Sandra Bullock movie quotes
94 quotes from 12 movies
Minions (2015) as Scarlet Overkill
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Doesn't it feel so good to be bad?
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Bye-bye, Say bye-bye, Bob, Bye-bye!
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It’s red hot.
Speed (1994) as Annie Porter
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"I got gum on my seat! GUM!"
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"Get your ass behind the yellow line."
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"You're a good, kind man. They're gonna write songs about you."
Gravity (2013) as Dr. Ryan Stone
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[after narrowly escaping the destruction of the ISS] I hate space.
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Clear skies but with a chance of satellite debris.
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You're losing altitude, Tiangong. You keep dropping and you're going to kiss the atmosphere. But not without me, because you're my last ride. [disarms hatch] Wait. [grabs fire extinguisher] Five... four.. three... No more just driving. Let's go home.
Miss Congeniality 2: Armed & Fabulous (2005) as Gracie Hart
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The Steele brothers were fired from the Treasure Island show. Cheryl said something about her booty being on the line. Cheryl would never refer to her ass as a booty, Cheryl would never refer to her ass, period. She calls it a po-po.
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Sir, I just don't wanna become FBI Barbie again.
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Gracie: Oh, God, I just don't see why I couldn't be Tina.
Fuller: You don't see that?
Gracie: I am the Tina Turner fan.
Fuller: You don't see that?
Gracie: I am the Tina Turner fan.
Speed 2: Cruise Control (1997) as Annie
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Annie: I've been in worse situations than this, and panic does not help, trust me!
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Annie: This night seems almost too perfect.
Alex: Want me to step on your foot?
Annie: You already did.
Alex: Oh, I mean again?
Alex: Want me to step on your foot?
Annie: You already did.
Alex: Oh, I mean again?
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Annie: Jack, he was never the romantic type. For our anniversary, he gives me pepper spray. PEPPER SPRAY. I think it's perfume. I end up in the emergency room.
The Proposal (2009) as Margaret
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Margaret: That your family?
Andrew: Yes.
Margaret: They tell you to quit?
Andrew: Every single day.
Andrew: Yes.
Margaret: They tell you to quit?
Andrew: Every single day.
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Margaret: Oh my God, what is that?
Andrew: I’m sorry.
Margaret: What is it?
Andrew: It’s… the morning.
Andrew: I’m sorry.
Margaret: What is it?
Andrew: It’s… the morning.
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[Margaret is trying on the hand-me-down family wedding dress]
Margaret: Wow. Incredible. Maybe a tad loose in certain areas, but otherwise —
Grandma Annie: Oh, sorry. I’m a bit chesty to begin with, and, I happened to be knocked up when I wore this.
Margaret: Wow. Incredible. Maybe a tad loose in certain areas, but otherwise —
Grandma Annie: Oh, sorry. I’m a bit chesty to begin with, and, I happened to be knocked up when I wore this.
The Lake House (2006) as Kate Forster
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[to her dog as she leaves the house] You coming or not?
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I have to learn to live the life that I have got. Please don't write anymore. Don't try to find me. Let me let you go.
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Life is not a book, Alex. And it can be over in a second. I was having lunch with my mother at Daley Plaza and a man was killed right in front of me. He died in my arms. And I thought, "It can't end just like that on Valentine's Day." And I thought about all the people who love him, waiting at home, who will never see him again. And then I thought, "What if there is no one? What if you live your whole life and no one is waiting?"
The Lost City (2022) as Loretta Sage
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This is not a romance novel.
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Jungle eat people like us.
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I'm a woman. I can't mansplain anything.
Bullet Train (2022) as Maria Beetle
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Maria Beetle: Are you nervous?
Ladybug: Yeah, I'm nervous.
Maria Beetle: You sound nervous.
Ladybug: Because I am, in fact, nervous.
Ladybug: Yeah, I'm nervous.
Maria Beetle: You sound nervous.
Ladybug: Because I am, in fact, nervous.
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Maria Beetle: Are you hiding in a bathroom?
Ladybug: Yeah. Have you tried these smart toilets? They're a pleasure to the senses. If I had one in the chamber, I would rock this bad boy right now.
Maria Beetle: Boundaries. We need boundaries.
Ladybug: Yeah. Have you tried these smart toilets? They're a pleasure to the senses. If I had one in the chamber, I would rock this bad boy right now.
Maria Beetle: Boundaries. We need boundaries.
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Maria Beetle: [over the phone] Talk to me.
