great, until... one boy, an apprentice, turned against him and destroyed it all. Luke felt responsible. He just... walked away from everything.
Finn: Do you know what happened to him?
Han: There were a lot of rumors. Stories. People who knew him best, think he went looking for the first Jedi temple.
Rey: [in awe] The Jedi were real?
Han: I used to wonder about that myself. Thought it was a bunch of mumbo jumbo. A magical power holding together good and evil, the dark side and the light. Crazy thing is... it's true. The Force, the Jedi. All of it. It's all true.
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[before Han takes Finn, Chewie, and the Falcon on the mission to Starkiller Base]
Leia: You know, no matter how much we fought, I've always hated watching you leave.
Han: That's why I did it. So you'd miss me.
Leia: I did miss you.
Han: It wasn't all bad, was it? Huh? Some of it was... good.
Leia: Pretty good.
Han: Some things never change.
Leia: True. You still drive me crazy. [they embrace once more] If you see our son, bring him home.
Leia: You know, no matter how much we fought, I've always hated watching you leave.
Han: That's why I did it. So you'd miss me.
Leia: I did miss you.
Han: It wasn't all bad, was it? Huh? Some of it was... good.
Leia: Pretty good.
Han: Some things never change.
Leia: True. You still drive me crazy. [they embrace once more] If you see our son, bring him home.
The Devil's Own (1997) as Tom O'Meara
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I understand why he's doin' what he's doin'. If I had to endure what he's endured--if I was eight years old and saw my father gunned down in front of my family--I'd be carryin' a gun too, and I wouldn't be wearin' a badge.
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It's good to have somebody around here who can pee standing up.
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[last lines] We never had choice... You and me.
The Conversation (1974) as Martin Stett
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[to Harry] We want you to deliver the tapes on Sunday, one o'clock. The Director will be there. He'll accept the tapes from you, in person.
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[to Harry] I'm not following you, I'm looking for you. There's a big difference.
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We know that you know, Mr. Caul. For your own sake, don't get involved any further. We'll be listening to you.
Witness (1985) as John Book
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[to Rachel] If we'd made love last night I'd have to stay. Or you'd have to leave.
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[Book is having trouble milking a cow]
Eli Lapp: You never had your hands on a teat before.
John Book: Not one this big.
[Long pause; then Eli Lapp roars with laughter]
Eli Lapp: You never had your hands on a teat before.
John Book: Not one this big.
[Long pause; then Eli Lapp roars with laughter]
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Rachel Lapp: Are you enjoying your reading?
John Book: Oh yeah. I'm learning a lot about manure. Very interesting.
John Book: Oh yeah. I'm learning a lot about manure. Very interesting.
Blade Runner 2049 (2017) as Rick Deckard
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Sometimes to love someone, you got to be a stranger.
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Rick Deckard: You got a name?
K: Officer KD6 - 3.7...
Rick Deckard: That's not a name. That's a serial number.
K: All right. Joe.
K: Officer KD6 - 3.7...
Rick Deckard: That's not a name. That's a serial number.
K: All right. Joe.
Force 10 from Navarone (1978) as Barnsby
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Mallory: Next time, you can play the corpse. You seem pretty handy with that thing, though.
Barnsby: Could've been luck.
Barnsby: Could've been luck.
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Mallory: [thoughtfully] Miller, what would happen to the bridge if that central arch were suddenly hit by several million tons of water?
Miller, Barnsby: Water?
Mallory: I think we've been talking about the wrong target. Remember that dam we passed by on the way up here?
Miller: [suddenly all ears] Dam? What sort of dam?
Barnsby: It's just up the road, about half a mile that way.
Miller: Well, my dear chap, why didn't you say so before? Oh, I could do a tremendous job on the dam! See, with the dam, you've got your natural elements working for you. It's like having an enormous bath - what have you got to do? Pull the plug!
Miller, Barnsby: Water?
