ALL A B C D E F G H I J K L M
N O P Q R S T U V W X Y Z #

Our study adds relatively little to the volumes that have been written about the digital transition in the music industry - often held up as the "canary in the coal mine" for other media markets. We share the increasingly consensual view that the situation is better understood as a crisis of the high-margin CD business-and of the "big four" record labels (EMI, Sony Music Entertainment, the Universal Music Group, and Warner Music Group), which have relied nearly exclusively on it for their profits - rather than a crisis of the music business in general. The decline in this side of the business had, without doubt, been precipitious (see figure 1.3). According to the IFPI, global recorded music sales dropped from $33.7 bilion in 001 to $18.4 bilion in 2008 - almost entirely attributable to the decine of CD sales. In the United States, CD sales fell from $7 bilion in 2004 to $3.1 billin in 2008 - a stuation somewhat mitigated by the rise in digital sales from zero to $1.8 billion in that period. Recorded music sales in most other countries have been in similar free fall. Between 2004 and 2008, Brazilian recorded music sales shrank from $399 million to $179 million; Russian sales dropped from $352 million to $221 million; sales in Mexico from $ 237 million to $145 million. In South Africa, considered a bright spot in international sales, sales grew through 2007 - peaking at $129 million before falling to $199 million in 2008.

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