I'm not gonna let 'em kill my film!
King Kong (2005) · 65 quotes
Most-quoted character in King Kong (2005): in 37 of its 65 quotes
Most scenes with: Lumpy (12), Captain Englehorn (7), Jack Driscoll (6)
"And lo, the beast looked upon the face of beauty, and beauty stayed his hand. And from that day forward, he was as one dead."
More lines from Carl Denham
13 quotesThere's still some mystery left in this world, and we can all have a piece of it. For the price of an admission ticket.
Don't worry, Preston, I've had a lot of practice at this. I'm real good at crappin' the crappers.
Ladies and gentlemen, I give you Kong, THE EIGHTH WONDER OF THE WORLD!
Goddammit, Preston, all you had to do was look her in the eye and lie!
Sorry, fellas, you're gonna have to do better than that. Monsters belong in B movies.
Defeat is always momentary.
It wasn't the airplanes. It was Beauty killed the Beast.
Just as you go down for the third and final time, as your head disappears beneath the waves, and your lungs fill with water, do you know what happens in those last precious seconds before you drown? Your whole life passes before your eyes... and if you've lived as a true American, you get to watch it all in color.
The whole world will pay to see this.
We'll give him more than chains. He's always been king of his world!! But we'll teach him fear. We're millionaires, boys! I'll share it with all of you. In a few months, his name will be up in lights on Broadway! Kong: The Eighth Wonder of the World!
Observe if you will... [carefully puts his hand on Kong's arm. The audience gasps] ...I am touching the beast! I am actually laying my hands on the 25-foot gorilla! [Kong's hand twitches slightly, spooking Carl, causing him to jump. The audience laughs.]
And now, we have in the auditorium tonight... a surprise guest. The real-life hero of this story. The man who hunted down the mighty Kong! The man who risked all to win the freedom of a helpless female. A big hand for Mr. Bruce Baxter!
Scenes with Carl Denham
23 scenesWhat location, Carl?! You're supposed to be shooting on the back lot!
Yes, I understand that. But fellas, we're not making that film anymore. Things have changed. The script has been rewritten. Life... intervened. I've come into possession of a map. The sole surviving record of an uncharted island-- thought to exist only in myth! Until now...
Whoa. Carl. Slow down.
Is he asking for more money?
He's asking us to fund a wild goose chase.
I'm talking about a primative world... never before seen by man. That's where I'll shoot my picture.
Will there be boobies?
Boobies?
Jigglies. Jiblonkas. Bazooms. In my experience, people only go to these films to observe the undraped form of the native girls.
What are you, an idiot? You think they asked DeMill if he would waste his time on nudie shots? NO! They respected the filmmaker! They showed some class! Not that you'd know what that means, you cheap lowlife! God...
Would you step out for a moment, Carl?
[Carl leaves the room and points to a glass of water] Gimme that!
You won't like it. It's non-alcoholic.
Preston, you have a lot to learn about the motion picture business. [he presses the glass against the door and listens intently]
Don't get me wrong. Carl Denham's made some interesting pictures. He's had a lot of... near success.
He's a preening self promoter. Washed up, no talent. The guy's got 'loser' written all over him.
Look, I know his project isn't working out as well as we planned, but--
This jumped up little turd's gonna bankrupt us!
The animal footage has value.
Sure. Universal are desperate for stock footage.
Then sell it! Scrap the picture!
Get him back in.
Mr... Denham? [Carl and Preston have dissapeared from the waiting room]
Vaudeville, huh? I worked Vaudeville once. That is a tough audience. If you don't kill 'em fast, they kill you--
Mr. Denham. I want you to know that I'm not in the habit of accepting charity from strangers, or for that matter... taking things that don't belong to me.
It was obviously a terrible misunderstanding.
It's just that I haven't been paid in a while--
That's awful. Anyway, Ann. You wouldn't happen to be a size 4 by any chance? [Ann stands to leave] No, no. Oh God, no! You've got me all wrong. Ann, please! I'm not that type of person at all.
What type of person are you?
I'm someone you can trust, Ann. I'm a movie producer. Believe me, I am on the level. No funny business. Please, sit down. Please, sit down. Please. [Ann reluctantly sits] I want you to imagine a handsome explorer bound for the Far East.
You're filming in the Far East?
Singapore. On board ship he meets a mysterious girl. She's beautiful, she's fragile. Taunted. But she can't escape the feeling that forces beyond her control are compelling her down a road, from which she can not draw back. It's as if her whole life has been a prelude to this moment; this fateful meeting... that changes everything. And sure enough, against her better judgement...
She falls in love.
Yes!
But she doesn't trust it. She's not even sure if she believes in love.
Uh... really? Why is that?
Good things never last, Mr. Denham.
So you're interested? Great. Now, I don't wanna rush you, but we are under some time pressure.
Well, I really--
Ann, I'm telling you. You're perfect. Look at you, you're the saddest girl I've ever met. You're gonna make 'em weep, Ann. You're gonna break their hearts.