Mallory: I think we've been talking about the wrong target. Remember that dam we passed by on the way up here?
Miller: [suddenly all ears] Dam? What sort of dam?
Barnsby: It's just up the road, about half a mile that way.
Miller: Well, my dear chap, why didn't you say so before? Oh, I could do a tremendous job on the dam! See, with the dam, you've got your natural elements working for you. It's like having an enormous bath - what have you got to do? Pull the plug!
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Barnsby: Sorry about Marko.
Lescovar: Thank you. It's a risk we all take. He was a brave man and a good friend. Then he got careless.
Mallory: You think that big sergeant spotted him as a partisan?
Barnsby: I can't buy that. The sergeant wasn't that bright. [to Lescovar] He saluted you - you're wearing a corporal's uniform. That doesn't rate a salute in the German army.
Mallory: Not in anybody's army. Why do you think he saluted you, Lescovar?
Lescovar: Perhaps he recognized my natural superiority.
Mallory: Yes, perhaps.
Lescovar: Thank you. It's a risk we all take. He was a brave man and a good friend. Then he got careless.
Mallory: You think that big sergeant spotted him as a partisan?
Barnsby: I can't buy that. The sergeant wasn't that bright. [to Lescovar] He saluted you - you're wearing a corporal's uniform. That doesn't rate a salute in the German army.
Mallory: Not in anybody's army. Why do you think he saluted you, Lescovar?
Lescovar: Perhaps he recognized my natural superiority.
Mallory: Yes, perhaps.
Hollywood Homicide (2003) as Joe
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K.C.: I know you're gonna say it's none of my business, but when's the last time you got laid?
Joe: None of your business.
Joe: None of your business.
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Joe: I got more time in the third-floor crapper than you do on the job, pal. You can't open my locker without a search warrant. I know my rights.
Lt. Bennie Macko: Well, I appreciate a man who knows his rights. [hands Joe the search warrant] There you go.
Lt. Bennie Macko: Well, I appreciate a man who knows his rights. [hands Joe the search warrant] There you go.
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Hank the Bartender: [hands them their drinks] The doctor's in. Help is on its way.
K.C.: Thanks, Hank. [sighs] Something wrong, Joe?
Joe: What do ya mean, "Something wrong?"
K.C.: You seem down.
Joe: Down? Me?
K.C.: Lately. Yeah.
Joe: We've been partners for what, four months, and now you wanna be my shrink?
K.C.: Sometimes it helps to talk. That's all I'm saying. [drinks his beer]
Joe: All right. Let me paint you a picture. Portrait of Joe Gavilan. Seven, eight years ago, I sold off the results of my entrepreneurial efforts up to that point: Three tanning salons and two original silk-tip nail parlors in the Antelope Valley, and I started attending weekend Real Estate seminars at the Airport Hyatt. You know, "How to Make $1 Million in Real Estate with Very Little Money Down."
K.C.: Sounds good.
Joe: Started out with a condo in Sherman Oaks. Slapped some paint on the walls. Refaced the kitchen cabinets. Traded up to a smoke-damaged ranch in Tarzana, then a Spanish on Outpost, and a fake Mediterranean in Los Feliz. Pretty soon, I had everything I've got tied up in this... this monstrosity... on Mt. Olympus, at the corner of Hercules and, I shit you not, Achilles.
K.C.: So what's the problem?
Joe: The problem is if I don't score a big commission or get rid of this... piece of shit on Mt. Olympus... well, the word *Titanic* comes to mind.
K.C.: Joe, I know a girl who works for some rich producer. Says he might sell his place. Maybe you can get the listing.
Joe: Got a name?
K.C.: Well, her name's like Minnie or Moma. Or something like that, I don't remember.
Joe: Not the girl, hot rocks, the producer.
K.C.: Oh, I don't know the producer. Way before my time, I...
[Joe drinks his beer and K.C. puts his bottle down] K.C.: Hey, Joe, you ready for something?
