Martin Balsam movie quotes
18 quotes from 5 movies
All the President's Men (1976) as Simons
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Simons: Anything?
Rosenfeld: Woodward's onto a new wrinkle with the break-in thing--absolute page one stuff--
Simons: In other words, you got nothing, you're thumbsucking.
Rosenfeld: [shrugs] Could develop.
Rosenfeld: Woodward's onto a new wrinkle with the break-in thing--absolute page one stuff--
Simons: In other words, you got nothing, you're thumbsucking.
Rosenfeld: [shrugs] Could develop.
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National editor: Let me tell what happened when I was having lunch today at the Sans Souci.
Rosenfeld: Correction--when you were drinking your lunch at the bar of the Sans Souci.
National editor: This White House guy, a good one, a pro, came up and asked what is this Watergate compulsion with you guys and I said, well, we think it's important and he said, if it's so goddamn important, who the hell are Woodward and Bernstein?
Rosenfeld: Ask him what he's really saying--he means take the story away from Woodstein and give it to his people at the National Desk.
National editor: Well, I've got some pretty experienced fellas sitting around, wouldn't you say so?
Rosenfeld: Absolutely--and that's all they do, sit sit sit--every once in a while, they call up a Senator, some reporting.
National editor: Well, what if your boys get it wrong?
Bradlee: Then it's our asses, isn't it?
Simons: And we'll all have to go to work for a living.
Rosenfeld: Correction--when you were drinking your lunch at the bar of the Sans Souci.
National editor: This White House guy, a good one, a pro, came up and asked what is this Watergate compulsion with you guys and I said, well, we think it's important and he said, if it's so goddamn important, who the hell are Woodward and Bernstein?
Rosenfeld: Ask him what he's really saying--he means take the story away from Woodstein and give it to his people at the National Desk.
National editor: Well, I've got some pretty experienced fellas sitting around, wouldn't you say so?
Rosenfeld: Absolutely--and that's all they do, sit sit sit--every once in a while, they call up a Senator, some reporting.
National editor: Well, what if your boys get it wrong?
Bradlee: Then it's our asses, isn't it?
Simons: And we'll all have to go to work for a living.
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Foreign editor: I don't think either Metropolitan or National should cover the story. I don't think we should cover the story, period.
Bradlee: Go on.
Foreign editor: It's not that we're using unnamed sources that bothers me, or that everything we print the White House denies, or that almost no other papers are reprinting our stuff.
Simons: What then?
Foreign editor: I don't believe the goddamn story, Howard, it doesn't make sense.
Bradlee: It will, it just hasn't bottomed out yet, give it time.
Foreign editor: Ben, Jesus, there are over two thousand reporters in this town, are there five on Watergate? Where did we suddenly get all this wisdom?
Bradlee: Go on.
Foreign editor: It's not that we're using unnamed sources that bothers me, or that everything we print the White House denies, or that almost no other papers are reprinting our stuff.
Simons: What then?
Foreign editor: I don't believe the goddamn story, Howard, it doesn't make sense.
Bradlee: It will, it just hasn't bottomed out yet, give it time.
Foreign editor: Ben, Jesus, there are over two thousand reporters in this town, are there five on Watergate? Where did we suddenly get all this wisdom?
After the Fox (1966) as Harry
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What picture?! WHAT PICTURE!?
Murder on the Orient Express (1974) as Bianchi
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Dr. Constantine: [referring to Pierre] He had the means to do it. The passkey to Ratchett's room.
Hercule Poirot: And a knife borrowed from the chef.
Bianchi: With whom he was in league.
Hercule Poirot: Which he plunged, repeatedly and without motive, into the body of his suitably astonished victim.
Hercule Poirot: And a knife borrowed from the chef.
Bianchi: With whom he was in league.
Hercule Poirot: Which he plunged, repeatedly and without motive, into the body of his suitably astonished victim.
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Bianchi: Hercule. I thank you.
Hercule Poirot: My friend. Now I must go and wrestle with my report to the police and with my conscience.
Hercule Poirot: My friend. Now I must go and wrestle with my report to the police and with my conscience.
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Bianchi: Now, Pierre, it is cold. Now, we can place Monsieur Poirot in the number 16, which is always kept vacant.
Pierre: It is taken, Signor, by a Mr. Hardman.
Bianchi: Then as a director of the line, I command you to place Monsieur Poirot in what we know to be the empty berth above Mr. McQueen's number 4. [Pierre nods; Bianchi gestures to Poirot] Monsieur. [Poirot boards the train, followed by Bianchi, who gives Pierre a look] At least you can get two tips.
Pierre: It is taken, Signor, by a Mr. Hardman.
Bianchi: Then as a director of the line, I command you to place Monsieur Poirot in what we know to be the empty berth above Mr. McQueen's number 4. [Pierre nods; Bianchi gestures to Poirot] Monsieur. [Poirot boards the train, followed by Bianchi, who gives Pierre a look] At least you can get two tips.
Psycho (1960) as Detective Milton Arbogast
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Well, if it doesn't jell, it isn't aspic, and this ain't jellin'!
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We're always quickest to doubt people who have a reputation for being honest.
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Oh, someone has seen her, all right. Someone always sees a girl with $40,000.
A Thousand Clowns (1965) as Arnold Burns
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Murray, you've got a rotten reputation. Even these guys weren't easy to grab. Why do you have to build your own personal blacklist? Why can't you just get blacklisted as a Communist like everybody else?
