Dr. Heffner [First lines of the movie]
Subject's name is John Kramer. 52 year-old male, caucasion. He's seen better days.
Peter Strahm
Scott Patterson · 30 quotes
Detective Hoffman
Costas Mandylor · 19 quotes
Lindsey Perez
Athena Karkanis · 16 quotes
Rigg
Lyriq Bent · 13 quotes
Jill Tuck
Betsy Russell · 10 quotes
Tapes
10 quotes
Eric Matthews
Donnie Wahlberg · 8 quotes
Art Blank
Louis Ferreira · 7 quotes
John Kramer/Jigsaw
Tobin Bell · 7 quotes
Fisk
Mike Realba · 5 quotes
Cecil
Billy Otis · 3 quotes
Most scenes together: Peter Strahm & Lindsey Perez (8), Peter Strahm & Jill Tuck (6), Detective Hoffman & Peter Strahm (4)
Saw IV quotes
Page 1 of 7 Dr. Heffner Looks like another doctor went missing at the hospital.
Jeff Reinhart [Last words]
Where is my daughter, you mother?!--[Strahm shoots him twice]
Tracy [To Rigg]
What you can't do is save everyone.
The crime scene photographer's flash picked up this bullet casing. It was lodged between the body and the device.
Run it for prints.
It was constructed for her exectution. Betrayed the rules.
Not a Jigsaw trap then.
No. Amanda Young, the accomplice--
This wasn't done by Amanda Young.
Excuse me?
Detective Kerry weighed aproximately 130 lbs. Amanda Young's arrest report has her at 107. She couldn't get her up there alone.
John Kramer was--
A bedridden cancer patient? He's brains, not brawn.
He was also an engineer. He could have rigged pulleys--
Or someone else could have helped him.
Special agent, if you're here for any other reason than just to assist--
We're here to help find who your department couldn't, detective: the one helping Jigsaw and Amanda Young.
How can I help the FBI?
We're here about Detective Kerry. She was our liason.
"Open the door and you will find me."
What? [Strahm tosses him a key] What's this?
The key that came from our last message from Detective Kerry. "Open the door and you will find me" mean anything to you?
No.
All I wanted to do was help them.
You can't help them. They have to help themselves.
John's life defies chronology and linear description.
What's happened to you?
What's happened to me? [Picks up a crowbar] What's happened to me?! [Smashes a small antique clock with the crowbar] Now you don't come back. You do it for yourself if you can't do it for me.
I lost him, too.
This is overkill. It's a setup to announce Rigg is the accomplice.
Or a setup for his alibi. Everyone around him keeps dying. Where is he to tell us he's innocent or what the hell these photos are doing in his apartment? Look there. [Shines a light to show ultraviolet paint]
"Four walls build a home?"
What does he want us to see on these walls?
The victims?
[Takes two photos]
One of these photos doesn't belong. [Takes off more pictures] This is who we're looking for. [The photos are of Jill Tuck]
[Reading a newspaper]
John Kramer owned a company called The Urban Renewal Group. No irony in that, huh?
What was Rigg watching?
Jill Tuck's interrogation. She was Jigsaw's ex. It's old.
Why is a SWAT guy watching that?
Strahm, I really think we should tell Hoffman what Detective Kerry said in her last message.
She said two officers might be in danger, but until we know who, we're not causing a panic.
If Detective Hoffman or anyone else in this precinct is in danger, I think they should know it.
Not your call.
I didn't know you were married.
I'm not. It's a short story, believe me.
Ms. Tuck. I'm Special Agent Perez. This is Special Agent Strahm. I'd like to apologize for pulling you out of your place of work.
What more do you think I can offer you? My 100 hours of interrogation tapes and the volumes of evidence taken from my house weren't enough for you understand John?
Actually, it's not John we want to talk about, Ms. Tuck. It's you.
Me? Why do you want to talk about me? This isn't about me. So stop wasting both of our time and get to the real reason why you've brought me here.
[Perez leaves]
Morgan I did it! I won!
Did you try to contact him again?
I tried. But a new person crawled out of the wreckage. Someone else survived.
[Flashback] [Jill enters the Gideon Factory, where she discovers photographs of Cecil, drawings, and something underneath a tarp]
I asked you not to come here.
I need to talk to you. John, John. [Shows him a newspaper] What is this? Why do you have Cecil's picture? What have you done to him?
I taught him not to take life for granted.