Number one, why aren't you in when I **** told you to be in? Number two, why doesn't this hotel have phones with **** voicemail and not I have to leave messages with the **** receptionist? Number three, you better **** be in tomorrow night when I **** call again otherwise there'll be **** hell to pay. I'm **** telling you. - Harry.
In Bruges (2008) · 30 quotes
3rd most-quoted character in In Bruges (2008): in 8 of its 30 quotes
Most scenes with: Natalie (3), Ken (2)
You've got to stick to your principles. [Shoots himself in head]
More lines from Harry
1 quoteScenes with Harry
6 scenesAye-aye!
Take your pick, Mr. Waters.
An UZI? Ha, I'm not from South Central Los **** Angeles. I didn't come here to shoot 20 black 10-year olds in a **** drive-by - I want a normal gun for a normal person.
I knew he wouldn't kill the guy. I could see it in his eyes when I was telling him about the alcoves.
...about the what?
The alcoves - the alcoves in the Koningin Astrid Park. Oh, I also have some dimdims. You use this word, "dimdims"? The bullets that make the head explode?
"Dumdums", yeah.
Would you like some of these dimdims?
I know I shouldn't...
But I will.
Mother****er.
Is he talking to me?
No, Eirik's on your side, Mr. Waters. Your young friend blinded him last night.
Ray did?
I was trying to rob him. And he took my gun from me. And the gun was full of blanks. And he shot a blank into my eye. And now I cannot see from this eye ever again, the doctors say.
Well, to be honest, it sounds like it was all your fault.
What?!
I mean basically, if you're robbing a man and you're only carrying blanks, and you allow your gun to be taken off you, and you allow yourself to be shot in the eye with a blank which I assume that the person has to get quite close to you then, yeah, really, it's all your fault for being such a poof, so why don't you stop whining and cheer the **** up.
Eirik - I really wouldn't respond.
I thought you wanted the guy dead?
I do want the guy dead, I want him **** crucified. But it don't change the fact that he stitched you up like a blind little gay boy, does it?
What?
It's an inanimate **** object!
YOU'RE AN INANIMATE **** OBJECT!
I'm sorry for calling you an inanimate object. I was upset.
The boy's suicidal Harry. He's a walking dead man. Keeps going on about hell and purgatory -
When I phoned you yesterday, did I ask you 'Ken, would you do me a favor and become Ray's psychiatrist please?' No. What I think what I asked you was "would you go blow his **** head off for me?" "He's suicidal"? I'm suicidal, you're suicidal, everybody's **** suicidal. We don't all keep going on about it. Has he killed himself yet? So he's not **** suicidal, is he?
He put a loaded gun to his head this morning, I stopped him.
He... What? This gets **** worse!
We were down the park...
Let me get this right. You were down in the park? What's that got to do with **** anything? Let me get this right. Not only have you refused to kill the boy, you even stopped the boy from killing himself, which would have solved my problem, which would have solved your problem, which sounds like it would have solved the boy's problem.
It wouldn't have solved his problem.
Ken, if I had killed a little kid, accidentally or otherwise, I wouldn't have thought twice. I'd killed myself on the **** spot. On the **** spot. I would've stuck the gun in me mouth on the **** spot!
That's you, Harry. The boy has the capacity to change. The boy has the capacity to do something decent with his life.
Excuse me, Ken, I have the capacity to change.
Yeah, you do. You've the capacity to get **** worse!
Ah yeah, now I'm getting down to it!
Harry, let's face it. And I'm not being funny, I mean no disrespect, but you're a ****. You're a **** now, you've always been a ****. And, the only thing that's gonna change is that you're gonna become an even bigger ****. Maybe have some more **** kids.
Leave my kids **** out of it! What have they done? You **** retract that bit about my **** **** kids!
I retract that bit about your **** **** kids.
Insulting my **** kids?! That's going overboard, mate!
I retracted it, didn't I?! [quietly] Still leaves you a ****...
Yeah, I **** got that.
Why don't you two just put your guns down and go home?
Don't be stupid; this is the shootout!
Harry? It's Ken. Listen to this noise. Do you know what that is? Yeah, I know you know it's a train. Do you know what train? Well, it's a train that Ray just got on, and he's alive and he's well, and he doesn't know where he's going and neither do I. So if you need to do your worst, do your worst. You've got the address of the hotel. I'll be here waiting. Because I've got to quite like Bruges now. It's like a **** fairytale or something. [Ken hangs up]
Harry. Harry!
What!
It's an inanimate **** object!
You're an inanimate **** object!
Now, you lot be good for your mummy and Imamoto, okay? 'Cause Daddy's got to go away for a few days.
Where are you going?
I've got to go to Bruges.
Bruges? Where's that?
It's in Belgium.
Why would anybody have to go to Belgium?
'Cause I've got to sort something out.
Is it something to do with the phone?
It's something to do with Ken. It's a matter of honour.
Well, it ain't gonna be dangerous, is it?
Well, of course it's gonna be dangerous if it's a matter of **** honour!
You are bringing the fellas with you? Tell me you're bringing the fellas with you. [Harry shakes his head] Harry.
I'm sorry for calling you an inanimate object. I was upset.
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