Ladybug: I am ready. You are getting the new, improved me. Because if you put peace out in the world, you get peace back.
Maria Beetle: I think you might be forgetting what you do for a living. Take the gun.
Ladybug: Every job I do, somebody dies. I'm not that guy anymore.
Maria Beetle: Some conflicts require a gun.
Ladybug: Okay. What am I snatching and/or grabbing?
Maria Beetle: A briefcase. You said you wanted simple for your first job back. Doesn't get simpler.
Ladybug: There's nothing simple about this job!
Maria Beetle: There's something else going on here.
Ladybug: Yeah, I'm not the only one on this train looking for this case.
Ladybug: I am ready. You are getting the new, improved me. Because if you put peace out in the world, you get peace back.
Maria Beetle: I think you might be forgetting what you do for a living. Take the gun.
Ladybug: Every job I do, somebody dies. I'm not that guy anymore.
Maria Beetle: Some conflicts require a gun.
Ladybug: Okay. What am I snatching and/or grabbing?
Maria Beetle: A briefcase. You said you wanted simple for your first job back. Doesn't get simpler.
Ladybug: There's nothing simple about this job!
Maria Beetle: There's something else going on here.
Ladybug: Yeah, I'm not the only one on this train looking for this case.
Crash (2005) as Jean
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Jean: I am angry all the time... and I don't know why.
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[After Maria takes Jean to the hospital]
Jean: Do you want to hear something funny?
Maria: What's that, Mrs. Jean?
Jean: You're the best friend I've got.
Jean: Do you want to hear something funny?
Maria: What's that, Mrs. Jean?
Jean: You're the best friend I've got.
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Jean: [yelling] I just had a gun pointed in my face...
Rick: You lower your voice.
Jean: ... and it was my fault because I knew it was gonna happen. But if a white person sees two black men walking towards her and she turns and walks away, she's a racist, right? Well I got scared and I didn't do anything and ten seconds later I had a gun in my face! Now I am telling you, your amigo in there is going to sell our key to one of his homies and this time it would be really **** great if you acted like you gave a shit!
Rick: You lower your voice.
Jean: ... and it was my fault because I knew it was gonna happen. But if a white person sees two black men walking towards her and she turns and walks away, she's a racist, right? Well I got scared and I didn't do anything and ten seconds later I had a gun in my face! Now I am telling you, your amigo in there is going to sell our key to one of his homies and this time it would be really **** great if you acted like you gave a shit!
Demolition Man (1993) as Lenina Huxley
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[Lenina Huxley and John Spartan begin using virtual-reality helmets to make love, but Spartan abruptly removes his]
Lenina Huxley: What's wrong? You broke contact.
John Spartan: Contact? I didn't even touch you yet.
Huxley: But I thought you wanted to make love.
Spartan: Is that what you call this?
Huxley: [puts Spartan's helmet back on his head] Vir-sex has been proven to produce higher orders of alpha waves during digitized transference of sexual energies.
Spartan: All right, Huxley, what do you say we just do it the old-fashioned way? [removes it again]
Huxley: Ugh, disgusting! You mean... fluid transfer?
Spartan: No, I mean boning, the wild mambo, the hunka chunka...
Huxley: That is no longer done. The exchange of bodily fluids - do you know what that leads to?
Spartan: Yeah, I do! Kids, smoking, a desire to raid the fridge.
Huxley: The rampant exchange of bodily fluids was one of the major reasons for the downfall of society. After AIDS, there was NRS; after NRS, there was UBT. And one of the first things that Dr. Cocteau was able to do was to outlaw and behaviorally engineer all fluid transfer out of societally acceptable behavior. Not even - not even mouth transfer's condoned.
Spartan: Kissing's not allowed? [Huxley shudders at the thought] Damn, I was a good kisser.
Lenina Huxley: What's wrong? You broke contact.
John Spartan: Contact? I didn't even touch you yet.
Huxley: But I thought you wanted to make love.
Spartan: Is that what you call this?
Huxley: [puts Spartan's helmet back on his head] Vir-sex has been proven to produce higher orders of alpha waves during digitized transference of sexual energies.
Spartan: All right, Huxley, what do you say we just do it the old-fashioned way? [removes it again]
Huxley: Ugh, disgusting! You mean... fluid transfer?
Spartan: No, I mean boning, the wild mambo, the hunka chunka...
Huxley: That is no longer done. The exchange of bodily fluids - do you know what that leads to?
