Three Days of the Condor

Three Days of the Condor quotes

33 total quotes (ID: 574)

Kathy Hale
Mr. Wabash


Kathy: What did you do to those people?
Turner: What people? I don't know who they are. I file a report. A guy in Washington reads it. He's supposed to-- He's my section chief. He comes to New York to shoot me.
Kathy: Did you know him?
Turner: No.
Kathy: Did you know the mailman?
Turner: No, but the guy in Washington did.
Kathy: You won't know the next one.
Turner: I'm not waiting for the next one.


Turner: Why?
Joubert: I don't interest myself in "why". I think more often in terms of "when", sometimes "where"… always "how much". I suspect he was about to become an embarrassment. As you are.
Turner: So you're not finished.
Joubert: Pardon? Oh, no. I have no arrangement with the company concerning you. They didn't know you'd be here. I knew you'd be here.
Turner: But didn't you send the mailman?
Joubert: That was a business arrangement with Atwood, but you see.

Kathy: Ow! You're hurting me. Wait a minute. You-- Oh! You bully! Don't tie me up! Come on, please! This is... unfair!
Turner: I know.

Mr. Wabash: Has he gone double or dirty?
Higgins: I don't know, sir.
Mr. Wabash: You think he's still in New York City?
Higgins: I wouldn't be.

Turner: Do we have plans to invade the Middle East?
Higgins: Are you crazy?
Turner: Am I?
Higgins: Look, Turner…
Turner: Do we have plans?
Higgins: No. Absolutely not. We have games. That's all. We play games. What if? How many men? What would it take? Is there a cheaper way to destabilize a regime? That's what we're paid to do.
Turner: So Atwood just took the games too seriously. He was really going to do it, wasn't he?
Higgins: A renegade operation. Atwood knew 54/12 would never authorize it, not with the heat on the company.
Turner: What if there hadn't been any heat? Suppose I hadn't stumbled on their plan?
Higgins: Different ballgame. Fact is, there was nothing wrong with the plan. Oh, the plan was all right, the plan would've worked.
Turner: Boy, what is it with you people? You think not getting caught in a lie is the same thing as telling the truth?
Higgins: No. It's simple economics. Today it's oil, right? In ten or fifteen years, food. Plutonium. And maybe even sooner. Now, what do you think the people are gonna want us to do then?
Turner: Ask them.
Higgins: Not now — then! Ask 'em when they're running out. Ask 'em when there's no heat in their homes and they're cold. Ask 'em when their engines stop. Ask 'em when people who have never known hunger start going hungry. You wanna know something? They won't want us to ask 'em. They'll just want us to get it for 'em!
Turner: Boy, have you found a home. There were seven people killed, Higgins.
Higgins: The company didn't order it.
Turner: Atwood did. Atwood did. And who the hell is Atwood? He's you. He's all you guys. Seven people killed, and you play ****ing games!
Higgins: Right. And the other side does, too. That's why we can't let you stay outside.

Let's not expect too many mistakes from this man. He does seem rather more interesting than just another of our reader/researchers. For example, has he gone into business for himself? Was he turned around? Does someone operate him? Homosexual? Broke? Vulnerable? Could he be a soldier of fortune? Did he arrange the hit? Is that why he's still in flight? Still, he...may be an innocent. But then, why didn't he come in gently with Mr. Wicks?

[Turner stops at a deli to pick up lunch for the office.]
Jimmy: Hey, Shakespeare! How's it going?
Turner: Terrific. I'm building up a great collection of rejection slips.
Jimmy: Yeah, I know the feeling. I always wanted to be Escoffier.
Turner: Well, maybe it's not too late. You know, Van Gogh was thirty before he started to paint.
Jimmy: No kiddin'?
Turner: There's no mayonnaise on Dr. Lappe's. On the other hand, Mozart was three when he started to play the piano, and he was composing at six.
Jimmy: Fast starter. 'S probably better.
Turner: Well, I don't know. Van Gogh never sold a painting in a whole lifetime. Mozart died a pauper.
Customer: Where am I, the public library?
Jimmy: That's a very bright man.
Customer: It's educational. That's why I come in here.
Turner: You come in here to get sick like everybody else.
Jimmy: Come on.
Turner: No butter on Ray's sandwich. He gets panicky about butter.

Turner: What does Operations care about a bunch of goddamn books? A book in Dutch. A book out of Venezuela. Mystery stories in Arabic.
Atwood: Wait!
Turner: What the hell is so important about…
[He stops as he sees the connection.]
Turner: Oil fields. Oil. That's it, isn't it? This whole damn thing was about oil! Wasn't it? Wasn't it?
Atwood: Yes, it was.
Joubert: Don't turn for a moment. Put your thumb in front of the hammer. Release it slowly. Set down the gun on the desk. And don't move. Back up. You were quite good, Condor, until this. This move was predictable.
[Joubert shoots Atwood]

Conclude the Condor episode; and without any more noise. We're already visible. Let's not become conspicuous. If company agents aren't enough, use freelance. Use whatever it requires, but end it.

[Turner and Higgins stop in front of The New York Times.]
Turner: They've got all of it.
Higgins: What? What did you do?
Turner: I told them a story. I told 'em a story. You play games; I told 'em a story.
Higgins: Oh, you… you poor, dumb son of a bitch. You've done more damage than you know.
Turner: I hope so.
Higgins: You're about to be a very lonely man. It didn't have to end this way.
Turner: Of course it did.
Higgins: Hey Turner! How do you know they'll print it? You can take a walk… but how far if they don't print it?
Turner: They'll print it.
Higgins: How do you know?

Turner: Are you sure about this ideogram?
Janice: Look at this face. Could I be wrong about an ideogram?
[Turner laughs.]
Turner: It's a great face. But it's never been to China.

Turner: You're funny. You take pictures of empty streets and trees with no leaves on them.
Kathy: It's winter.
Turner: Not quite winter. They look like November. Not autumn, not winter. In-between. I like them.
Kathy: Thanks.

Turner: Kathy, I need time.
Kathy: Hmm?
Turner: Eight hours or so, that's all. Till noon, to do what I have to do. Do you understand what I'm saying? Are you going right to Vermont?
Kathy: Yes.
Turner: What I mean is don't call anyone. Don't stop, please. Don't tell anyone about--
Kathy: [crying] Of course!
Turner: Jesus. Jesus. I-- I didn't--
Conductor: All aboard!
Turner: Hey. You take care of yourself.
Kathy: I'll do my best.
Turner: Do your best.

[Turner is repairing some computer equipment.]
Dr. Lappe: We have people to service these machines.
Turner: These things are really pretty simple — they just look complicated.
Dr. Lappe: Mr. Turner, I wonder if you're… entirely happy here.
Turner: Within obvious limits, yes sir.
Dr. Lappe: Obvious limits?
Turner: It bothers me that I can't tell people what I do.
Dr. Lappe: Why is it taking you so long to accept that?
Turner: Well, I actually trust a few people. That's a problem.

[to Higgins] Looks good, but, um, I have this friend, and he asked me to give you a message. Quote-- "Dear Mr. Higgins, This will introduce a friend of mine, Sparrow Hawk. Please accompany her to the Nassau Street exit of this place. Now." Personally, I'd do it, because he has this huge gun, and he's looking at us right now. I'll save this for you. Shall we?