See, that's where you're wrong, Mr. Denham. I make people laugh, that's what I do. Good luck with your picture.
Wait! Ann, Miss Darrow, Please! I'm offering you money, adventure, fame, the thrill of a lifetime and a long sea voyage! You wanna read a script? Jack Driscoll's turning in a draft as we speak.
Jack Driscoll?
Sure, why? Wait... you know him?
Walk forward, Bruce.
What?!
You're the star of this picture, now get into character and hit toward the animals!
Are you sure about this, Denham? Don't we have a stand-in for this type of thing?
I need you in the shot or people will say they're fake.
Oh, nobody's gonna think these are fake!
You wanna trap the ape?
Isn't that what you do? Live animal capture? I heard you were the best.
One more week. That's all I'm asking. Please. I haven't got a film yet. I've risked everything I have on this trip.
No, Denham. You've risked everything I have.
What do you want? Tell me what you want, I'll give you anything!
I want you off my ship.
I'm finished.
How did you think this would end, Carl?
Chart our position. Use the stars.
There are no stars, captain.
What?
That, right there.
I don't know. What is it, a coffee stain? (looks at the map and sees the disturbing effigy of Kong)
God damn it!
I keep telling you, Jack. There's no money in theatre.
I'll give you another thousand if you leave right now.
You haven't given me the first thousand yet.
I'll make it worth your while...
There's nothing out there.
Then you've nothing to lose.
That's the thing about cockroaches. No matter how many times you flush them down the toilet, they always crawl back up the bowl.
Hey buddy, I'm out of the bowl. I'm drying off my wings and trekkin' across the lid!
$2000 is the deal. Will you take a check?
Do I have a choice?
Bring the tripod and all of the film stock.
You wanna go to the six-inch lens?
Wide-angle will do just fine.
What location, Carl?! You're supposed to be shooting on the back lot!
Yes, I understand that, but fellas, we're not making that film anymore. And I'll tell you why. The story has changed. The script has been rewritten. Life... intervened. I've come into possession of a map. The sole surviving record of an uncharted island. A place that was thought to exist only in myth. Until now...
Whoa, Carl, slow down.
Is he asking for more money?
He's asking us to fund a wild goose chase.
Where we're going is the only place on Earth where the geese chase us! I'm talking about a primitive world, never before seen by man. The ruins of an entire civilization. The most spectacular thing you've ever seen. That's where I'll shoot my picture. [After a moment's silence] So, any questions?
Will there be action?
Yes.
Will there be mystery and drama?
Yes.
Will there be romance?
Yes.
Will there be danger, terror and suspense?
Yes!
Will the island natives be friendly or hostile?
Well, that depends.
Depends on what?
Which side they're on, and whether or not they might turn out to be bloodthirsty savages. [after a long pause] Any other questions?
Are you sure this new picture will make a lot of money at the box office?
Yes! Now, if there's nothing else...
Just one more question, if you don't mind my asking?
Go ahead.
Will there be breasts?
Breasts?!
You know what I mean! Jigglies. Jiblonkas. Bazooms. You see, in my experience, people only go to these films to observe the undressed form of the native girls.
What are you, an idiot? You think they asked DeMille if he would waste his time on nude shots? No! They respected the filmmaker! They showed some class! Not that you'd know what that means, you cheap lowlife! [Zelman gives the thuggish studio guy an angry look] Is there anything I can do to make it up to you guys?
Actually, there is. Would you step outside for a moment, Carl?
Gimme that!
You won't like it. It's non-alcoholic.
Preston, you have a lot to learn about the motion picture business. [he presses the glass against the door and listens intently]
Don't write him off, fellas. He's hot-headed, sure. But up to now, Carl Denham's made some interesting pictures; he's had a lot of... near success.
He's a preening self-promoter... an ambitious no-talent! The guy has "loser" written all over him.
Look, I understand your disappointment –
He's washed up. It's all over town!
He can't direct. He doesn't have the smarts.
This jumped-up little jerk's gonna bankrupt us!
The animal footage has value?
Sure! Universal is desperate for stock footage!
Then sell it! Scrap the picture! We gotta retrieve something from this debacle.
Get him back in.
Zelman's Assistant: Mister... Denham?
[Carl and Preston have disappeared from the waiting room]
Fay's a size four.
Yes, she is, but she's doing a picture with RKO.
Cooper, huh? I might've known.
Two thousand – it's a deal. Will you take a check?
Do I have a choice?
Dammit!
I keep telling you, Jack, there's no money in theater. You're much better off sticking with film.
I don't do it for the money, Carl. I happen to love theater.
No, you don't. But If you really loved it, you would've jumped.
She's standing at the railing. She doesn't know it yet, but they are sailing towards disaster. You got that?
Okay, so she turns... the first mate is staggering towards her. There's a knife sticking out of his back.
