A character in In Bruges (2008)

Ray quotes from In Bruges (2008)

Colin Farrell

Most-quoted character in In Bruges (2008): in 19 of its 30 quotes
Most scenes with: Ken (11)

A line from Ray [Voiceover]

After I killed them, I dropped the gun in the Thames, washed the residue off my hands in the bathroom of a Burger King, and walked home to await instructions. Shortly thereafter, the instructions came through. "Get the **** out of London, yous dumb ****s. Get to Bruges." I didn't even know where Bruges **** was. [Pause] It's in Belgium.

More lines from Ray

4 quotes
Ray

This is my vote of what we should do. We give it another day, two days max, then we check the papers again and if there's still nothing in 'em, we phone him and say, "Harry, thank you for the trip to Bruges, it's been very nice, all the old buildings and that, but we're coming back to London now," and hide out in a proper country where it isn't all just **** chocolates.

Ray

Exactly at what point was it that all skinheads suddenly became poofs? It used to be, you were a skinhead, you just went round beating up Pakistani twelve-year olds. Now it seems a prerequisite to be a **** bumboy!

Ray
[Voiceover]

There's a Christmas tree somewhere in London with a bunch of presents underneath it that'll never be opened. And I thought, if I survive all this, I'll go to that house, apologize to the mother there, and accept whatever punishment she chose for me. Prison... death... didn't matter. Because at least in prison and at least in death, you know, I wouldn't be in ****in' Bruges. But then, like a flash, it came to me. And I realized, **** man, maybe that's what hell is: the entire rest of eternity spent in ****in' Bruges. And I really, really hoped I wouldn't die. I really, really hoped I wouldn't die.

Scenes with Ray

14 scenes
Ken

We shall strike a balance between culture and fun.

Ray

Somehow I believe, Ken, that the balance shall tip in the favour of culture, like a big fat **** **** **** black girl on a see-saw opposite... a dwarf.

Ken
[preparing to climb the the belfry]

Coming up?

Ray

What's up there?

Ken

The view.

Ray

The view of what? The view of down here? I can see that from down here.

Ken

Ray, you are about the worst tourist in the whole world.

Ray

Ken, I grew up in Dublin. I love Dublin. If I grew up on a farm, and was ****, Bruges might impress me but I didn't, so it doesn't.

Ken
[looking at a surreal Bosch painting]

It's Judgment Day, you know?

Ray

No. What's that then?

Ken

Well, it's, you know, the final day on Earth, when mankind will be judged for the crimes they've committed and that.

Ray

Oh. And see who gets into heaven and who gets into hell and all that.

Ken

Yeah. And what's the other place?

Ray

Purgatory.

Ken

Purgatory... what's that?

Ray

Purgatory's kind of like the in-betweeny one. You weren't really shit, but you weren't all that great either. Like Tottenham. [pause] Do you believe in all that stuff, Ken?

Ken

About Tottenham?

Overweight Man

Been to the top of the tower?

Ray

Yeah, yeah, it's rubbish.

Overweight Man

It is? Guide book says it's a must see.

Ray

Well you lot ain't goin' up there.

Overweight Man

Pardon me? Why?

Ray

I mean it's all windy stairs. I'm not being funny.

Overweight Man

What exactly are you trying to say?

Ray

What exactly am I trying to say? You's are a bunch of ****in' elephants!

Ray

I don't hit women. I'd never hit a woman, Chloë! I hit a woman who was trying to hit me with a bottle! That's different, that's self defense, isn't it? Or a woman who did karate. I'd never hit a woman generally, Chloë. Don't think that. God, you're pretty.

Chloë

I have to make a call.

Ray

Oh no. You've gone off me, haven't you? Just cause I hit that **** cow.
[she kisses him]

Chloë

There's never been a classic movie made in Bruges until now.

Ray

Of course there hasn't. It's a shithole.

Chloë

Bruges is my home town, Ray.

Ray

Well, it's still a shithole.

Chloë

It's not a shithole!

Ray

What? Even midgets have to take drugs to stick it.

Chloë

Okay. So, you've insulted my home town. You were doing really well, Raymond. Why don't you tell me some Belgium jokes while you're at it?

Ray

Don't know any Belgium jokes, and if I did I think I'd have the good sense not to... hang on. Is Belgium with all those child abuse murders lately? I do know a Belgium joke. What's Belgium famous for? Chocolates and child abuse, and they only invented the chocolates to get to the kids. [sees Chloë's shocked expression] What?

Chloë

One of the girls they murdered was a friend of mine.

Ray
[after a long pause, feeling bad]

I'm sorry, Chloë.

Chloë

One of the girls they murdered wasn't a friend of mine. I just wanted to make you feel bad. And it worked! Quite well.

Ken

How did your date go?