Joe: Shoot.
K.C.: I don't think I want to be a cop anymore.
Joe: Come on, you need some fresh air. [to Hank] Put this on my tab, Hank.
Hank: What tab?
K.C.: Thanks, Hank. [sighs] Something wrong, Joe?
Joe: What do ya mean, "Something wrong?"
K.C.: You seem down.
Joe: Down? Me?
K.C.: Lately. Yeah.
Joe: We've been partners for what, four months, and now you wanna be my shrink?
K.C.: Sometimes it helps to talk. That's all I'm saying. [drinks his beer]
Joe: All right. Let me paint you a picture. Portrait of Joe Gavilan. Seven, eight years ago, I sold off the results of my entrepreneurial efforts up to that point: Three tanning salons and two original silk-tip nail parlors in the Antelope Valley, and I started attending weekend Real Estate seminars at the Airport Hyatt. You know, "How to Make $1 Million in Real Estate with Very Little Money Down."
K.C.: Sounds good.
Joe: Started out with a condo in Sherman Oaks. Slapped some paint on the walls. Refaced the kitchen cabinets. Traded up to a smoke-damaged ranch in Tarzana, then a Spanish on Outpost, and a fake Mediterranean in Los Feliz. Pretty soon, I had everything I've got tied up in this... this monstrosity... on Mt. Olympus, at the corner of Hercules and, I shit you not, Achilles.
K.C.: So what's the problem?
Joe: The problem is if I don't score a big commission or get rid of this... piece of shit on Mt. Olympus... well, the word *Titanic* comes to mind.
K.C.: Joe, I know a girl who works for some rich producer. Says he might sell his place. Maybe you can get the listing.
Joe: Got a name?
K.C.: Well, her name's like Minnie or Moma. Or something like that, I don't remember.
Joe: Not the girl, hot rocks, the producer.
K.C.: Oh, I don't know the producer. Way before my time, I...
[Joe drinks his beer and K.C. puts his bottle down] K.C.: Hey, Joe, you ready for something?
Joe: Shoot.
K.C.: I don't think I want to be a cop anymore.
Joe: Come on, you need some fresh air. [to Hank] Put this on my tab, Hank.
Hank: What tab?
Presumed Innocent (1990) as Rusty Sabich
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The murder of Carolyn Polhemus remains unsolved. It is a practical impossibility to try two people for the same crime. Even if it wasn't, I couldn't take his mother from my son. I am a prosecutor. I have spent my life in the assignment of blame. With all deliberation and intent, I reached for Carolyn. I cannot pretend it was an accident. I reached for Carolyn, and set off that insane mix of rage and lunacy that led one human being to kill another. There was a crime. There was a victim. And there is punishment.
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I am a prosecutor. I am a part of the business of accusing, judging and punishing. I explore the evidence of a crime and determine who is charged, who is brought to this room to be tried before his peers. I present my evidence to the jury and they deliberate upon it. They must determine what really happened. If they cannot, we will not know if the accused deserves to be freed or should be punished. If they cannot find the truth, what is our hope of justice?
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Det. Lipranzer: How ya doin'? Christmas Present.
[takes out glass which was key piece of evidence that went missing during the trial]
Rusty Sabich: You're sticking your neck out pretty far on this one, Lip.
Det. Lipranzer: It was them that **** up. Remember when they came around and gathered all the evidence? The glass wasn't there, I took it down to Dickerman. The next day, I get a call. The test is done, I can come pick up my glass. But when I went down there, Molto had signed 'returned to evidence.' I guess they figured I'd put it back. Only, I got no place to put it since it ain't my Goddamned case anymore. So I tossed the thing in my drawer. I figure sooner or later someone's gotta ask me about it. Noone ever did.
Rusty Sabich: You think I killed her.
Det. Lipranzer: The lady was bad news.
Rusty Sabich: So that makes it okay that I killed her.
