Lou?... Lou... Lou!... YOU'RE his freaking agent, Lou! I AM COUNTING ON YOU TO TALK SOME SENSE INTO THE LUNATIC! NOBODY WANTS TO HEAR ABOUT DYING DEMOCRACY AND DEHUMANIZATION!... Our share stock is shrinking, and we're doomed for! ANOTHER COUPLE OF WEEKS OF THIS AND THE SPONSORS WILL BE BAILING OUT!... Look, this is a breach of contract, Lou! This isn't the Howard Beale we signed! YOU BETTER GET HIM OFF THAT CORPORATE UNIVERSE KICK, OR SO HELP ME, I'LL PUT HIM OFF THE AIR! I'VE TOLD HIM, LOU, I'VE BEEN TELLING HIM EVERY DAY FOR A WEEK! I AM SICK OF TELLING HIM! NOW YOU TELL HIM!
Network (1976) · 62 quotes
Most-quoted character in Network (1976): in 22 of its 62 quotes
Most scenes with: Max Schumacher (5), Frank Hackett (3)
I'm interested in doing a weekly dramatic series based on the Ecumenical Liberation Army. The way I see the series is: Each week we open with an authentic act of political terrorism taken on the spot, in the actual moment. Then we go to the drama behind the opening film footage. That's your job, Ms. Hobbs. You've got to get the Ecumenicals to bring in that film footage for us. The network can't deal with them directly; they are, after all, wanted criminals.
More lines from Diana Christensen
11 quotesBy tomorrow, he'll have a 50 share, maybe even a 60. Howard Beale is processed instant God, and right now, it looks like he may just go over bigger than Mary Tyler Moore.
Look, I sent you all a concept analysis report yesterday. Did any of you read it? [Aides stare blankly at her] Well, in a nutshell, it said: "The American people are turning sullen. They've been clobbered on all sides by Vietnam, Watergate, the inflation, the depression; they've turned off, shot up, and they've **** themselves limp, and nothing helps." So, this concept analysis report concludes, "The American people want somebody to articulate their rage for them." I've been telling you people since I took this job six months ago that I want angry shows. I don't want conventional programming on this network. I want counterculture, I want anti-establishment. I don't want to play butch boss with you people, but when I took over this department, it had the worst programming record in television history. This network hasn't one show in the top twenty. This network is an industry joke, and we'd better start putting together one winner for next September. I want a show developed based on the activities of a terrorist group, "Joseph Stalin and His Merry Band of Bolsheviks," I want ideas from you people. This is what you're paid for. And by the way, the next time I send an audience research report around, you'd all better read it, or I'll sack the **** lot of you. Is that clear?
You know, Barbara, the Arabs have decided to jack up the price of oil another 20%... uh, the CIA has been caught opening Senator Humphrey's mail... there's a civil war in Angola... another one in Beirut... the, uh, New York City's still facing default... they finally caught up with Patricia Hearst... and the whole front page of the "Daily News" is Howard Beale.
Well Max, here we are: Middle-aged man reaffirming his middle-aged manhood, and a terrified young woman with a father complex. What sort of script do you think we can make out of this?
What's really bugging me now is my daytime programming. NBC's got a lock on daytime - lousy game shows - and I'd like to bust them. I'm thinking of doing a homosexual soap opera, "The ****": The heart-rending saga about a woman hopelessly in love with her husband's mistress.
I was married for four years, and pretended to be happy; and I had six years of analysis, and pretended to be sane. My husband ran off with his boyfriend, and I had an affair with my analyst, who told me I was the worst lay he'd ever had.
I watched your 6 o'clock news today; it's straight tabloid. You had a minute and a half of that lady riding a bike naked in Central Park; on the other hand, you had less than a minute of hard national and international news. It was all sex, scandal, brutal crime, sports, children with incurable diseases, and lost puppies. So, I don't think I'll listen to any protestations of high standards of journalism when you're right down on the streets soliciting audiences like the rest of us. Look, all I'm saying is if you're going to hustle, at least do it right.