Wait a sec. We're killing off the first mate?
That's assuming she knows who the first mate is.
Come on, Jack. It was an honest mistake. Ann is nearsighted. It could have happened to anyone.
I was joking, Carl.
The point is she's horrified. She has to look away. And that's when she sees it.
Sees what? What?
The island.
We're filming on an island now? When did this happen?
Jack, keep your voice down. I don't want the crew getting spooked.
Why would they get spooked? What's it called?
All right. It has a local name... but I'm warning you, Jack, it doesn't sound good. [whispering] They call it Skull Island. Did you get that?
What's wrong with this place?
There's nothing officially wrong with it. Because, technically, it hasn't been discovered yet.
Okay. All right. So we arrive at this place, called... [he begins to type it out, saying the letters out loud as he does] S... K... U... L... L... Island.
[Carl turns to see Jimmy has overheard the whole thing]
Relax, Captain. We're not going thousands of miles. And if it makes you feel any better, I'll make it worth your while.
I tell you, Denham, there's nothing out there.
Well then, I guess you've nothing to lose.
If someone were to tell you this ship was headed for Singapore, what would you say?
I would say they're full of it, Mr. Hayes. We turned southwest last night.
Gentlemen, please. We're not looking for trouble, if that's what you two are worried about.
No. You're looking for something else.
Yes, we are. We're going to find Skull Island. Find it, film it, show it to the world. For about 25 cents, you get to see the last blank space on the map.
I wouldn't be so sure of that.
What do you mean? Is there something you're not telling us?
Seven years ago, me and Mr. Hayes were working our passage... on a Norwegian schooner.
We picked up a castaway. We found him in the water. He'd been drifting for days.
His ship had run aground on an island way west of Sumatra. An island hidden in fog. He spoke of a huge wall... built so long ago... that no one knew who'd made it. A wall over 200 feet high... as strong today as it was ages ago.
Why did they build the wall?
Does the name "Kong" mean anything to you?
Oh, come on, guys! That's nothing but a native superstition! A legend! A myth!
Even legends, or myths, have a basis of truth. [After a moment's silence] Believe what you want. But the castaway, he spoke of a creature... neither beast nor man, but something monstrous, living behind that wall.
A lion, a tiger... or a bear, perhaps. A man-eater. That's how all these stories start.
What else did he say?
Nothing. When we found him the next morning, he'd stuck a knife through his heart.
Mmm-hmm. Sorry, fellas, but you'll have to do better than that. Monsters belong in B-movies.
Even if you find this place, even if you go ashore with your friends and your cameras, you won't come back alive. Just as long as you understand that.
Message for you, Captain.
What's going on? [sees Hayes turning the ship with a steering wheel] Hayes, why are we changing course?
Don't look at me, Denham. You'll have to ask the Captain.
Englehorn, you can't turn this ship around without...
Outside, Denham! Right now. [from outside the ship] There's a warrant out for your arrest. Did you know that?
Englehorn, if this is a joke –
It's no joke, Denham. I've been ordered to divert to Rangoon.
Another week. I haven't got a film yet. Please, I've risked everything I have on this trip.
No, Denham. You've done more than that. You risked everything I have.
What do you want? Tell me what you want, I'll give you anything!
I want you off my ship.
Walk forward, Bruce.
What?!
You're the star of this picture. Get into character and head toward the animals!
Those animals are the least of our worries! We're after Miss Darrow, remember?
Look, will you do as you're told?
Well, if you insist...
Please remain calm, ladies and gentlemen! We now come to the climax of this savage ritual. The sacrifice of a beautiful young girl. Behold her terror as she is offered to the mighty Kong! Give a big hand, folks, for the bravest girl I have ever met; Ms. Ann Darrow!
Save me from the beast! [Kong roars in rage. Everyone in the auditorium gasps in shock.] No! no!! Help me! No!!
I have no idea. I heard he offered her all kinds of money and she turned him down flat.
[Scene switches, revealing that the real Ann is in another theater nearby, practicing a dance number]
Here's your story, boys! "Beauty... and the man who saved her from the beast!" Take the pictures.
Oh no... [Kong begins to roar louder and thrashes around on the stage, still chained up.] We have to get these people out of here. [to the audience] Everyone needs to leave! Okay? He thinks that girl is a fake! Come on!
Denham, for once in your life, could you please tell that great big ape to be quiet?
Let him roar! It makes a swell picture. [Laughs]
Head for the exits!
Get your own seat, buddy! You're not having mine.
Excuse me, fellas. Coming through! Coming through, fellas!
Somebody!! SOMEBODY HELP ME!!!
Go! Go now!
Why'd he do that? Climb up there and get himself cornered? The ape must have known what was coming.
He was just a dumb animal. Didn't know nothing. [Carl Denham comes barging through the crowd to see what has become of his beast] What does it matter? The airplanes got him.
It wasn't the airplanes. It was Beauty that killed the Beast.