Det. Lipranzer: Did ya?
Rusty Sabich: Oh, pal.
[sighs, tosses glass into the water]
[takes out glass which was key piece of evidence that went missing during the trial]
Rusty Sabich: You're sticking your neck out pretty far on this one, Lip.
Det. Lipranzer: It was them that **** up. Remember when they came around and gathered all the evidence? The glass wasn't there, I took it down to Dickerman. The next day, I get a call. The test is done, I can come pick up my glass. But when I went down there, Molto had signed 'returned to evidence.' I guess they figured I'd put it back. Only, I got no place to put it since it ain't my Goddamned case anymore. So I tossed the thing in my drawer. I figure sooner or later someone's gotta ask me about it. Noone ever did.
Rusty Sabich: You think I killed her.
Det. Lipranzer: The lady was bad news.
Rusty Sabich: So that makes it okay that I killed her.
Det. Lipranzer: Did ya?
Rusty Sabich: Oh, pal.
[sighs, tosses glass into the water]
Six Days Seven Nights (1998) as Quinn
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Angelica: Quinny, look what I got.
Quinn: What's that, baby?
Angelica: It's a bathing suit, silly.
Frank: I thought it was an eye patch.
Quinn: What's that, baby?
Angelica: It's a bathing suit, silly.
Frank: I thought it was an eye patch.
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Quinn: There's no deal. We're friends, we have a few laughs... keep it simple.
Robin: Well, has it always been simple or has there ever been anyone complicated?
[Quinn gives Robin a nasty look]
Robin: That's a yes. How complicated? On a scale from one to ten.
Quinn: Twelve.
Robin: Well, has it always been simple or has there ever been anyone complicated?
[Quinn gives Robin a nasty look]
Robin: That's a yes. How complicated? On a scale from one to ten.
Quinn: Twelve.
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Quinn: You deserve someone... fresher.
Robin: Isn't that up to me to decide?
Quinn: Let's be reasonable about this. You're not going to come down here and be my co-pilot and I'm not going to go to New York and be your receptionist. Let's not complicate things.
Robin: Oh, I forgot. You like things simple.
Quinn: Yeah.
Robin: Isn't that up to me to decide?
Quinn: Let's be reasonable about this. You're not going to come down here and be my co-pilot and I'm not going to go to New York and be your receptionist. Let's not complicate things.
Robin: Oh, I forgot. You like things simple.
Quinn: Yeah.
The Expendables 3 (2014) as Drummer
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[Piloting a helicopter in the battlefield] Drummer's in the house!
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This happened on my watch. You **** up, and now I'm wearing it.
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Drummer: This is it? This is your evac team?
Trench: Short notice.
Drummer: [looks at Yin Yang] Yeah, very short.
Trench: Short notice.
Drummer: [looks at Yin Yang] Yeah, very short.
Working Girl (1988) as Jack Trainer
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Tess McGill: [after taking several shots of tequila] Oh boy, oh boy, oh boy, oh boy, oh boy.
Jack Trainer: You okay?
Tess McGill: Mmm, I'm fine. I'm just fine. I took an antihistamine before, and it makes for a nice little buzz.
Jack Trainer: Oh, I didn't know that they let bad girls into these things.
Tess McGill: Do I look like I don't belong here?
Jack Trainer: No. No, I'm sure that you're a real ace in whatever it is that you do do.
Tess McGill: Damn straight.
Jack Trainer: But how you look...
Tess McGill: I have a head for business and a bod for sin. Is there anything wrong with that?
Jack Trainer: Uh, no. No.
Jack Trainer: You okay?
Tess McGill: Mmm, I'm fine. I'm just fine. I took an antihistamine before, and it makes for a nice little buzz.
Jack Trainer: Oh, I didn't know that they let bad girls into these things.
Tess McGill: Do I look like I don't belong here?
Jack Trainer: No. No, I'm sure that you're a real ace in whatever it is that you do do.
