Humphrey Bogart movie quotes
232 quotes from 10 movies
Casablanca (1943) as Rick Blaine
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I'm no good at being noble, but it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy mixed-up world. Someday you'll understand that.
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Of all the gin joints in all the towns in all the world, she walks into mine.
Ranked #67 in the American Film Institute's list of the top 100 movie quotations in American cinema.
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Here's looking at you, kid.
Ranked #5 in the "100 Movie Quotes" list
The Big Sleep (1946) as Philip Marlowe
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[to Carol Lundgren] Oh, and by the way, Carol, you shot the wrong guy. Brody didn't kill Geiger.
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[after grabbing a thug's gun] Somebody's always giving me guns. You can turn around now. I don't like people who play games. Tell your boss.
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[to Vivian] Why didn't you go to the police?...Because you were afraid they might turn up something that I couldn't sit on. Then where would the Sternwoods be. Isn't that right?
The Treasure of the Sierra Madre (1948) as Fred C. Dobbs
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[about his winning lottery ticket] Just look at that fat, rich, printed number! That's the kind of sugar Papa likes. Oh, two hundred pesos! Welcome, sweet little smackeroos.
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If I was a native, I'd get me a can of shoe polish and I'd be in business. They'd never let a gringo. You can sit on a bench til you're three-quarters starved. You can beg from another gringo. You can even commit burglary. But try shining shoes in the street or peddling lemonade out of a bucket and your hash is settled. You'd never get another job from an American.
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Can you help a fellow American down on his luck?
The African Queen (1952) as Charlie Allnut
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'What an absurd idea!' Lady, you got ten absurd ideas for my one.
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If there's anything in the world I hate, it's leeches - filthy little devils!
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[to Rose, as she is emptying his gin into the river] Oh, Miss. Oh, have pity, Miss. You don't know what you're doing Miss. I'll perish without a hair of the dog. Oh Miss, it ain't your property.
In a Lonely Place (1950) as Dixon Steele
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[about Laurel] I was born when she kissed me. I died when she left me. I lived a few weeks while she loved me.
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It's much easier to get people's names into the papers than to keep them out.
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That's because they're not always telling each other how much in love they are. A good love scene should be about something else besides love. For instance, this one: me fixing grapefruit, you sitting over there, dopey, half-asleep. Anyone looking at us could tell we were in love.
Dark Passage (1947) as Vincent Parry
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You know, it's wonderful when guys like you lose out. Makes guys like me think maybe we got a chance in this world.
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Irene Jansen: I thought I had a good life here... but your going away doesn't make it seem good anymore. I've sort of joined your team and... and I don't look forward to being without you.
Vincent Parry: When I leave here, you're off my team, and lucky to be. Nah, I've got the Indian sign on me. It seems I can't win.
Vincent Parry: When I leave here, you're off my team, and lucky to be. Nah, I've got the Indian sign on me. It seems I can't win.
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Vincent Parry: Don't you get lonely up here by yourself?
Irene Jansen: I was born lonely, I guess.
Irene Jansen: I was born lonely, I guess.
To Have and Have Not (1945) as Morgan
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Morgan: It's a good thing you didn't get me in that tub.
Slim: Look out for those strings, Steve. You're liable to trip and break your neck.
Frenchie: Strings? I didn't see any strings.
Slim: They just don't show, Frenchie.
Slim: Look out for those strings, Steve. You're liable to trip and break your neck.
Frenchie: Strings? I didn't see any strings.
Slim: They just don't show, Frenchie.
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Cricket: Stick around for a while, she's gonna sing.
Morgan: I'll be right back.
Slim: Give her my love.
Morgan: [about her slinky dress] I'd give her my own if she had that on.
Morgan: I'll be right back.
Slim: Give her my love.
Morgan: [about her slinky dress] I'd give her my own if she had that on.
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Johnson: I don't see what you want that rummy around.
Morgan: Eddie was a good man on the boat before he got to be a rummy.
Johnson: Well, he's no good now...Is he related to you or something?
Morgan: Nope.
Johnson: What do you look after him for?
Morgan: He thinks he's lookin' after me.
Morgan: Eddie was a good man on the boat before he got to be a rummy.
Johnson: Well, he's no good now...Is he related to you or something?
Morgan: Nope.
