London's so bleak this time of year. Not that I'm pining for New Jersey, I prefer to travel in the winter.
3rd most-quoted character in Sherlock Holmes (2009): in 13 of its 115 quotes
Most scenes with: Sherlock Holmes (9)
I told you to let it breathe. Can you taste the comet?
More lines from Irene Adler
3 quotesI'm Irene Adler again.
I've never been in over my head.
Scenes with Irene Adler
9 scenesNow, by the looks of things, you're between jobs.
And you between husbands. How much did you get for the ring?
Oh, he was boring, and jealous, and he snored. [shrugs] I'm Irene Adler once again.
Why are you always so suspicious?
Should I answer chronologically or alphabetically?
So … case closed. Which makes this a social visit.
No, it's a "you're in over your head, Irene" visit.
You know, somehow I knew you wouldn't leave.
You made the front page.
Only a name and no picture.
Anyway, it appears that you'll be working outside the law now, and that's my area of expertise.
I feel safer already.
I've never woken up in handcuffs before.
I have … naked. [referring to earlier in the film]
He's just as brilliant as you are, and infinitely more devious.
We'll see about that.
You'll miss me, Sherlock.
Sadly, yes.
He'll do it.
Well done, Miss Adler. That's precisely why I hired you.
I wager he will have our man in the next 24 hours.
He'd better. Reordan is the key to what Blackwood was doing. He's essential to my plan.
A little rifle range could go a long way, sir. Rubbin' the calluses off these German bands – [Irene's employer brandishes a wrist-mounted gun. The bum backs off] God save the Queen. God save the Queen. [He tips his hat and walks away]
What were you doing [out there]?
Will you allow me to explain?
I wish you would.
Holmes, what are you doing?
Nothing.
Are you wearing a …
… false nose? No.
Tell me that that wasn't … [before he can say "Irene Adler," Holmes jumps out the window and lands on a dumpster] Holmes, where are you going? [Holmes jumps onto another dumpster that is much lighter and the roof collapses under his weight.]
Watson! Uh, Watson! [Watson simply closes the window]
Got some flowers for you, sweetheart. Cut you a deal 'cause you're so pretty.
Oh! My lucky day!
Hello gorgeous, have you got something for me?
MOVE! [ She backs the thug into the wall, then she lowers the blade from his face to his neck and searches the man's pockets] Now what have we got here? Oh! [She takes the man's wallet, and the flower bouquet] Thank you.
That's the Irene I know. [He continues to follow Irene, passing through a small circus. He follows her through a small dressing tent, swiping some items to add to his disguise. Irene momentarily turns around, and does not notice that standing behind a performer carrying a weight is Holmes, wearing a top hat, a scarf, and an eyepatch over his left eye. As soon as she turns away, Holmes emerges from hiding and continues to follow her. He intercepts the carriage as it is coming along by ramming into the side of the horse, causing it to stop. The scene then fast-forwards through Holmes being yelled at by the driver and being scared off by the employer's wrist-mounted pistol and cuts to Holmes finishing his story]
This man intrigues me, Watson, he's got Adler on edge.
Which is no mean feat.
She's intimidated. She's scared of him.
Well she works for him.
Right.
Well, it's nothing to do with me, but I advise you: Leave. The case. Alone.
Well, I may not have a choice, hm? After all, I may be paying the rent on my own, soon. [points his violin bow at Watson] Thanks to you.
Get that out of my face.
It's not in your face; it's in my hand.
Get what's in your hand out my face.







