All About Eve quotes
78 total quotesKaren Richards
Lloyd Richards
Margo Channing
Multiple Characters
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Lloyd Richards
[about Eve] I like that girl, that quality of quiet graciousness.
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I'll tell ya how, like, like she's studyin' you, like you was a play or a book or a set of blueprints. How you walk, talk, eat, think, sleep.
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I'll never forget this night as long as I live, and I'll never forget you for making it possible.
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It's Addison from start to finish. It drips with his brand of venom. Taking advantage of a kid like that, twisting her words, making her say what he wanted her to say.
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Karen: Margo, nothing you've ever done has made me as happy as your taking Eve in.
Margo: I'm so happy you're happy.
Margo: I'm so happy you're happy.
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And there were theaters in San Francisco. And then one night, Margo Channing came to play in Remembrance and I went to see it. Well, here I am.
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When you're a secretary in a brewery, it's pretty hard to make-believe you're anything else. Everything is beer.
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[to Bill] This is my house, not a theater. In my house, you're a guest, not a director.
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Lloyd Richards. He's going to leave Karen. We're going to be married...Lloyd loves me, I love him...I'm in love with Lloyd...Oh Addison, won't it be just perfect? Lloyd and I - there's no telling how far we can go. He'll write great plays for me, I'll make them great.
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I haven't got a union. I'm slave labor.
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Margo: [to Bill] You be host. It's your party. Happy birthday, welcome home. And we who are about to die...
De Witt: Too bad, we're gonna miss the third act. They're gonna play it off stage.
De Witt: Too bad, we're gonna miss the third act. They're gonna play it off stage.
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Miss Casswell: Now there's something a girl could make sacrifices for.
Bill: And probably has.
Miss Casswell: Sable.
Max Fabian: Sable? Did she say sable or Gable?
Miss Casswell: Either one.
Bill: And probably has.
Miss Casswell: Sable.
Max Fabian: Sable? Did she say sable or Gable?
Miss Casswell: Either one.
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She can play Peck's Bad Boy all she wants and who's to stop her? Who's to give her that boot in the rear she needs and deserves?
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There are in general two types of theatrical producers. One has a great many wealthier friends who will risk a tax deductible loss. This type is interested in art. The other is one to whom each production means potential ruin or fortune. This type is out to make a buck.
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The atmosphere is very MacBeth-ish...what has, or is about to, happen?