Quotes about My Dinner with Andre quotes

One of the gifts of "My Dinner with Andre" is that we share so many of the experiences. Although most of the movie literally consists of two men talking, here's a strange thing: We do not spend the movie just passively listening to them talk. At first, director Louis Malle's sedate series of images (close-ups, two-shots, reaction shots) calls attention to itself, but as Gregory continues to talk, the very simplicity of the visual style renders it invisible. And like the listeners at the feet of a master storyteller, we find ourselves visualizing what Gregory describes, until this film is as filled with visual images as a radio play — more filled, perhaps, than a conventional feature film. ... The movie is not ponderous, annoyingly profound, or abstract. It is about living, and Gregory seems to have lived fully in his five years of dropping out. Shawn is the character who seems more like us. He listens, he nods eagerly, he is willing to learn, but — something holds him back. Pragmatic questions keep asking themselves. He can't buy Gregory's vision, not all the way. He'd like to, but this is a real world we have to live in, after all, and if we all danced with the druids in the forests of Poland, what would happen to the market for fortune cookies? Roger Ebert, in his first review of My Dinner with Andre (1 January 1981)

Someone asked me the other day if I could name a movie that was entirely devoid of cliches. I thought for a moment, and then answered, My Dinner With Andre. Now I have seen the movie again; a restored print is going into release around the country, and I am impressed once more by how wonderfully odd this movie is, how there is nothing else like it. It should be unwatchable, and yet those who love it return time and again, enchanted. Roger Ebert in a later review of My Dinner with Andre (13 June 1999)

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