Son of a bitch. We've struck the motherlode!
Look, we've got a bunch of hobgoblin radicals called the Ecumenical Liberation Army who go around taking home movies of themselves robbing banks. Now, maybe they'll take movies of themselves kidnapping heiresses, hijacking 747s, bombing bridges, assassinating ambassadors. We'd open each week's segment with their authentic footage, hire a couple of writers to write a story behind that footage, and we've got ourselves a series.
We're kidding ourselves. Full-fledged messiahs don't come in bunches.
Scenes with Diana Christensen
10 scenesHi. I'm Diana Christensen, a racist lackey of the imperialist ruling circles.
I'm Laureen Hobbs, a badass commie ****.
Sounds like the basis of a firm friendship.
The time has come to re-evaluate our relationship, Max.
So I see.
I don't like the way this script of ours has turned out. It's turning into a seedy little drama.
You're going to cancel the show?
Right.
Well, the issue is: Shall we kill Howard Beale, or not? I'd like to get some more opinions on that.
I don't see we have any options, Frank. Let's kill the son-of-a-bitch.
I'm sorry for all those things I said to you last night. You're not the worst **** I ever had. Believe me, I've had worse. You don't puff or snorkel and make death-like rattles. As a matter of fact, you're rather serene in the sack.
Why is it that a woman always thinks that the most savage thing she can say to a man is to impugn his cocksmanship.
I'm sorry I impugned your cocksmanship.
I gave up comparing genitals back in the schoolyard.
I'm the man that you presumably love. I'm a part of your life. I live here. I'm real. You can't switch to another station.
Well, what exactly is it you want me to do?
I just want you to love me. I just want you to love me, primal doubts and all. You understand that, don't you?
I don't know how to do that.
You need me. You need me badly. Because I'm your last contact with human reality. I love you. And that painful, decaying love is the only thing between you and the shrieking nothingness you live the rest of the day.
Then, don't leave me.
It's too late, Diana. There's nothing left in you that I can live with. You're one of Howard's humanoids. If I stay with you, I'll be destroyed. Like Howard Beale was destroyed. Like Laureen Hobbs was destroyed. Like everything you and the institution of television touch is destroyed. You're television incarnate, Diana: Indifferent to suffering; insensitive to joy. All of life is reduced to the common rubble of banality. War, murder, death are all the same to you as bottles of beer. And the daily business of life is a corrupt comedy. You even shatter the sensations of time and space into split seconds and instant replays. You're madness, Diana. Virulent madness. And everything you touch dies with you. But not me. Not as long as I can feel pleasure, and pain... and love.
And it's a happy ending: Wayward husband comes to his senses, returns to his wife, with whom he has established a long and sustaining love. Heartless young woman left alone in her arctic desolation. Music up with a swell; final commercial. And here are a few scenes from next week's show.
Mr. Jensen is unhappy with Howard Beale and wants him discontinued.
He may be unhappy, but he isn't stupid enough to withdraw the number one show on television out of pique.
Two billion dollars is not pique! That's the Wrath of God! And the Wrath of God wants Howard Beale fired.
I think we can get a hell of a Movie of the Week out of it, maybe even a series...Look, we've got a bunch of hobgoblin radicals called the Ecumenical Liberation Army who go around taking home movies of themselves robbing banks. Maybe they'll take movies of themselves kidnapping heiresses, hijacking 747's, bombing bridges, assassinating ambassadors. We'd open each week's segment with their authentic footage, hire a couple of writers to write some story behind that footage, and we've got ourselves a series.
A series about a bunch of, uh, bank-robbing guerrillas?
What are we gonna call it - the Mao Tse-Tung Hour?
