A character in Drive My Car (2021)

Kōji Takatsuki quotes from Drive My Car (2021)

A line from Kōji Takatsuki

But even if you think you know someone well, even if you love that person deeply, you can't completely look into that person's heart. You'll just feel hurt. But if you put in enough effort, you should be able to look into your own heart pretty well. So in the end, what we should be doing is to be true to our hearts and come to terms with it in a capable way. If you really want to look at someone, then your only option is to look at yourself squarely and deeply.

Scenes with Kōji Takatsuki

3 scenes
Kōji Takatsuki

Mr. Kafuku. I'm empty. There's nothing inside me. About the text questioning me... . I think I felt with Oto's screenplays. I came here because I want to feel it again. So... that bit about Oto bringing us together is true after all. I finally understand.

Yūsuke Kafuku

Oto and I...

Kōji Takatsuki

Yes...

Yūsuke Kafuku

We had a daughter. She died from pneumonia when she was four. She'd be 23 if she were alive. Our daughter's death marked the end of our happy times. Oto quit acting. I quit working in TV and returned to theater. Oto was letargic for years. But then she suddenly began writing stories one day. No, she began telling them. Her first story... was born after having sex with me. She suddenly started narrating it after having sex. But the next morning, her memory was foggy. I remembered it all, so I told her. She wrote a script based on it and sent it to a contest. It won an award and launched her career as a screenwriter. "That" would strike her at times after sex. She'd tell it to me and make me remember it. The next morning, I'd tell her. She'd take notes. Eventually that became our custom. Sex and her stories were strongly connected. Even if it didn't seem like it. She'd grasp a thread of a story from the edge of orgasm and spin it. That's how she used to write. Not all the time. But whenever her career hit a wall, "that" would strike. Those stories became a bond that helped us overcome our child's death. I think we were a compatible couple. We needed each other to get through life. Everyday living and our sex life were very fulfilling. At least they were for me. But... Oto saw other men. [on Misake] She's fine, don't worry. Oto slept with other men. Not just one. Probably with the actors who were cast in the dramas she wrote. Each relationship ended with the drama, and another would begin another drama started.

Kōji Takatsuki

Do you have evidence?

Yūsuke Kafuku

I've witnessed them before. She sometimes brought them into our home. Even so, I've never doubted her love for me. There was no doubt. Oto betrayed me so naturally while she loved me. We were definitely deeply bonded more so than anyone. Still, she contained within her a spot that I couldn't look into, where something had swirled.

Kōji Takatsuki

Didn't you ever ask her about any of this?

Yūsuke Kafuku

What I feared most was losing her. If she found out I knew, we wouldn't have been able to mantain our balance.

Kōji Takatsuki

Isn't it possible that she wanted you to hear her out?

Yūsuke Kafuku

Did Otto tell you something?

Kōji Takatsuki

May I tell you a story she told me?

Yūsuke Kafuku

Yes.

Kōji Takatsuki

It's a very mysterious tale. A high school girl sneaks into the home of a boy she likes.

Yūsuke Kafuku

I've heard that one, too. The girl who was formerly a lamprey.

Kōji Takatsuki

Right. She sneaks in multiple times and leaves a token of herself each time.

Yūsuke Kafuku

One day, she starts masturbating on Yamaga's bed. Someone comes home, but the story ends without telling who it was.

Kōji Takatsuki

No. It doesn't end there.

Yūsuke Kafuku

You know what happens next?

Kōji Takatsuki

Yes.

Yūsuke Kafuku

Who was it, then? Who came up the stairs?

Kōji Takatsuki

Another intruder.

Yūsuke Kafuku

Another one?

Kōji Takatsuki

Yes. It wasn't Yamaga, or his father, or his mother. Just a burglar. The burglar finds her half naked in the room and attempts to rape her. She takes a pen lying around and stabs the man in the left eye. She struggles desperately, and stabs the pen in his temple, in his neck, over and over. She notices the man has gone limp. She has killed the burglar. She washes the blood off in the shower and goes home. The token she left on Yamaga's room that day was the burglar's corpse. The next morning, she goes to school prepared to confess everything to Yamaga and face his judgment. But Yamaga looks the same as usual at school that day. She sees him play soccer after school seemingly carefree as always. Things are the same the next day. Nothing has changed. What became of that body in Yamaga's house? Did she just imagined what happened? She goes to Yamaga's house, but nothing seems out of the ordinary. Except for one thing... A surveillance camera has been set up by the front door. To not appear guilty, she walks past his house without stopping. Something terrible had happened and she was to blame, but the world seemed serene as if nothing had changed. However, the world had definitely changed to something sinister. She turns back. "I must take responsibility for what I've done. I can't pretend it didn't happen. Because it definitely happened. I definitely killed that man." She searches under the planter, but the key is no longer there. She stares at the surveillance camera. Because it's the only change she has elicited in this world. She looks into the lens repeats her words over and over. Clearly, so that she's understood. "I killed him! I killed him! I killed him!" This is as far as I know. Maybe the tale ends there, or maybe it continues. The story leaves a bad taste, but even so, when I heard it from her, I felt that Oto had handed me something important. Mr. Kafuku. As far as I know, Oto was a really lovely woman. Of course, what I know must be a tiny fraction of what you know about her. But I still think so with certainty. You lived with such a lovely person for over 20 years, and you should be grateful about that. That's my opinion. But even if you think you know someone well, even if you love that person deeply, you can't completely look into that person's heart. You'll just feel hurt. But if you put in enough effort, you should be able to look into your own heart pretty well. So in the end, what we should be doing is to be true to our hearts and come to terms with it in a capable way. If you really want to look at someone, then your only option is to look at yourself squarely and deeply. That's what I think.