Ray

My date involved two instances of extreme violence, one instance of her hand on my **** and my finger up her thing, which lasted all too briefly - isn't that always the way? - one instance of me stealing 5 grams of a very high quality cocaine and one instance of me blinding a poofy little skinhead, so, all in all, my evening pretty well balanced out...fine.

Ken

You've got five grams of coke?

Ray
[shakes head]

No, I got four grams on me and one gram in me, which me heart is going like the **** clappers as if I'm about to have a heart attack, so if I collapse any minute now please remember to tell the doctors it might have something to do with the coke.

Ray

Jesus, Ken, I'm trying to talk about...

Ken

I know what you're trying to talk about.

Ray

I killed a little boy. You keep bringing up the **** lollipop man.

Ken

You didn't mean to kill a little boy.

Ray

I know I didn't mean to... but because of the choices I made, and the course that I put into action, that little boy isn't here anymore, and he'll never be here again. [pause] I mean here in the world, not here in Belgium. Well he'll never be here in Belgium either, will he? I mean, he might've wanted to come here when he got older. Don't know why. And that's all because of me. He's dead because of me. And I'm trying to... been trying to get me head around it, but I can't. I will have always have killed that little boy. That ain't ever going away. Ever. Unless... maybe I go away.

Ken

Don't even think like that.

Ken

What the **** are you doing, Ray?

Ray

What the **** are 'you' doing?

Ken
[Ken sticks pistol behind his back]

Nothing.

Ray

Oh, my God... you were gonna kill me.

Ken

No, I wa - You were gonna kill yourself!

Ray

Well... I'm allowed.

Ken

No, you're not!

Ray

What? I'm not allowed, and you are? How's that fair?

Ken

We are doing what I want to do, got it?

Ray

Of course, which I presume will involve culture.

Ken

Oh, we shall strike a balance between culture and fun.

Ray

Somehow I believe, Ken, that the balance shall tip in the favour of culture, like a big fat **** **** **** black girl on a see-saw opposite... a dwarf.

Ken
[Walks up behind Ray sitting on a park bench who holds up gun to head]

Ray, don't!

Ray

****in' hell! Where the **** did you come from?

Ken

I've behind a thing. What the **** you doing, Ray?

Ray

What the **** are you doing?

Ken

Nothin'.

Ray
[Ken sticks pistol behind his back]

Oh, my God... you were gonna kill me.

Ken

No, I wa - You were gonna kill yourself!

Ray

Well... I'm allowed.

Ken

No, you're not!

Ray

What? I'm not allowed, and you are? How's that fair?

Ray

Mine's a bloody girl's gun.

Ken

I'm keeping it.

Ray

Pardon me? Gimme me gun back.

Ken

You're not getting it back. You're a suicide case.

Ray

And you were trying to shoot me in the **** head.

Ken

You're not getting that gun back.

Ray

Oh, great day this has turned out to be. I'm suicidal, me mate tries to kill me, me gun gets nicked and we're still in **** Bruges.

Ken

Listen, I'm gonna give you some money and put you on a train somewhere.

Ray

Back to England?

Ken

You can't go back to England, Ray. You'd be a dead man!

Ray
[Sobs]

Ken, I wanna be a dead man. Have you been missing somethin'?

Ken

You don't wanna a dead man, Ray.

Ray

I killed a little boy! [Sobs]

Ken

Then save the next little boy. Just go away somewhere, get out of this business and try to do something good. You're not gonna help anybody dead. You're not gonna bring that boy back, but you might save the next one.

Ray

What am I gonna be, a doctor? You need exams.

Ray

Do anything, Ray. Do anything!

Ray

What a wanker!

Ken

He said this whole trip... this whole being in Bruges thing, was just to give you one last, joyful memory before you died.

Ray

In Bruges? [Laughs] The Bahamas, maybe? Why **** Bruges?

Ken

I suppose it's cheaper.

Ray

The rest of the acid and the ecstasy. Can I have me gun back, please? What am I gonna do, Ken? What am I gonna do?

Ken

Just keep moving. Keep on moving. Try not to think about it. Learn a new language, maybe?

Ray

Sure, I can hardly do English. That's one thing I like about Europe, though. You don't have to learn any of their languages.

Ken

Just forget about home for a while. See how the land lies in six years, seven years. Seven years is not that long.

Ray

It's longer than that boy got. My first **** job. Great hitman I turned out to be.

Ken

Some people just aren't cut out for it, Ray.

Ray

Are you? When are you going back to England?

Ken

I'll head back in a couple of hours or something.

Ray

Harry's not gonna be mad at you, is he? For letting me go?

Ken

I'll sort out Harry.

Ray

Just tell him I'll have probably killed myself in a fortnight, anyway.

Ken

You won't, will you, Ray?

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