Tess McGill: Damn straight.
Jack Trainer: But how you look...
Tess McGill: I have a head for business and a bod for sin. Is there anything wrong with that?
Jack Trainer: Uh, no. No.
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Jack Trainer: I've been looking for you.
Tess McGill: Why, do you know me?
Jack Trainer: No. No, but I promised myself that when I saw you, I would get to know you. You're the first woman I've seen in one of these damn things that dresses like a woman, not like a woman thinks a man would dress if he was a woman.
Tess McGill: Thank you I guess.
Tess McGill: Why, do you know me?
Jack Trainer: No. No, but I promised myself that when I saw you, I would get to know you. You're the first woman I've seen in one of these damn things that dresses like a woman, not like a woman thinks a man would dress if he was a woman.
Tess McGill: Thank you I guess.
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Tess McGill: [to Jack] Look, we're in a business deal together now, and I just don't think that we should get involved that way. My life is real complicated as it is.
Jack Trainer: I don't want to complicate it either. I just thought dinner, maybe a movie.
Tess McGill: We both know what we're talking about.
Jack Trainer: I certainly hope so!
Tess McGill: You know, maybe I just don't like you.
Jack Trainer: Me? Naaah!
Jack Trainer: I don't want to complicate it either. I just thought dinner, maybe a movie.
Tess McGill: We both know what we're talking about.
Jack Trainer: I certainly hope so!
Tess McGill: You know, maybe I just don't like you.
Jack Trainer: Me? Naaah!
42 (2013) as Branch Rickey
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Jackie Robinson: Mr. Rickey. What's this about?
Branch Rickey: This is about baseball, Jackie. I see you starting in spring with our affiliate in Montreal. If you make it there, we'll try you down here... with the Dodgers. With the white Brooklyn Dodgers. [scoffs] Hmm.
Branch Rickey: I'll pay you $600 a month. And a $3500 bonus when you sign the contract. That agreeable?
Jackie Robinson: Yes, that's fine but-
Branch Rickey: There's one condition. I know you can hit behind the runner. That you can read a pitch. One question is, can you control your temper?
Jackie Robinson: My temper?
Branch Rickey: Yes, your temper! What are you, deaf? A black man in white baseball, heh, can you imagine the reaction? The vitriol? Dodgers check into a hotel, a, uh, a decent, good hotel. You're worn out from the road. Some clerk won't give you the pen to sign in with. "We got no room for you, boy. Not even down in the coal bin where you belong." Team stops at a restaurant. Waiter won't take your order. "Didn't you see the sign on the door? No **** allowed." What are you gonna do then? Fight him? Ruin all my plans? [Robinson remains silent; Rickey attempts to "intimidate" him] Answer me, you black son of a bitch!
Jackie Robinson: [stands up] You want a player who doesn't have the guts to fight back?
Branch Rickey: No. No. I want a player who's got the guts not to fight back. People aren't gonna like this. They're gonna do anything to get you to react. Echo a curse with a curse and, uh, they'll hear only yours. Follow a blow with a blow and they'll say, "The Negro lost his temper." That "The Negro does not belong." Your enemy will be out in force... and you cannot meet him on his own low ground. We win with hitting, running, fielding. Only that. We win if the world is convinced of two things: That you are a fine gentleman and a great baseball player. Like our Savior... you gotta have the guts... to turn the other cheek. Can you do it?
Jackie Robinson: You give me a uniform, you give me a number on my back, I'll give you the guts.
Branch Rickey: This is about baseball, Jackie. I see you starting in spring with our affiliate in Montreal. If you make it there, we'll try you down here... with the Dodgers. With the white Brooklyn Dodgers. [scoffs] Hmm.
Branch Rickey: I'll pay you $600 a month. And a $3500 bonus when you sign the contract. That agreeable?
Jackie Robinson: Yes, that's fine but-
Branch Rickey: There's one condition. I know you can hit behind the runner. That you can read a pitch. One question is, can you control your temper?
