Ellen Barkin movie quotes
9 quotes from 3 movies
Eddie and the Cruisers (1983) as Maggie Foley
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Maggie Foley: "A Season in Hell", a spiritual and confessional autobiography. Arthur Rimbaud was a genius, his writings were a quest. A search for perfection, an attempt to find total freedom. At the age of nineteen, Arthur Rimbaud commited suicide, not of the flesh, but of the mind and the soul. It means he never wrote another word, and disappeared off the face of the earth. He was not seen nor heard from again for nearly twenty years, until he reappeared in a hospital within Marseille on his deathbed.
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Maggie Foley: Frank, how much influence did Rimbaud have on Eddie?
Frank Ridgeway: Looking for a ghost?
Maggie Foley: [smiles knowingly] Maybe.
Frank Ridgeway: You don't really think Eddie's still alive, do you?
Maggie Foley: I guess not. But what about the coincindence of "Season in Hell"? Frank what happened to those tapes?
Frank Ridgeway: Hey, look, it didn't work. The record company hated it, they never released the album.
Maggie Foley: Frank, I want to get a hold of those tapes and play them on my show. Let's let them be heard, and let the people decide whether their any good.
Frank Ridgeway: I don't know where they are. Honest, we'd like to find them as much as you would.
Frank Ridgeway: Looking for a ghost?
Maggie Foley: [smiles knowingly] Maybe.
Frank Ridgeway: You don't really think Eddie's still alive, do you?
Maggie Foley: I guess not. But what about the coincindence of "Season in Hell"? Frank what happened to those tapes?
Frank Ridgeway: Hey, look, it didn't work. The record company hated it, they never released the album.
Maggie Foley: Frank, I want to get a hold of those tapes and play them on my show. Let's let them be heard, and let the people decide whether their any good.
Frank Ridgeway: I don't know where they are. Honest, we'd like to find them as much as you would.
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Maggie Foley: [On the bridge Eddie wrecked on] The innocence of the 50s was over and so was rock and roll as we knew it. We were entering a new age, an age of confusion, an age of passion, of commitment. Eddie Wilson saw it coming. "Season in Hell" is the total innovation for its time. It was a signal a greatness yet to come. Eddie Wilson was a step ahead of us and I don't think we've caught up with him yet. Eddie's been dead for almost 18 years, but his music is as alive today as the day he recorded it. For me and for everyone who listens to music, Eddie Wilson lives and always will.
Ocean's Thirteen (2007) as Abigail Sponder
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Linus Caldwell: [passing Yen off as a whale] He owns all of the air south of Beijing.
Abigail Sponder: [disbelieving] The air?
Linus Caldwell: Let me put it to you this way: try building something taller than three stories in the Tiangjin province, and see if his name turns up then.
Abigail Sponder: [disbelieving] The air?
Linus Caldwell: Let me put it to you this way: try building something taller than three stories in the Tiangjin province, and see if his name turns up then.
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Abigail Sponder: [after a small earthquake] What was that?
Linus Caldwell: You felt it too?
Linus Caldwell: You felt it too?
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Abigail Sponder: [Feeling a waitress' arm] I'm afraid we're going to have to let you go. Turn in your uniform.
Waitress: I only gained four pounds, you can't!
Sponder: Sorry, sweetie, but your Body Mass Index is nowhere near where it's supposed to be.
Waitress: But Ms. Sponder-
Sponder: Oh no, honey. It's your butt that's the problem. [Smugly walks off, Linus having observed the whole thing]
[cuts to Linus, Frank, Rusty, and Danny talking]
Frank: Man, you can't fire no waitresses based on appearance, that's just unconstitutional.
Danny: IF they were waitresses.
Linus: Yeah, they're actually hired as "models who serve", so that Bank can monitor their personal appearance.
Rusty: It's a cruel, cruel practice.
Waitress: I only gained four pounds, you can't!
Sponder: Sorry, sweetie, but your Body Mass Index is nowhere near where it's supposed to be.
Waitress: But Ms. Sponder-
Sponder: Oh no, honey. It's your butt that's the problem. [Smugly walks off, Linus having observed the whole thing]
[cuts to Linus, Frank, Rusty, and Danny talking]
Frank: Man, you can't fire no waitresses based on appearance, that's just unconstitutional.
Danny: IF they were waitresses.
Linus: Yeah, they're actually hired as "models who serve", so that Bank can monitor their personal appearance.
Rusty: It's a cruel, cruel practice.
The Big Easy (1986) as Anne Osborne
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Anne Osborne: That's OK. I never did have much luck with sex anyway.
Remy McSwain: Your luck's about to change, cher.
Remy McSwain: Your luck's about to change, cher.
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Anne Osborne: [at the scene of a triple murder] Why don't you believe that the killers were cops?
Remy McSwain: Because if they were cops, they would've stayed right here. And when we arrived, we would've found plants, guns, knives, all kinds of evidence that they resisted arrest. That's somethin' every cop in the world knows how to do.
Anne Osborne: That sure doesn't surprise me.
Remy McSwain: Oh yeah? Well, you probably know how to bribe a jury too, don't you? [smiles wickedly] Even though you probably never have, huh?
Remy McSwain: Because if they were cops, they would've stayed right here. And when we arrived, we would've found plants, guns, knives, all kinds of evidence that they resisted arrest. That's somethin' every cop in the world knows how to do.
Anne Osborne: That sure doesn't surprise me.
Remy McSwain: Oh yeah? Well, you probably know how to bribe a jury too, don't you? [smiles wickedly] Even though you probably never have, huh?
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Anne Osborne: You're a cop for God's sake, you're supposed to uphold the law, but instead you bend it and twist it and sell it. I saw you take that bribe and, and resist arrest and tamper with evidence and perjure yourself under oath.
Remy McSwain: Don't forget I ran a red light too, huh.
Anne Osborne: You still think it's funny, don't you? Why don't you just face it, Remy? You're not one of the good guys anymore.
Remy McSwain: Don't forget I ran a red light too, huh.
Anne Osborne: You still think it's funny, don't you? Why don't you just face it, Remy? You're not one of the good guys anymore.