Why not? They've got 'Strike Force', 'Task Force', 'SWAT'. Why not Che Guevara and his own little 'Mod Squad'. Look, I sent you all a concept analysis report yesterday. Did any of you read it? Well, in a nutshell, it said, 'The American people are turning sullen. They've been clobbered on all sides by Vietnam, Watergate, the inflation, the depression. They've turned off, shot up, and they've screwed themselves limp and nothing helps.' So this concept analysis report concludes, 'The American people want somebody to articulate their rage for them.' I've been telling you people since I took this job six months ago that I want angry shows. I don't want conventional programming on this network. I want counter-culture. I want anti-establishment. [She shuts the door] I don't want to play butch boss with you people. But when I took over this department, it had the worst programming record in television history. This network hasn't one show in the top 20. This network is an industry joke. We better start putting together one winner for next September. I want a show developed, based on the activities of a terrorist group. 'Joseph Stalin and his Merry Band of Bolsheviks.' I want ideas from you people. That is what you're paid for. And, by the way, the next time I send an audience research report around, you'd all better read it or I'll sack the ****in' lot of you, is that clear?
We just increased our audience by twenty or thirty million people in one night. Now, you're not gonna get something like this dumped in your lap for the rest of your days, and you can't just piss it away. Howard Beale got up there last night and said what every American feels, that he's tired of all the bullshit. He's articulating the popular rage. I want that show, Frank. I can turn that show into the biggest smash on television.
What do you mean, you want that show? It's a news show. It's not your department.
I see Howard Beale as a latter-day prophet, a magnificent messianic figure, inveighing against the hypocrisies of our times, a strip Savonarola, Monday through Friday. I tell you, Frank, that could just go through the roof. And I'm talking about a six dollar cost per thousand show! I'm talking about a hundred, a hundred thirty thousand dollar minutes! Do you want to figure out the revenues of a strip show that sells for a hundred thousand bucks a minute? One show like that could pull this whole network right out of the hole! Now, Frank, it's being handed to us on a plate. Let's not blow it!
You're his goddamn agent. I'm counting on you to talk some sense into the lunatic. Nobody wants to hear about dying democracy and dehumanization.
I'm sorry I'm late.
We're starting to get rumbles from the agencies. Another couple of weeks and the sponsors will be bailing out! This is a breach of contract. This isn't the Howard Beale we signed. Get him off that corporate universe kick, or so help me, I'll pull it off the air! I told him, Lou! I've been telling him every day for a week! I'm sick of telling him. Now you tell him! (hangs up) Jesus Christ. You could help me out with Howard if you wanted to. He listens to you. You're his best friend.
I'm tired of all this hysteria about Howard Beale.
Every time you come from seeing somebody in your family you come back in one of these middle-aged moods.
And I'm tired of finding you on the god-damn telephone every time I turn around. I'm tired of being an accessory in your life! And I'm tired of pretending to write this dumb book about my maverick days in the great early years of television. Every god-damned executive fired from a network in the last twenty years has written this dumb book about the great early years of television. And nobody wants a dumb, damn, god-damn book about the great years of television...
Terrific, Max! Maybe you can start a whole new career as an actor.
After living with you for six months, I'm turning into one of your scripts. Well, this is not a script, Diana. There's some real actual life going on here. I went to visit my wife today because she's in a state of depression, so depressed that my daughter flew all the way from Seattle to be with her. And I feel lousy about that. I feel lousy about the pain that I've caused my wife and my kids. I feel guilty and conscience-stricken and all of those things that you think sentimental, but which my generation called simple human decency. And I miss my home because I'm beginning to get scared shitless. Because all of a sudden, it's closer to the end than it is to the beginning, and death is suddenly a perceptible thing to me - with definable features. You're dealing with a man that has primal doubts, Diana, and you've got to cope with it. I'm not some guy discussing male menopause on the 'Barbara Walters Show'. I'm the man that you presumably love. I'm part of your life. I live here. I'm real. You can't switch to another station.
What exactly is it you want me to do?
I just want you to love me. I just want you to love me, primal doubts and all. You understand that, don't you?



