Ginnifer Goodwin movie quotes
92 quotes from 5 movies
Zootopia 2 (2025) as Judy Hopps
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We have to solve this case.
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You know, I used to dream... of infiltrating a place like this.
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It's called an arrest, sweetheart. [Nick: A-boom.]
Zootopia (2016) as Judy
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[catches the donut sign] I love your hair. [Fru Fru: Aw, thank you.]
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[Judy meets two of her neighbors at her new apartment.]
Judy: Oh, hi! I’m Judy, your new neighbor!
Bucky: Yeah? Well we’re loud.
Pronk: Don’t expect us to apologize for it.
Judy: Oh, hi! I’m Judy, your new neighbor!
Bucky: Yeah? Well we’re loud.
Pronk: Don’t expect us to apologize for it.
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[Judy and Nick are trying to get away from a savage jaguar named Manchas]
Nick: [as Judy holds onto a vine] Rabbit, whatever you do, do not let go!
Judy: I’m gonna let go!
Nick: What?!
Nick: [as Judy holds onto a vine] Rabbit, whatever you do, do not let go!
Judy: I’m gonna let go!
Nick: What?!
He's Just Not That Into You (2009) as Gigi Phillips
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We are all programmed to believe that if a guy acts like a total jerk that means he likes you.
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Girls are taught a lot of stuff growing up. If a guy punches you he likes you. Never try to trim your own bangs and someday you will meet a wonderful guy and get your very own happy ending. Every movie we see, every story we're told implores us to wait for it, the third act twist, the unexpected declaration of love, the exception to the rule... But sometimes we're so focused on finding our happy ending we don't learn how to read the signs. How to tell from the ones who want us and the ones who don't, the ones who will stay and the ones who will leave. And maybe a happy ending doesn't include a guy, maybe... it's you, on your own, picking up the pieces and starting over, freeing yourself up for something better in the future. Maybe the happy ending is... just... moving on. Or maybe the happy ending is this, knowing after all the unreturned phone calls, broken hearts, through the blunders and misread signals, through all the pain and embarrassment you never gave up hope.
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Gigi: I would rather be like that, then be like you.
Alex: Excuse me? What's that supposed to mean?
Gigi: I may dissect each little thing and put myself out there so much but at least that means that I still care. Oh! You've think you won because women are expendable to you. You may not get hurt or make an ass of yourself that way but you don't fall in love that way either. You have not won. You're alone. I may do a lot of stupid shit but I'm still a lot closer to love than you are.
Alex: Excuse me? What's that supposed to mean?
Gigi: I may dissect each little thing and put myself out there so much but at least that means that I still care. Oh! You've think you won because women are expendable to you. You may not get hurt or make an ass of yourself that way but you don't fall in love that way either. You have not won. You're alone. I may do a lot of stupid shit but I'm still a lot closer to love than you are.
Walk the Line (2005) as Vivian Cash
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Vivian Cash: John, you can't wear that one, it's black.
Johnny Cash: It's all I have, Vivian.
Vivian Cash: It looks like you're goin' to a funeral.
Johnny Cash: Maybe I am...
Johnny Cash: It's all I have, Vivian.
Vivian Cash: It looks like you're goin' to a funeral.
Johnny Cash: Maybe I am...
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Vivian Cash: Your mama was here. Your daddy too.
Johnny Cash: Oh yeah. And what'd he say?
Vivian Cash: He said now you won't have to work so hard to make people think you've been in jail.
Johnny Cash: Oh yeah. And what'd he say?
Vivian Cash: He said now you won't have to work so hard to make people think you've been in jail.
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[Vivian talks to Johnny, and points to a bag.]
Vivian Cash: That bag over there are letters from ten to one from girls. Ten to one, and there obscene. Reba's been trying to answer some of them, but half of them ain't even fifteen, and they sending pictures of themselves in bathing suits. Pictures for you to look at while you're doing time at Folsom.
Vivian Cash: That bag over there are letters from ten to one from girls. Ten to one, and there obscene. Reba's been trying to answer some of them, but half of them ain't even fifteen, and they sending pictures of themselves in bathing suits. Pictures for you to look at while you're doing time at Folsom.
Mona Lisa Smile (2003) as Connie Baker
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Charlie Stewart: My parents say my future is right on the horizon.
Connie Baker: Tell them the horizon is an imaginary line that recedes as you approach it.
Connie Baker: Tell them the horizon is an imaginary line that recedes as you approach it.
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Connie Baker: And, it was perfect, romantic, we stayed up all night, talking.
Joan Brandwyn: [to Giselle] You're late, what happened to Sunday brunch?
Giselle Levy: We stayed up all night, too. Not talking.
Connie Baker: The psychoanalyst again.
Giselle Levy: Divine exhaustion.
Joan Brandwyn: [to Giselle] You're late, what happened to Sunday brunch?
Giselle Levy: We stayed up all night, too. Not talking.
Connie Baker: The psychoanalyst again.
Giselle Levy: Divine exhaustion.
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Katherine Watson: Slide. Contemporary art.
Connie Baker: Now that's just an advertisement.
Katherine Watson: Quiet! Today you just listen. What will the future scholars see when they study us? A portrait of woman today? There you are ladies. The perfect likeness of a Welesley graduate, Magna **** Laude doing exactly what she was trained to do. Slide. A Rhodes scholar. I wonder is she reciting Chaucer while she presses her husband's shirts. Slide. Heh, now you physics major's can calculate the mass and volume of every meat loaf you ever make. Slide. A girdle to set you free! What does that mean?... What does that mean?... What does it mean? I give up. You win. The smartest women in the country... I didn't realize that by demanding excellence I would be challenging... what did it say?
[walks over to student's desk and picks up newspaper]
Katherine Watson: what did it say? um... the roles you were born to fill
[looks up at Betty]
Katherine Watson: is that right? the roles you were born to fill?... It's, uh, it's my mistake.
[drops paper and walks out of classroom]
Katherine Watson: Class dismissed.
Connie Baker: Now that's just an advertisement.
Katherine Watson: Quiet! Today you just listen. What will the future scholars see when they study us? A portrait of woman today? There you are ladies. The perfect likeness of a Welesley graduate, Magna **** Laude doing exactly what she was trained to do. Slide. A Rhodes scholar. I wonder is she reciting Chaucer while she presses her husband's shirts. Slide. Heh, now you physics major's can calculate the mass and volume of every meat loaf you ever make. Slide. A girdle to set you free! What does that mean?... What does that mean?... What does it mean? I give up. You win. The smartest women in the country... I didn't realize that by demanding excellence I would be challenging... what did it say?
[walks over to student's desk and picks up newspaper]
Katherine Watson: what did it say? um... the roles you were born to fill
[looks up at Betty]
Katherine Watson: is that right? the roles you were born to fill?... It's, uh, it's my mistake.
[drops paper and walks out of classroom]
Katherine Watson: Class dismissed.