Jackie Robinson: My temper?
Branch Rickey: Yes, your temper! What are you, deaf? A black man in white baseball, heh, can you imagine the reaction? The vitriol? Dodgers check into a hotel, a, uh, a decent, good hotel. You're worn out from the road. Some clerk won't give you the pen to sign in with. "We got no room for you, boy. Not even down in the coal bin where you belong." Team stops at a restaurant. Waiter won't take your order. "Didn't you see the sign on the door? No **** allowed." What are you gonna do then? Fight him? Ruin all my plans? [Robinson remains silent; Rickey attempts to "intimidate" him] Answer me, you black son of a bitch!
Jackie Robinson: [stands up] You want a player who doesn't have the guts to fight back?
Branch Rickey: No. No. I want a player who's got the guts not to fight back. People aren't gonna like this. They're gonna do anything to get you to react. Echo a curse with a curse and, uh, they'll hear only yours. Follow a blow with a blow and they'll say, "The Negro lost his temper." That "The Negro does not belong." Your enemy will be out in force... and you cannot meet him on his own low ground. We win with hitting, running, fielding. Only that. We win if the world is convinced of two things: That you are a fine gentleman and a great baseball player. Like our Savior... you gotta have the guts... to turn the other cheek. Can you do it?
Jackie Robinson: You give me a uniform, you give me a number on my back, I'll give you the guts.
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Ben Chapman: [To Robinson] Why don'tcha look in'a mirror? This'a white man's game, alright, get that THROUGH YOUR THICK MONKEY SKULL!
[Robinson eyes Chapman, Rickey and Harold Parott see Robinson, Chapman glares at Robinson]
Rachel Robinson: [From the stands] Look at me baby. Look at me baby look at me.
[Robinson enters the dugout tunnel, striking and breaking a bat against the wall. He breaks down into tears]
Robinson: [Sees Rickey approaching, points his bat to Rickey] No! [Panting] No. Next white son of a bitch that opens his mouth I'll smash his goddamn teeth in.
Branch Rickey: You can't do that Jack.
Jackie Robinson: So I'm supposed to just let this go on?
Branch Rickey: These men have to live with themselves.
Jackie Robinson: I have to live with myself, too! And right now I'm living a sermon out there.
Branch Rickey: You don't matter now Jack. You're in this thing. You don't have a right to pull out from the backing of people that believe in you, that respect you, that need you. If you fight, they won't say that Chapman forced you to, they'll say that you're... in over your head, that you don't belong here.
Jackie Robinson: You don't know what it's like having somebody do this to you.
Branch Rickey: No. No. You do. You're the one living the sermon. In the wilderness. Forty days. All of it. Only you.
Jackie Robinson: Not a goddam thing I can do about it...
Branch Rickey: Of course there is, you can get on there... and hit... you can get on base and- and score, you can win this game for us. Everybody needs you, you're a medicine, Jack. [Rickey comforts Robinson]
Jackie Robinson: I'm takin the field.
Branch Rickey: Who's playing first?
Jackie Robinson: I'm gonna need a new bat.
[Robinson eyes Chapman, Rickey and Harold Parott see Robinson, Chapman glares at Robinson]
Rachel Robinson: [From the stands] Look at me baby. Look at me baby look at me.
[Robinson enters the dugout tunnel, striking and breaking a bat against the wall. He breaks down into tears]
Robinson: [Sees Rickey approaching, points his bat to Rickey] No! [Panting] No. Next white son of a bitch that opens his mouth I'll smash his goddamn teeth in.
Branch Rickey: You can't do that Jack.
Jackie Robinson: So I'm supposed to just let this go on?
Branch Rickey: These men have to live with themselves.
Jackie Robinson: I have to live with myself, too! And right now I'm living a sermon out there.
