The English Patient 1996 quotes, page 3

Count Laszlo de Almásy

Every night I cut out my heart. But in the morning it was full again. [to Katharine]

Count Laszlo de Almásy

Hana was just telling me that you were indifferent. . . to her cooking. [to Kip]

Count Laszlo de Almásy

I can still taste you. I try to write with your taste in my mouth. [to Katharine]

Katharine Clifton

I can't do this anymore. [to Almásy]

Count Laszlo de Almásy

I have come to love that little tap of the fingernail against the syringe. Tap… Tap… Tap. [to Caravaggio]

Madox

I have to teach myself not to read too much into everything. It comes from too long having to read so much into hardly anything at all.

Count Laszlo de Almásy

I long for the rain on my face. [to Hana]

Hana

I must be a curse. Anybody who loves me, anybody who gets close to me. . . —or I must be cursed. Which is it?

Count Laszlo de Almásy

I once traveled with a guide who was taking me to Faya. He didn't speak for nine hours. At the end of it he pointed to the horizon and said, Faya! That was a good day. [to Katharine]

Count Laszlo de Almásy

I think I was a pilot.

Madox

I thought this is what Almasy said?
(?) There's a war. Where you come from becomes important.

Geoffrey Clifton

I'm going to suprise her. It's our anniversary. She's forgotten, of course. [to Madox]

Count Laszlo de Almásy

I'm not agreeing. Don't think I'm agreeing, because I'm not. [to Katharine]

Katharine Clifton

I'm not one of the walking wounded. It's only one night. Besides, if I remain it's the most effective method of persuading my husband to abandon whatever he's doing and come and rescue us.

Katharine Clifton

I've been thinking—how does someone like you decide to come to the desert? [to Almásy]