All right. The Public Wants a Girl, and this time, I'm gonna give 'em what they want. I'm gonna make the greatest picture in the world, something that nobody's ever seen or heard of. They'll have to think up a lot of new adjectives when I come back!
I tell you, there's something on that island that no white man has ever seen.
No chains will ever hold that.
He's always been King of his world. But we'll teach him fear! We're millionaires, boys, I'll share it with all of you. Why, in a few months, it'll be up in lights on Broadway: "Kong — the Eighth Wonder of the World!"
Weston I can't send a young pretty girl such as you ask on a job like this without telling her what to expect...To go off on a trip for no one knows how long, to some spot you don't even hint at, the only woman on the ship with the toughest mugs I ever looked at.
Listen, there are dozens of girls in this town tonight that are in more danger than they'll ever see with me.
Driscoll Yeah, but they know that kind of danger.
Holy Mackerel. Do you think I want to haul a woman around?...Because the Public, bless 'em, must have a pretty face to look at...Well, isn't there any romance or adventure in the world without having a flapper in it?...Makes me sore. I go out and sweat blood to make a swell picture and then the critics and the exhibitors all say, 'If this picture had love interest it would gross twice as much.' All right. The Public Wants a Girl, and this time, I'm gonna give 'em what they want. I'm gonna make the greatest picture in the world, something that nobody's ever seen or heard of. They'll have to think up a lot of new adjectives when I come back. Now I'm going to find a girl...even if I have to marry one.
Oh, you have gone soft on her, eh? I've got enough troubles without a love affair to complicate things. Better cut it out, Jack.
Driscoll Love affair! You think I'm gonna fall for any dame?
I've never known it to fail: some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy.
Driscoll Now who's goin' sappy? Listen, I haven't run out on ya, have I?
No, you're a pretty tough guy, but if Beauty gets you, ya...Huh, I'm going right into a theme song here.
Driscoll Say, what are you talkin' about?
It's the idea of my picture. The Beast was a tough guy too. He could lick the world. But when he saw Beauty, she got him. He went soft. He forgot his wisdom and the little fellas licked him. Think it over, Jack.
A wall...built so long ago that the people who live there have slipped back, forgotten the higher civilization that built it. That wall is as strong today as it was centuries ago. The natives keep that wall in repair. They need it.
Driscoll Why?
There's something on the other side of it, something they fear.
Did you ever hear of...Kong?
Why, yes. Some native superstition isn't it? A god or a spirit or something?
Well anyway, neither Beast nor man. Something monstrous. All powerful. Still living. Still holding that island in a grip of deadly fear. Well, every legend has a basis of truth. I tell you, there's something on that island that no white man has ever seen.
And you expect to photograph it?
If it's there, you bet I'll photograph it.
Driscoll Suppose it doesn't like having its picture taken?
Well, now you know why I brought along those cases of gas bombs.
Now Ann, in this one, you're looking down. When I start to crank, you look up slowly. You're quite calm. You don't expect to see a thing. Then you just follow my directions. All right? Camera. [Denham starts cranking.] Look up slowly, Ann. That's it. You don't see anything. Now look higher. Still higher. Now you see it. You're amazed. You can't believe it. Your eyes open wider. It's horrible, Ann, but you can't look away. There's no chance for you, Ann. No escape. You're helpless, Ann, helpless. There's just one chance, if you can scream. But your throat's paralyzed. Try to scream, Ann. Try. Perhaps if you didn't see it, you could scream. Throw your arms across your eyes and scream Ann, scream for your life!!!
Driscoll [Ann lets loose a blood-curdling, ear-piercing shrieking scream into the wind.]
What's he think she's really gonna see?
Wait a minute. What about Kong?
Driscoll Well, what about him?
We came here to get a moving picture, and we've found something worth more than all the movies in the world.
We've got those gas bombs. If we can capture him alive.
Driscoll Why, you're crazy! Besides that, he's on a cliff where a whole army couldn't get at him.
Yeah, if he stays there. But we've got something he wants [looking at Ann].
Driscoll Yep, something he won't get again.
Ladies and gentlemen, I'm here tonight to tell you a very strange story — a story so strange that no one will believe it — but, ladies and gentlemen, seeing is believing. And we — my partners and I — have brought back the living proof of our adventure, an adventure in which twelve of our party met horrible death. And now, ladies and gentlemen, before I tell you any more, I'm going to show you the greatest thing your eyes have ever beheld. He was a king and a god in the world he knew, but now he comes to civilization merely a captive — a show to gratify your curiosity. Ladies and gentlemen, look at Kong, the Eighth Wonder of the World.
[The curtain rises to reveal Kong, miserable and enslaved in chains, tied to a metal post. The audience is shocked and amazed]
And now I want to introduce Miss Ann Darrow; the bravest girl I have ever known
[Ann comes on stage as the audience applauds wildly]
There the Beast. And here the Beauty. She has lived through an experience no other woman ever dreamed of. And she was saved from the very grasp of Kong by her future husband. I want you to meet a very brave gentleman, Mr. John Driscoll.
[Jack comes on stage, receiving cheers from the audience too.]
And now before I tell you the full story of our voyage, I'm going to ask the gentlemen of the press to come forward, so the audience can have the privilege of seeing them take the first photographs of Kong and his captors. [to the reporters] All right boys.
[The reporters join on stage and prepare their cameras. Kong watches and begins to grow more alert] [To the reporters]
Mrs. Darrow first alone. [To Ann] Please stand in front of Kong.
R Reporter
[Ann poses for the picture in front of Kong]
All set, Jack. Okay boys, make it a good one!
[The reporters begin to take pictures. Kong roars angrily as the flashbulbs blind his eyes, frightening and enraging the mighty ape. Ann and the audience watch nervously]
Don't be alarmed, ladies and gentlemen. Those chains are made of chrome steel.
Driscoll It's alright, Ann.
Get them together, boys! They're going to be married tomorrow!
R Reporter
Put your arm around her Driscoll!
[The reporters resume to take pictures again. Kong roars furiously again, thinking that the flashbulbs are guns being fired at Ann]
Hey wait a minute! Wait a minute! Hold on! He thinks your attacking the girl!
R Reporter
Ah, let him roar! It's a swell picture!
R Reporter
[The reporters carelessly begins taking pictures again. Kong again roars enraged, reaching his breaking point after all that had happened to him since he was captured. He tugs at full strength until one of the chains snaps clean in half!! The audience screams and starts to run out of theater in panic as Kong breaks his other cuffs with his free arm]
IT'S LOOSE!!!
[The terrified reporters, Ann, Jack, and Carl all flee from the stage as Kong breaks the last remaining cuffs and throws one into the panicking crowd. Within seconds, he is completely free. He smashes out of the theater's backstage door and into the city.]