Spartan: Yeah, I do! Kids, smoking, a desire to raid the fridge.
Huxley: The rampant exchange of bodily fluids was one of the major reasons for the downfall of society. After AIDS, there was NRS; after NRS, there was UBT. And one of the first things that Dr. Cocteau was able to do was to outlaw and behaviorally engineer all fluid transfer out of societally acceptable behavior. Not even - not even mouth transfer's condoned.
Spartan: Kissing's not allowed? [Huxley shudders at the thought] Damn, I was a good kisser.
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Lenina Huxley: I have been an enthusiast of your escapades for quite some time. I have, in fact, perused some newsreels from the Schwarzenegger Library, and that time that you took that car...
John Spartan: Hold it. The Schwarzenegger Library?
Huxley: Yes. The Schwarzenegger Presidential Library. Wasn't he an actor when you...?
Spartan: Stop! He was President?
Huxley: Yes! Even though he was not born in this country, his popularity at the time caused the 61st Amendment which states...
Spartan: I don't wanna know... [incredulously] President...
John Spartan: Hold it. The Schwarzenegger Library?
Huxley: Yes. The Schwarzenegger Presidential Library. Wasn't he an actor when you...?
Spartan: Stop! He was President?
Huxley: Yes! Even though he was not born in this country, his popularity at the time caused the 61st Amendment which states...
Spartan: I don't wanna know... [incredulously] President...
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[John Spartan, Lenina Huxley, and Alfredo Garcia enter the Scraps' underground world; Spartan buys a burger from a street vendor]
Lenina Huxley: I think I'm going to be sick.
John Spartan: [takes a bite, enjoys it] Oh. Oh, God...
Alfredo Garcia: [nauseated] Oh...
Spartan: This is fantastic. You guys gotta try this.
Garcia: Oh, my.
Huxley: Just don't ask where the meat comes from.
Spartan: Huxley, what's that supposed to mean?
Huxley: Do you see any cows around here, Detective?
Spartan: [to vendor, in Spanish] ¿Qué es esta carne? (What is this meat?)
Burger vendor: Esta carne es de rata. (This meat is from rats.)
Spartan: [surprised] Rat. This is a rat burger. [vendor nods] Not bad! Matter of fact, this is the best burger I've had in years!
Burger vendor: Gracias, señor. (Thank you, sir.)
Spartan: [coughing, in Italian] Prego. (You're welcome.) See you later.
Lenina Huxley: I think I'm going to be sick.
John Spartan: [takes a bite, enjoys it] Oh. Oh, God...
Alfredo Garcia: [nauseated] Oh...
Spartan: This is fantastic. You guys gotta try this.
Garcia: Oh, my.
Huxley: Just don't ask where the meat comes from.
Spartan: Huxley, what's that supposed to mean?
Huxley: Do you see any cows around here, Detective?
Spartan: [to vendor, in Spanish] ¿Qué es esta carne? (What is this meat?)
Burger vendor: Esta carne es de rata. (This meat is from rats.)
Spartan: [surprised] Rat. This is a rat burger. [vendor nods] Not bad! Matter of fact, this is the best burger I've had in years!
Burger vendor: Gracias, señor. (Thank you, sir.)
Spartan: [coughing, in Italian] Prego. (You're welcome.) See you later.
Two Weeks Notice (2002) as Lucy
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Lucy: What did I tell you that defines an emergency?
George: A large meteoroid, severe blood loss and uh... what was the other thing?
Lucy: Death! And you're not dead!
George: A large meteoroid, severe blood loss and uh... what was the other thing?
Lucy: Death! And you're not dead!
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Lucy: I think you are the most selfish person on the planet.
George: Well that's just silly. Have you met everyone on the planet?
George: Well that's just silly. Have you met everyone on the planet?
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Lucy: Alright, here's somebody interesting, Polly St. Clair
George: Well, that's a terrific resume, Polly. And...uh..Congratulations on the baby.
Polly: What baby?
Lucy: [whispering to George]: Maybe you should check with me before you talk
Polly: What baby?
Lucy: [to Polly] I'd like to talk to you about your moot-court experience.
Polly: What baby??
George: Yeah, what baby, heh??
George: Well, that's a terrific resume, Polly. And...uh..Congratulations on the baby.
Polly: What baby?
Lucy: [whispering to George]: Maybe you should check with me before you talk
Polly: What baby?
Lucy: [to Polly] I'd like to talk to you about your moot-court experience.
Polly: What baby??
George: Yeah, what baby, heh??
