Ingrid Bergman movie quotes
59 quotes from 4 movies
Notorious (1946) as Alicia Huberman
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[to Devlin] Go away and leave me alone. I have my own life to lead. Good times. That's what I want, and laughs with people I like. And no underhanded cops who want to put me up in a shooting gallery, but people of my own kind, who treat me right and like me and understand me.
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I don't know why I should feel so bad. When he told me a few years ago what he was, everything went to pot. I didn't care what happened to me. Now I remember how nice he once was. How nice we both were, very nice. It's a very curious feeling as if something had happened to me and not to him. You see, I don't have to hate him anymore or myself.
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I hate low, under-handed people like policemen, pussy-footing after you. Of course, I'm a marked woman, you know? I'm liable to blow up the Panama Canal any minute now.
Casablanca (1943) as Ilsa
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Laszlo: Were you lonely in Paris?
Ilsa: Yes, Victor, I was.
Laszlo: I know how it is to be lonely. Is there anything you wish to tell me?
Ilsa: No, Victor, there isn't.
Laszlo: I love you very much, my dear.
Ilsa: Yes, yes I know.
Ilsa: Yes, Victor, I was.
Laszlo: I know how it is to be lonely. Is there anything you wish to tell me?
Ilsa: No, Victor, there isn't.
Laszlo: I love you very much, my dear.
Ilsa: Yes, yes I know.
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Rick: Nothing can stop them now. Wednesday, Thursday, at the latest, they'll be in Paris.
Ilsa: Richard, they'll find out your record. It won't be safe for you here.
Rick: [smiles] I'm on their blacklist already. Their roll of honor.
Ilsa: Richard, they'll find out your record. It won't be safe for you here.
Rick: [smiles] I'm on their blacklist already. Their roll of honor.
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Rick: Last night we said a great many things. You said I was to do the thinking for both of us. Well, I've done a lot of it since then, and it all adds up to one thing: you're getting on that plane with Victor where you belong.
Ilsa: But, Richard, no, I... I...
Rick: Now, you've got to listen to me! You have any idea what you'd have to look forward to if you stayed here? Nine chances out of ten, we'd both wind up in a concentration camp. Isn't that true, Louie?
Renault: I'm afraid Major Strasser would insist.
Ilsa: You're saying this only to make me go.
Rick: I'm saying it because it's true. Inside of us, we both know you belong with Victor. You're part of his work, the thing that keeps him going. If that plane leaves the ground and you're not with him, you'll regret it. Maybe not today, maybe not tomorrow, but soon and for the rest of your life.
Ilsa: But what about us?
Rick: We'll always have Paris. We didn't have...we'd...we'd lost it until you came to Casablanca. We got it back last night.
Ilsa: When I said I would never leave you...
Rick: And you never will. But I've got a job to do, too. Where I'm going, you can't follow. What I've got to do, you can't be any part of. Ilsa, I'm no good at being noble, but it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy world. Someday you'll understand that. Here's looking at you, kid. Note: bolded line is ranked #43 in the American Film Institute's list of the top 100 movie quotations in American cinema.
Ilsa: But, Richard, no, I... I...
Rick: Now, you've got to listen to me! You have any idea what you'd have to look forward to if you stayed here? Nine chances out of ten, we'd both wind up in a concentration camp. Isn't that true, Louie?
Renault: I'm afraid Major Strasser would insist.
Ilsa: You're saying this only to make me go.
Rick: I'm saying it because it's true. Inside of us, we both know you belong with Victor. You're part of his work, the thing that keeps him going. If that plane leaves the ground and you're not with him, you'll regret it. Maybe not today, maybe not tomorrow, but soon and for the rest of your life.
Ilsa: But what about us?
Rick: We'll always have Paris. We didn't have...we'd...we'd lost it until you came to Casablanca. We got it back last night.
Ilsa: When I said I would never leave you...
Rick: And you never will. But I've got a job to do, too. Where I'm going, you can't follow. What I've got to do, you can't be any part of. Ilsa, I'm no good at being noble, but it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy world. Someday you'll understand that. Here's looking at you, kid. Note: bolded line is ranked #43 in the American Film Institute's list of the top 100 movie quotations in American cinema.
Gaslight (1944) as Paula Alquist Anton
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I hear noises and footsteps. I imagine things, that there are people over the house. I'm frightened, and of myself too.
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That house comes into my dreams sometimes - a house of horror. Strange - I haven't dreamed of it since I've known you. I haven't been afraid since I've known you.
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If it was I who took that picture down...if it was I who took it down the other times, if I do all these senseless, meaningless things, so meaningless, why should I take a picture down? But then, I don't know what I do anymore...But then, if that's true, then you must be gentle with me. You must bear with me, please. Oh please, Gregory, please!
Spellbound (1945) as Constance Petersen
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I'm here as your doctor only. It has nothing to do with love. [John kisses her and they embrace each other tightly] Nothing at all. Nothing at all...
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Constance Petersen: All analysts have to be psychoanalyzed by other analysts before they start practicing.
John Ballantine: Ahhh, that's to make sure that they're not too crazy.
John Ballantine: Ahhh, that's to make sure that they're not too crazy.
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Constance Petersen: Are you making love to me?
Dr. Fleurot: I will in a moment. I'm just clearing the ground first. [tries to kiss her, but she recoils] It's rather like embracing a textbook.
Constance Petersen: But why do you do it, then?
Dr. Fleurot: Because you're not a textbook. You're a sweet, pulsing, adorable woman underneath. I sense it every time I come near you.
Constance Petersen: You sense only your own desires and pulsations. I assure you, mine in no way resemble them.
Dr. Fleurot: I will in a moment. I'm just clearing the ground first. [tries to kiss her, but she recoils] It's rather like embracing a textbook.
Constance Petersen: But why do you do it, then?
Dr. Fleurot: Because you're not a textbook. You're a sweet, pulsing, adorable woman underneath. I sense it every time I come near you.
Constance Petersen: You sense only your own desires and pulsations. I assure you, mine in no way resemble them.
