Katharine Hepburn movie quotes
115 quotes from 8 movies
The Philadelphia Story (1940) as Tracy Samantha Lord
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[about a sailboat] My, she was yar...It means, uh...easy to handle, quick to the helm, fast, bright. Everything a boat should be, until she develops dry rot.
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[in response to Mike's impromptu proposal] No, Mike. Thanks but, mm-mm. Nope...Because I don't think Liz would like it. And I'm not sure you would. And I'm even a little doubtful about myself. But I am beholden to you, Mike. I'm most beholden.
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You haven't switched from liquor to dope, by any chance, have you Dexter?
Bringing Up Baby (1938) as Susan Vance
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The point is I have a leopard. The question is, 'What am I gonna do with it?'
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There is a leopard on your roof and it's my leopard and I have to get it and to get it I have to sing.
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[limping after losing a heel] I was born on the side of a hill!
The African Queen (1952) as Rose Sayer
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I saw a Masai native working once using charcoal on a big hollowed stone - he had a boy to fan the charcoal...We'll have to make a new blade, then. There's lots of iron and stuff that you could use...wouldn't it be better to weld it on?
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[to Charlie, after sleeping with him] Dear. What is your first name?
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[to the German captain] Would you hang us together, please?
Stage Door (1937) as Terry Randall
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[to Jean] You may as well go to perdition in ermine. You're sure to come back in rags.
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Catherine: It's only after we have suffered we can make the audience feel with us.
Terry: Does someone have to die to create an actress? Is that what the theatre demands?
Catherine: It takes more than greasepaint and footlights to make an actress. It takes heartbreak as well.
Terry: Does someone have to die to create an actress? Is that what the theatre demands?
Catherine: It takes more than greasepaint and footlights to make an actress. It takes heartbreak as well.
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Powell: Now, whether you were acting in my office or no, you did show fire and emotion and that's what I need in this part.
Terry: But I'm not an emotional person.
Powell: You will be when I get through with you. I'll mold you into one.
Terry: I don't want to be molded. I believe in acting with my brain.
Terry: But I'm not an emotional person.
Powell: You will be when I get through with you. I'll mold you into one.
Terry: I don't want to be molded. I believe in acting with my brain.
Adam's Rib (1949) as Amanda Bonner
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No part of marriage is the exclusive province of any one sex.
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Amanda Bonner: [addressing the court] For years, women have been ridiculed, pampered, chucked under the chin. I ask you, on behalf of us all, be fair to the fair sex.
Adam Bonner: We'll be here a year.
Adam Bonner: We'll be here a year.
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Amanda Bonner: Now, you look here, Kip. I'm fighting my prejudices, but it's clear that you're behaving like a, like a - well, I'd hate to put it this way - like a man.
Kip Lurie: You watch your language.
Kip Lurie: You watch your language.
On Golden Pond (1981) as Ethel Thayer
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Don't you think that everyone looks back on their childhood with a certain amount of bitterness and regret about something? You're a big girl now. Aren't you tired of it all? Bore, bore. It doesn't have to ruin your life, darling. Life marches by, Chels. I suggest you get on with it.
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You know, Norman, you really are the sweetest man in the world, but I'm the only one who knows it.
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That son of a bitch happens to be my husband.
Woman of the Year (1942) as Tess Harding
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Sam Craig: I don't want to be married to Tess Harding any more than I want you to be just Mrs. Sam Craig. Why can't you be Tess Harding Craig?
Tess Harding: I think it's a wonderful name.
Tess Harding: I think it's a wonderful name.
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Tess Harding: Sam, why can't we sit down like adults and patch this thing up?
Sam Craig: I'm afraid that might become a habit. Then we'd wind up with a patchwork quilt for a marriage.
Sam Craig: I'm afraid that might become a habit. Then we'd wind up with a patchwork quilt for a marriage.
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Tess Harding: [attending a baseball game] You mean our paper sends two people to cover the game?
Phil Whittaker: No, I cover the game, he just kicks it around in his column.
Tess Harding: We've got only one man at Vichy...
Sam Craig: Vichy, are they still in the league?
Phil Whittaker: No, I cover the game, he just kicks it around in his column.
Tess Harding: We've got only one man at Vichy...
Sam Craig: Vichy, are they still in the league?
Guess Who's Coming to Dinner (1967) as Christina Drayton
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[to Mr. Drayton] He's right about Joey too. You know that, don't you? Thank God he is. That's the way I feel. Thank God he's right. She's 23 years old, and the way she is is just exactly the way we brought her up to be. We answered her questions. She listened to our answers. We told her it was wrong to believe that white people were somehow essentially superior to black people... or the brown or the red or the yellow ones, for that matter. People who thought that way were wrong to think that way. Sometimes hateful, usually stupid, but always wrong. That's what we said. And when we said it, we did not add "But don't ever fall in love with a colored man."
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[to her assistant, Hilary, in the driveway] Now I have some instructions for you. I want you to go straight back to the gallery - Start your motor - When you get to the gallery tell Jennifer that she will be looking after things temporarily, she's to give me a ring if there's anything she can't deal with herself. Then go into the office, and make out a check, for "cash," for the sum of $5,000. Then carefully, but carefully Hilary, remove absolutely everything that might subsequently remind me that you had ever been there, including that yellow thing with the blue bulbs which you have such an affection for. Then take the check, for $5,000, which I feel you deserve, and get - permanently - lost. It's not that I don't want to know you, Hilary - although I don't - it's just that I'm afraid we're not really the sort of people that you can afford to be associated with. [Hilary opens her mouth to say something] Don't speak, Hilary, just... go.
