A scene from Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask) 1972
The Girl

For me, Norman Mailer has exactly that same sort of relevance - that affirmative, negative duality that only Proust or Flaubert could achieve.

The Operator

I don't know if we're gonna make it or not, doesn't look too good.

The Girl

I'm a graduate of New York University.

The Operator

We're gonna make it.

In this scene

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