Synecdoche, New York (2008) quotes

View Quote Adele Lack: Everyone is disappointing the more you know them.

View Quote Adult Olive: I need to forgive you before I die... but I can't forgive someone who has not asked for forgiveness.
Caden Cotard: I just want...
Adult Olive: I have no time. I need you to ask for forgiveness.
Caden Cotard: Can you ever forgive me?
Adult Olive: For what?
Caden Cotard: For abandoning you.
Adult Olive: For abandoning you to have anal sex with my homosexual lover, Eric.
Caden Cotard: I will, I'll say it... For abandoning you... to have anal sex with my homosexual lover, Eric.
Adult Olive: No... [Starts crying]nNo, I'm sorry. I cannot... [Dies]
Maria: I hope you are happy, ****.

View Quote Caden Cotard: I don't understand why you're with Sammy.
Hazel: He's nice, he's available, he ****s me without crying.

View Quote Caden Cotard: I know what to do with this play now. I have an idea. I think...
Millicent Weems: [voice over] Die.

View Quote Caden Cotard: I wanted to ask you, how old are kids when they start to write?
Madeleine Gravis: Listen, there's an absolutely brilliant novel written by a four year old.
Caden Cotard: Really?
Madeleine Gravis: 'Little Winky" by Horace Azpiazu.
Caden Cotard: That's cute.
Madeleine Gravis: Hardly, Litty Winky is a virulent anti-Semite. The story follows his initiation into the klan, his immersion in the pornographic snuff industry, and his ultimate degradation at the hands of a black ex-convict named Eric Washington Jackson Jones Johnson...
Caden Cotard: -Written by a four year old?
Madeleine Gravis: -Jefferson.
Caden Cotard: Wow, written by a four year old.
Madeleine Gravis: Well Azpiazu killed himself when he was five.
Caden Cotard: Why did he kill himself?
Madeleine Gravis: I don't know, why did you?
Caden Cotard: What?
Madeleine Gravis: I said, 'Why would you?'

View Quote Caden Cotard: I won't settle for anything less than the brutal truth. Brutal. Brutal. Each day I'll hand you a paper, it'll tell you what happened to you that day. You felt a lump in your breast. You looked at your wife and saw a stranger, et cetera.
Needleman Actor: Caden?
Caden Cotard: What?
Needleman Actor: When are we gonna get an audience in here? It's been seventeen years.
Caden Cotard: All right, I'm not excusing myself from this either. I will have someone play me, to delve into the murky, cowardly depths of my lonely, ****-up being. And he'll get notes too, and those notes will correspond to the notes I truly receive every day from my god! Get to work!

View Quote Claire Keen: Knowing that you don't know is the first and most essential step to knowing, you know?

View Quote Elke Putzkammer: If the year is a life, then September, the beginning of fall, is when the bloom is off the rose and things start to die. It's a melancholy month and maybe because of that, quite beautiful.

View Quote Hazel: I like it. I do! I'm - I'm just really concerned about dying in the fire.
Burning House Realtor: It's a big decision - how one prefers to die.

View Quote Olive Cotard: What's wrong with your face, Daddy?
Caden Cotard: It's pustules. It's called sycosis. Spelled differently than psychosis, but it sounds the same.
Olive Cotard: I don't know what that means.
Caden Cotard: Well, there's two different kinds of psychosis. They're spelled differently. P-s-y is like if you're crazy and s-y is like these things on my face.
Olive Cotard: You could have both though.
Caden Cotard: I could. But I don't.

View Quote Pastor: Everything is more complicated than you think. You only see a tenth of what is true. There are a million little strings attached to every choice you make; you can destroy your life every time you choose. But maybe you won't know for twenty years. And you may never ever trace it to its source. And you only get one chance to play it out. Just try and figure out your own divorce. And they say there is no fate, but there is: it's what you create. And even though the world goes on for eons and eons, you are only here for a fraction of a fraction of a second. Most of your time is spent being dead or not yet born. But while alive, you wait in vain, wasting years, for a phone call or a letter or a look from someone or something to make it all right. And it never comes or it seems to but it doesn't really. And so you spend your time in vague regret or vaguer hope that something good will come along. Something to make you feel connected, something to make you feel whole, something to make you feel loved. And the truth is I feel so angry, and the truth is I feel so **** sad, and the truth is I've felt so **** hurt for so **** long and for just as long I've been pretending I'm OK, just to get along, just for, I don't know why, maybe because no one wants to hear about my misery, because they have their own. Well, **** everybody. Amen.

View Quote Sammy Barnathan: I don't have a resume, or a picture. I've never worked as an actor.
Caden Cotard: Good. Tell me why you're here.
Sammy Barnathan: Well I've been... I've been following you for twenty years. So I knew about this audition because I follow you. And I've learned everything about you by following you. So hire me. And you'll see who you truly are. Peek-a-boo. Okay... Hazel, I don't think we need to talk to anyone else, this guy has me down. I'm going to cast him right now. And then maybe you and I can get a drink and we can try and figure out this thing between us. Why I cried... Because I've never felt about anybody the way I feel about you. And I want to **** you until we merge into a Chimera, a mythical beast of penis and vagina, eternally fused, two pairs of eyes that look only at each other, and lips, ever touching, and one voice that whispers to itself.
Caden Cotard: Okay. You got the part.

View Quote Sammy Barnathan: Why did we leave Adele, Caden?
Caden Cotard: She left us. Nobody knows that better than you. Except me.

View Quote Tammy: I feel ok, mostly... **** might help.

View Quote [on the radio] What was once before you - an exciting, mysterious future - is now behind you. Lived; understood; disappointing. You realize you are not special. You have struggled into existence, and are now slipping silently out of it. This is everyone's experience. Every single one. The specifics hardly matter. Everyone's everyone. So you are Adele, Hazel, Claire, Olive. You are Ellen. All her meager sadnesses are yours; all her loneliness; the gray, straw-like hair; her red raw hands. It's yours. It is time for you to understand this. Walk. As the people who adore you stop adoring you; as they die; as they move on; as you shed them; as you shed your beauty; your youth; as the world forgets you; as you recognize your transience; as you begin to lose your characteristics one by one; as you learn there is no-one watching you, and there never was, you think only about driving - not coming from any place; not arriving any place. Just driving, counting off time. Now you are here, at 7:43. Now you are here, at 7:44. Now you are...Gone.