[appears in the flashbacks in the opening of the film and introduction to Beethoven's "Fifth Symphony"] It's my very pleasant duty to welcome you here on behalf of all the other artists and musicians whose combined talents went into the creation of this new form of entertainment, Fantasia. What you will see on the screen is a picture of the various abstract images that might pass through your mind if you sat in a concert hall listening to this music. Now, there are three kinds of music on this Fantasia program. First, there's the kind that tells a definite story. Then there's the kind, that while it has no specific plot, does paint a series of more or less definite pictures. Then there's a third kind, music that exists simply for its own sake. Now, the number that opens our Fantasia program is music of this third kind.
[appears in the flashbacks in the opening of the film and introduction to Beethoven's "Fifth Symphony"] It's my very pleasant duty to welcome you here on behalf of all the other artists and musicians whose combined talents went into the creation of this new form of entertainment, Fantasia . What you will see on the screen is a picture of the various abstract images that might pass through your mind if you sat in a concert hall listening to this music. Now, there are three kinds of music on this Fantasia program. First, there's the kind that tells a definite story. Then there's the kind, that while it has no specific plot, does paint a series of more or less definite pictures. Then there's a third kind, music that exists simply for its own sake. Now, the number that opens our Fantasia program is music of this third kind.
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