Juliette Lewis movie quotes
28 quotes from 6 movies
Kalifornia (1993) as Adele Corners
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Adele Corners: Will you tell me more about California?
Early Grayce: Yeah, I guess so. Let's see. One thing, people think faster out there on the account of all that warm weather. Cold weather makes people stupid. That's a fact.
Adele Corners: I guess that explains why there's so many stupid people around here.
Early Grayce: It sure does. You know what else? You never have to buy no fruit on account it's all on the trees everywhere you turn. And they ain't got no speed limits. I hear your first month's rent is free, state law. So I'm thinking till we get settled we'll just move around from month to month. How will that be with you, momma?
Adele Corners: What are we going to do out there, Early?
Early Grayce: By God the first thing we're going to do is get us a couple of six-packs of Lucky Lager and we're going to climb up to that famous Hollywood sign. We're going to howl at the moon, goddamn it. [howls] Yeah, just like that.
Adele Corners: I heard once that there ain't nothing on that old moon except some little golf balls the astronauts left behind.
Early Grayce: Nah, that ain't right. That's bullshit. The government be sending people there all the time. Just don't want us to know about it.
Early Grayce: Yeah, I guess so. Let's see. One thing, people think faster out there on the account of all that warm weather. Cold weather makes people stupid. That's a fact.
Adele Corners: I guess that explains why there's so many stupid people around here.
Early Grayce: It sure does. You know what else? You never have to buy no fruit on account it's all on the trees everywhere you turn. And they ain't got no speed limits. I hear your first month's rent is free, state law. So I'm thinking till we get settled we'll just move around from month to month. How will that be with you, momma?
Adele Corners: What are we going to do out there, Early?
Early Grayce: By God the first thing we're going to do is get us a couple of six-packs of Lucky Lager and we're going to climb up to that famous Hollywood sign. We're going to howl at the moon, goddamn it. [howls] Yeah, just like that.
Adele Corners: I heard once that there ain't nothing on that old moon except some little golf balls the astronauts left behind.
Early Grayce: Nah, that ain't right. That's bullshit. The government be sending people there all the time. Just don't want us to know about it.
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Early Grayce: You haven't even said thank you.
Adele Corners: Thank you.
Early Grayce: Thank you for what, Adele?
Adele Corners: I don't know, Early.
Early Grayce: Well, Adele, it's for saving your **** life back there! Goddamn! You were this close, momma, from spending the night in the county morgue.
Carrie Laughlin: He wasn't going to shoot her, you murdering son of a bitch!
Brian Kessler: Stop it, Carrie.
Carrie Laughlin: What are you **** insane?
Brian Kessler: Shut up!
Carrie Laughlin: God, why are you so **** blind, Brian? He's a murderer for crying out loud.
Brian Kessler: Just shut up!
Early Grayce: Goddamn bunch of loons.
Adele Corners: Thank you.
Early Grayce: Thank you for what, Adele?
Adele Corners: I don't know, Early.
Early Grayce: Well, Adele, it's for saving your **** life back there! Goddamn! You were this close, momma, from spending the night in the county morgue.
Carrie Laughlin: He wasn't going to shoot her, you murdering son of a bitch!
Brian Kessler: Stop it, Carrie.
Carrie Laughlin: What are you **** insane?
Brian Kessler: Shut up!
Carrie Laughlin: God, why are you so **** blind, Brian? He's a murderer for crying out loud.
Brian Kessler: Just shut up!
Early Grayce: Goddamn bunch of loons.
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Early Grayce: [after shooting two cops] Got them both on the dead run.
Adele Corners: No! No, no, no Early!
Early Grayce: Come on, momma. [Walks over to Brian who is standing over the wounded cop] Tell me that don't hurt. Here. [Hands Brian a gun while pointing another one at his head]
Brian Kessler: What?
Early Grayce: Gotta put that crippled dog out of his misery. You wanna know about it, you gotta do it, son. Shoot him. Come on, lay it on in there. Come on, mean boy. Come on, mean boy. Do it! Shoot him! Shoot the dog! Time to live, boy. Shoot him. Come on. Go! Go, mean boy.
[Brian drops the gun]
Early Grayce: You ****.
Brian Kessler: Look at his face! It's not your father. Look at him!
Early Grayce: I know that, you idiot. That's police in a world of hurting. This here's a mercy killing.
[He kills the cop]
Carrie Laughlin: Oh God!
Early Grayce: Let's hit the road.
Adele Corners: No! No, no, no Early!
Early Grayce: Come on, momma. [Walks over to Brian who is standing over the wounded cop] Tell me that don't hurt. Here. [Hands Brian a gun while pointing another one at his head]
Brian Kessler: What?