Branch Rickey: You don't matter now Jack. You're in this thing. You don't have a right to pull out from the backing of people that believe in you, that respect you, that need you. If you fight, they won't say that Chapman forced you to, they'll say that you're... in over your head, that you don't belong here.
Jackie Robinson: You don't know what it's like having somebody do this to you.
Branch Rickey: No. No. You do. You're the one living the sermon. In the wilderness. Forty days. All of it. Only you.
Jackie Robinson: Not a goddam thing I can do about it...
Branch Rickey: Of course there is, you can get on there... and hit... you can get on base and- and score, you can win this game for us. Everybody needs you, you're a medicine, Jack. [Rickey comforts Robinson]
Jackie Robinson: I'm takin the field.
Branch Rickey: Who's playing first?
Jackie Robinson: I'm gonna need a new bat.
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[At the Dodgers office, player Pee Wee Reese enters while Rickey is on the desk]
Branch Rickey: What can I do for you, Pee Wee?
Pee Wee Reese: Well, Mr. Rickey, it's like this. The series in Cincinnati next week?
Branch Rickey: Yes. Important road trip. We're only three games out of first.
Pee Wee Reese: Yes, sir. Now, you know I'm from Kentucky.
Branch Rickey: Then Cincinnati will nearly be a home game for you.
Pee Wee Reese: Well... ..I got this letter. Apparently, some people aren't too happy about me playing with Robinson. [Dump a piece of paper on Rickey's desk]
Branch Rickey: Huh? [Unfolds the letter] "**** lover. Watch yourself. We'll get you, carpetbagger." [Chuckles] Pretty typical stuff.
Pee Wee Reese: Well, it's not typical to me, sir.
Branch Rickey: [Browses through a filing cabinet] How many of those letters have you gotten, Pee Wee?
Pee Wee Reese: Just the one. Ain't that enough? [Watches Rickey pull out stacks of folders with papers] What are those?
Branch Rickey: Well, I'll tell you what they aren't. They aren't letters from the Jackie Robinson fan club.
Pee Wee Reese: [Reading them] "Get out of baseball or your baby boy will die." "Quit baseball or your **** wife..." "Get out of the game or be killed." Does Jackie know?
Branch Rickey: Well, of course he does. And the FBI. They're taking a threat in Cincinnati pretty seriously. So excuse me if I don't get too upset about you getting called a carpetbagger. You should be proud.
Pee Wee Reese: Well, I'd just like to play ball, sir. That's all.
Branch Rickey: Oh, I understand. I bet Jackie just wants to play ball. I bet he wishes he wasn't leading the League in hit by pitch. I bet he wishes people didn't want to kill him. The world's not so simple anymore. Guess it never was. We just, uh... Baseball ignored it, now we can't.
Branch Rickey: What can I do for you, Pee Wee?
Pee Wee Reese: Well, Mr. Rickey, it's like this. The series in Cincinnati next week?
Branch Rickey: Yes. Important road trip. We're only three games out of first.
Pee Wee Reese: Yes, sir. Now, you know I'm from Kentucky.
Branch Rickey: Then Cincinnati will nearly be a home game for you.
Pee Wee Reese: Well... ..I got this letter. Apparently, some people aren't too happy about me playing with Robinson. [Dump a piece of paper on Rickey's desk]
Branch Rickey: Huh? [Unfolds the letter] "**** lover. Watch yourself. We'll get you, carpetbagger." [Chuckles] Pretty typical stuff.
Pee Wee Reese: Well, it's not typical to me, sir.
Branch Rickey: [Browses through a filing cabinet] How many of those letters have you gotten, Pee Wee?
Pee Wee Reese: Just the one. Ain't that enough? [Watches Rickey pull out stacks of folders with papers] What are those?
Branch Rickey: Well, I'll tell you what they aren't. They aren't letters from the Jackie Robinson fan club.
Pee Wee Reese: [Reading them] "Get out of baseball or your baby boy will die." "Quit baseball or your **** wife..." "Get out of the game or be killed." Does Jackie know?
