I think I was a pilot.
Most-quoted character in The English Patient (1996): in 43 of its 82 quotes
Most scenes with: Katharine Clifton (8), Madox (2)
I once traveled with a guide who was taking me to Faya. He didn't speak for nine hours. At the end of it he pointed to the horizon and said, Faya! That was a good day. [to Katharine]
More lines from Count Laszlo de Almásy
29 quotesA very… plum… plum.
Its probably none of my business— your wife… do you think it is appropriate to leave her?
There's really no need. This is just a scrapbook. They are too good. I should feel obliged. Thank you. [to Katharine]
We planned badly. [to Katharine]
In a few minutes there'll be no stars— the air is filling with sand. [to Katharine]
Let me tell you about winds. [to Katharine]
Could I ask you, please, to paste you paintings into my book? I should like to have them. I *should be honored. [to Katharine]
Mrs. Clifton. . . I believe you still have my book. [to Katharine]
K at dawn — silhouetted.
My God… they're swimming. Swimming. [to himself in Cave of Swimmers]
I can still taste you. I try to write with your taste in my mouth. [to Katharine]
Swoon, I'll catch you. [to Katharine]
Maddox knows I think— he keeps talking about Anna Karenina— I think it's his idea of a man to man chat… well it's my idea of a man to man chat. [to Katharine]
I long for the rain on my face. [to Hana]
I'm not agreeing. Don't think I'm agreeing, because I'm not. [to Katharine]
Katherine? My God, Katherine what are you doing here?
Thousands of people did die. Just different people. [to Caravaggio]
No! I was never a spy. [to Caravaggio]
The International Sand Club: misfits, buggers, fascists, and fools— God bless us every one. Ooops! mustn't say international — dirty word, filthy word.
Every night I cut out my heart. But in the morning it was full again. [to Katharine]
K is for Katherine. [to Hana]
In that case I suppose we can't charge. [to Hana]
Condensed milk - one of the truly great inventions. [to Hana]
Hana was just telling me that you were indifferent. . . to her cooking. [to Kip]
I have come to love that little tap of the fingernail against the syringe. Tap… Tap… Tap. [to Caravaggio]
It wouldn't be make believe if you believed in me. [Almásy singing the tune It's Only a Paper Moon (by Harold Arlen, Billy Rose, and E. Y. Harburg)]
Read to me will you? Read me to sleep. [to Hana]
Swoon, They'll catch you.
Scenes with Count Laszlo de Almásy
13 scenesShall we be all right?
Yes. Yes. —Absolutely.
Oh dear.
You get to the morning and the poison leaks away, doesn't it? Black nights. I thought I would kill you.
You can't kill me. I died years ago.
No, I can't kill you now.
Why did you hate me?
What?
Don't you know you drove everybody mad?
Shh, don't talk.
You speak so many bloody languages and you never wanted to talk.
You're wearing the thimble.
Of course, you idiot. I always wear it; I've always worn it... I've always loved you.
I'll probably marry him.
Really? That's sudden.
My mother always told me I would summon my husband by playing the piano.
There's also a plant - I've never seen it but I'm told you can cut a piece the size of a heart from this plant and the next day it will be filled with a delicious liquid.
Find that plant. Cut out its heart.
Geoffrey's not in Cairo. He's not actually a buffoon. The plane wasn't a wedding present. It belongs to the British Government. They want aerial maps of the whole of North Africa. So I think he's in Ethiopia. In case you were counting on his sudden appearance.
And the marriage. . . is that a fiction?
No, the marriage isn't a fiction.
When were you most happy?
Now.
When were you least happy?
Now.
What do you love?
What do I love?
Say everything.
Water—fish in it—and hedgehogs—I love hedgehogs. Marmite—I'm addicted, and baths, but not with other people! Islands—and your handwriting. I could go on all day.
Go on all day.
My husband.
And what do you hate most?
A lie. And what do you hate most?
Ownership—or being owned. When you leave, you should forget me.
Szerelem means love. And the story, well, there's this Hungarian count. He's a wanderer. He's a fool. And for years he's on some kind of a quest for... who knows what. And then one day, he falls under the spell of a mysterious English woman. A harpy, who beats him, and hits him, he he becomes her slave, and he sews her clothes, and worships—Stop it! Stop it! You're always beating me!
Bastard! You bastard, I believed you! You should be my slave.
This... this, the hollow at the base of a woman's throat, does it have an official name?
Good God, man, pull yourself together.
I just wanted you to know— I'm not missing you yet.
You will...you will.
You're wearing the thimble.
Of course. You idiot. I always wear it. I've always worn it. I've always loved you.
There is no God... but I hope someone looks after you.
Just in case you're interested, it's called the suprasternal notch. Come and visit us in Dorset when all this nonsense is over. [Heads away but turns back]
You'll never come to Dorset.
May I see your papers sir?
I'm sorry, I'm not making sense— forgive me— I, I'm—I've been walking, and I've-there's a woman badly injured at the Gilf Kebir,—the Cave of Swimmers. I'm a member of the Royal Geographical Society.
Could you spell your name sir?
I have been walking for three days, I do not want to spell my name!
Other characters in The English Patient
More Ralph Fiennes characters
Lord Victor Quartermaine
Rameses
M. Gustave
Amon Goeth
Lord Voldemort
Lord Voldemort
Dr. Ian Kelson
Lord Voldemort