Johnson: What do you look after him for?
Morgan: He thinks he's lookin' after me.
The Caine Mutiny (1954) as Captain Queeg
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Mr. Maryk, you may tell the crew for me that there are four ways of doing things aboard my ship: The right way, the wrong way, the Navy way, and my way. They do things my way, and we'll get along.
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This is the captain speaking. Some misguided sailors on this ship still think they can pull a fast one on me. Well, they're very much mistaken. Since you've taken this course, the innocent will be punished with the guilty. There will be no liberty for any member of this crew for three months. I will not be made a fool of! Do you hear me?
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I suppose you're wondering why I called this meeting. As you all know we had an excellent dessert for dinner tonight: ice cream and frozen strawberries. About an hour ago, I sent Whittaker to the pantry to bring me another portion. He came back with the ice cream, all right, but he said: "Sir, there ain't no more strawberries." Now, Gentlemen, I do not believe that the officers of this ship consumed a full gallon of strawberries. I intend to prove it.
Key Largo (1948) as Frank McCloud
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When your head says one thing and your whole life says another, your head always loses.
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One Rocco more or less isn't worth dying for!
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You don't like it, do you Rocco, the storm? Show it your gun, why don't you? If it doesn't stop, shoot it.
The Roaring Twenties (1939) as George Hally
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I always say, when you got a job to do, get somebody else to do it.
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George: [about Lloyd and Jean] I'll lay ya eight to five right now - that's kid's gonna move in on your gal.
Eddie: I hope you know what you're talkin' about.
George: Sure I do. Listen Eddie, I'm tryin' to steer you right. Listen, gals like her go for guys like that, you know, with all that Joe College stuff. He's gonna take her to football games, fraternity dances, all that rah-rah stuff. A kid like him can't miss.
Panama: Calm down, Eddie. Maybe George is right. If he is, there's nothing you can do about it.
Eddie: Shudd-up. I trust my friends. [Eddie leaves]
George: You know, he's a sucker. I don't trust mine.
Panama: It's mutual, chump. They don't trust you either.
Eddie: I hope you know what you're talkin' about.
George: Sure I do. Listen Eddie, I'm tryin' to steer you right. Listen, gals like her go for guys like that, you know, with all that Joe College stuff. He's gonna take her to football games, fraternity dances, all that rah-rah stuff. A kid like him can't miss.
Panama: Calm down, Eddie. Maybe George is right. If he is, there's nothing you can do about it.
Eddie: Shudd-up. I trust my friends. [Eddie leaves]
George: You know, he's a sucker. I don't trust mine.
Panama: It's mutual, chump. They don't trust you either.
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Eddie: I came up here to talk to you about Lloyd.
George: There ain't nothin' to talk about.
Eddie: I think there is.
George: Get him out of here, Lefty....
Eddie: Now wait a minute, George, you know that if you get rid of Lloyd, there'll always be somebody to take his place, you know that.
George: I'll worry about that when it happens.
Eddie: But they got a kid.
George: Oh. Still carrying a torch for that dame, huh?
Eddie: I suppose I am.
George: Then what are ya beefin' about? I'm doin' ya a favor by knockin' 'em off. I want him to keep his mouth shut.
Eddie: But he can't. Look George, there's a new kind of setup you don't understand. Guys don't go around tearing things apart like we used to. People try to build things up and that's what Lloyd's tryin' to do. In this new setup, well, you and me just don't belong, that's all.
George: Maybe you don't. I do all right, anytime, anyplace.
George: There ain't nothin' to talk about.
Eddie: I think there is.
George: Get him out of here, Lefty....
Eddie: Now wait a minute, George, you know that if you get rid of Lloyd, there'll always be somebody to take his place, you know that.
George: I'll worry about that when it happens.
Eddie: But they got a kid.
George: Oh. Still carrying a torch for that dame, huh?
Eddie: I suppose I am.
George: Then what are ya beefin' about? I'm doin' ya a favor by knockin' 'em off. I want him to keep his mouth shut.
Eddie: But he can't. Look George, there's a new kind of setup you don't understand. Guys don't go around tearing things apart like we used to. People try to build things up and that's what Lloyd's tryin' to do. In this new setup, well, you and me just don't belong, that's all.
George: Maybe you don't. I do all right, anytime, anyplace.