Branch Rickey: Well, of course he does. And the FBI. They're taking a threat in Cincinnati pretty seriously. So excuse me if I don't get too upset about you getting called a carpetbagger. You should be proud.
Pee Wee Reese: Well, I'd just like to play ball, sir. That's all.
Branch Rickey: Oh, I understand. I bet Jackie just wants to play ball. I bet he wishes he wasn't leading the League in hit by pitch. I bet he wishes people didn't want to kill him. The world's not so simple anymore. Guess it never was. We just, uh... Baseball ignored it, now we can't.
American Graffiti (1973) as Bob Falfa
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Bob Falfa: [to Laurie] You ain't said one word all night long. What a weird broad. But you'll appreciate me soon. You're gonna be hangin' on for mercy when I get this sucker rollin'.
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Bob Falfa: [as Laurie gets in his car] Hey, hey, hey, baby. What do you say?
Laurie: Don't say anything and we'll get along just fine.
Laurie: Don't say anything and we'll get along just fine.
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Bob Falfa: Hey man, I'm sorry if I scared ya!
John: You're gonna hafta do one hell of a lot more than that to scare me!
Bob Falfa: Hey I've been lookin' all over for ya man. Didn't nobody tell ya I was lookin' for ya?...Hey, you're supposed to be the fastest thing in the Valley, man, but that can't be your car. It must be your mama's car. I'm sorta embarrassed to be this close to ya.
John: I'm not surprised, drivin' a Field Car.
Bob Falfa: Field Car? What's a Field Car?
John: A Field Car runs through the fields, drops cow shit all over the place to make the lettuce grow.
Bob Falfa: [laughing] That's pretty good. Hey, I like the color of your car there, man. What's that supposed to be? Sorta a cross between Piss Yellow and Puke Green, ain't it?
John: Well, you call that a paint job but it's pretty ugly. I'll betcha you gotta sneak up on the pumps just to get a little air in your tires.
Bob Falfa: Well, at least I don't have to pull over to the side just to let a funeral go by, man.
John: Oh, funny... You know what?
Carol: Your car's uglier than I am! [She turns back to John] That didn't come out right.
John: You're gonna hafta do one hell of a lot more than that to scare me!
Bob Falfa: Hey I've been lookin' all over for ya man. Didn't nobody tell ya I was lookin' for ya?...Hey, you're supposed to be the fastest thing in the Valley, man, but that can't be your car. It must be your mama's car. I'm sorta embarrassed to be this close to ya.
John: I'm not surprised, drivin' a Field Car.
Bob Falfa: Field Car? What's a Field Car?
John: A Field Car runs through the fields, drops cow shit all over the place to make the lettuce grow.
Bob Falfa: [laughing] That's pretty good. Hey, I like the color of your car there, man. What's that supposed to be? Sorta a cross between Piss Yellow and Puke Green, ain't it?
John: Well, you call that a paint job but it's pretty ugly. I'll betcha you gotta sneak up on the pumps just to get a little air in your tires.
Bob Falfa: Well, at least I don't have to pull over to the side just to let a funeral go by, man.
John: Oh, funny... You know what?
Carol: Your car's uglier than I am! [She turns back to John] That didn't come out right.
What Lies Beneath (2000) as Norman Spencer
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I'm going to have the police check on the house while I'm gone.
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The first time I met you, all I wanted was to spend the rest of my life with you. [shakes head] Not going to happen now.
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You're not yourself today, are you?
The Secret Life of Pets 2 (2019) as Rooster
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Guy's got 2 things in this life: his water bowl and his dignity. You take one, you take the other.
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Pops: Oh, hello, Snowball.
Rooster: Are you scared?!
Max: No! No, I'm not!
Rooster: Now, you're talking!
Rooster: Are you scared?!
Max: No! No, I'm not!
Rooster: Now, you're talking!