Kōji Takatsuki

I actually sometimes do a search on your name online. That's how I found this audition, and that day was the deadline. Isn't that amazing?

Yūsuke Kafuku

Why are you interested in me?

Kōji Takatsuki

I really liked acting out Oto's screenplays. Saying her lines made me happy.

Yūsuke Kafuku

My theater projects and Oto's screenplays are different things.

Kōji Takatsuki

Yes. But when I saw your play that time, I felt that what you two were doing were the same, albeit in different ways.

Yūsuke Kafuku

How so?

Kōji Takatsuki

Tough question. I get the feeling that you both value the finer details that people won't even notice. I actually like things like that. But I wouldn't have know if I hadn't acted out Oto's scripts. When I saw the casting call, I knew this was my only chance. I'm not sure if you know, but I'm working freelance now.

Yūsuke Kafuku

I know. Though in my case I didn't have to look you up.

Kōji Takatsuki

Is that so. That's embarassing. How stupid.

Yūsuke Kafuku

You were a star.

Kōji Takatsuki

No, I was framed.

Yūsuke Kafuku

Do you do things like that often?

Kōji Takatsuki

Things like what?

Yūsuke Kafuku

With women you barely know.

Kōji Takatsuki

Don't you?

Yūsuke Kafuku

No.

Kōji Takatsuki

Lots of women must approach you, too.

Yūsuke Kafuku

All you have to do is say no.

Kōji Takatsuki

I don't do it with just anybody, either. If you click and want to get to know her better... Not ever?

Yūsuke Kafuku

Sex isn't the only way to get to know someone.

Kōji Takatsuki

But some things you can't know unless you do it.

Yūsuke Kafuku

Like what?

Kōji Takatsuki

Like...

Yūsuke Kafuku
[laughs]

What's the matter?

Kōji Takatsuki

Just that... Why am I talking to you about this? Oto must have been happy with a husband like you.

Yūsuke Kafuku

I wonder.

Kōji Takatsuki

If you don't mind, could you tell me something about her?

Yūsuke Kafuku

Something about her?

Kōji Takatsuki

How you two met, how she wrote her screenplays, everyday conversations. Anything.

Yūsuke Kafuku

Here's what you're thinking: "He and I share the same pain, because we loved the same woman."

Kōji Takatsuki

Oh please. Mine was just an unrequited longing.

Yūsuke Kafuku

You were in love with her.

Kōji Takatsuki

I don't deny it. She was lovely. Very much so.

Yūsuke Kafuku

Yeah.

Kōji Takatsuki

So I'm jealous of you, Mr. Kafuku. Forgive me.

Yūsuke Kafuku

You're jealous of me?

Kōji Takatsuki

About today... what happened? Between Janice and Yoon-A.

Yūsuke Kafuku

Only they know the answer to that. One thing I can say is that this text has the power to make that happen.

Kōji Takatsuki

Mr. Kafuku, why aren't you playing Vanya yourself?

Yūsuke Kafuku

Chekhov is terrifying. When you say his lines, it drags out the real you. Don't you feel it? I can't bear that anymore. Which means I can no longer yield myself up to this role.

Kōji Takatsuki

But then, why me? I feel out of place in this production. I'm not suited for this role. I'm sure the audience will feel the same way. When I auditioned, I was desperate and in shambles. I didn't know what I was doing. So why did you choose me?

Yūsuke Kafuku

Oto brought us together.

Kōji Takatsuki

Please don't be glib. I'm serious. I came here to change myself.

Yūsuke Kafuku

You can't control yourself very well.

Kōji Takatsuki

Right.

Yūsuke Kafuku

From a social standpoint, that's not good. But it's not necesarily a drawback for an actor. During your audition and our sessions, you weren't bad. You can yield yourself to your cast mate. Do the same to the text. Yield yourself and respond to the text.

Kōji Takatsuki

Respond to it?

Yūsuke Kafuku

The text is questioning you. If you listen to it and respond, the same will happen to you.

Other characters in Drive My Car