Early Grayce: Gotta put that crippled dog out of his misery. You wanna know about it, you gotta do it, son. Shoot him. Come on, lay it on in there. Come on, mean boy. Come on, mean boy. Do it! Shoot him! Shoot the dog! Time to live, boy. Shoot him. Come on. Go! Go, mean boy.
[Brian drops the gun]
Early Grayce: You ****.
Brian Kessler: Look at his face! It's not your father. Look at him!
Early Grayce: I know that, you idiot. That's police in a world of hurting. This here's a mercy killing.
[He kills the cop]
Carrie Laughlin: Oh God!
Early Grayce: Let's hit the road.
Cape Fear (1991) as Danielle Bowden
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My reminiscence: I always thought that for such a lovely river the name was mystifying, Cape Fear, when the only thing to fear on those enchanted summer nights was that the magic would end and real life would come crashing in.
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If you hold on to the past, you die a little each day...
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We never spoke about what happened, at least not to each other. Fear, I suppose, that to remember his name and what he did would mean letting him into our dreams. And me, I hardly dream about him anymore. Still, things won't ever be the way they were before he came. But that's alright because if you hang onto the past you die a little every day. And for myself, I know I'd rather live. [whispers] The end.
From Dusk till Dawn (1996) as Kate
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Kate: Are you okay?
Seth: Peachy, Kate. The world's my oyster, except for the fact that I just rammed a wooden stake in my brother's heart because he turned into a vampire, even though I don't believe in vampires. Aside from that unfortunate business, everything's hunky-dory.
Seth: Peachy, Kate. The world's my oyster, except for the fact that I just rammed a wooden stake in my brother's heart because he turned into a vampire, even though I don't believe in vampires. Aside from that unfortunate business, everything's hunky-dory.
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Kate: Seth, should I save the last two bullets for us?
Seth: No, use 'em on the next two of these ****s that try to bite you!
Seth: No, use 'em on the next two of these ****s that try to bite you!
Starsky and Hutch (2004) as Kitty
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Reese Feldman: [to a drug dealer] Coke: It costs money. Planes: they cost money. This yacht, this perm, my kid's braces: it all costs money. [pointing at his mistress] Do you think Kitty's free?
Kitty: What?
Kitty: What?
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Reese Feldman: [Kitty kisses Reese] Mmm... why'd I'd get so lucky?
Kitty: I dunno... I just love when you talk so tough...
Reese Feldman: Of course you do baby, that's why you're my girlfriend on the side.
Kitty: I dunno... I just love when you talk so tough...
Reese Feldman: Of course you do baby, that's why you're my girlfriend on the side.
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Kitty: Oh, my God, we almost nearly got killed.
Reese Feldman: Thank you for pointing out something I wouldn't have noticed by myself. You're a benefit to have.
Reese Feldman: Thank you for pointing out something I wouldn't have noticed by myself. You're a benefit to have.
National Lampoon's Christmas Vacation (1989) as Audrey
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Audrey: Do you sleep with your brother? Do you know how sick and twisted that is?
Ellen: Well, I'm sleeping with your father. Don't be so dramatic.
Ellen: Well, I'm sleeping with your father. Don't be so dramatic.
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Clark: We're kicking off our fun old fashion family Christmas by heading out into the country in the old front-wheel drive sleigh to embrace the frosty majesty of the winter landscape and select that most important of Christmas symbols.
Audrey: We're not coming all the way out here just to get one of those stupid ties with Santa Clauses on it are we?
Clark: No, I have one of those at home.
Audrey: We're not coming all the way out here just to get one of those stupid ties with Santa Clauses on it are we?
Clark: No, I have one of those at home.
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[Clark has just lost his tree and found out he had been stiffed on his Christmas bonus. He stalks outside the house, with his chainsaw]
Audrey: Uh oh, he's got that crazy look in his eye.
Russ: I told you we should've gone to Hawaii!
Ellen: CLARK, TURN THAT THING OFF AND GET IN THE HOUSE!
Russ: I'll go talk to him. [walks up to Clark] You know, Dad, I've been thinking... [Clark turns and stares crazily at him, his running chainsaw pointed in Russ' direction] Good talk, Dad!
Audrey: Uh oh, he's got that crazy look in his eye.
Russ: I told you we should've gone to Hawaii!
Ellen: CLARK, TURN THAT THING OFF AND GET IN THE HOUSE!
Russ: I'll go talk to him. [walks up to Clark] You know, Dad, I've been thinking... [Clark turns and stares crazily at him, his running chainsaw pointed in Russ' direction] Good talk, Dad!
Strange Days (1995) as Faith Justin
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You know one of the ways that movies are still better than playback? 'cause the music comes up, there's credits, and you always know when it's over. [Turns to Lenny] It's over!
