All About Eve quotes
78 total quotesKaren Richards
Lloyd Richards
Margo Channing
Multiple Characters
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We all have abnormality in common. We're a breed apart from the rest of humanity, we theatre folk; We are the original displaced personalities.
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Eve: If you told him (Lloyd) so, he'd give me the part. He said he would...It's my part now...Cora is my part. You've got to tell Lloyd it's for me...Addison wants me to play it...Addison knows how Margo happened to miss that performance, how I happened to know she'd miss it in time to call him and notify every paper in town...If I play Cora, Addison will never tell what happened, in or out of print. A simple exchange of favors. I'm so happy I can do something for you at long last. Your friendship with Margo - your deep, close friendship. What would happen to it, do you think, if she knew the cheap trick you played on her for my benefit? You and Lloyd. How long, even in the theater, before people forgot what happened and trusted you again? No, it would be so much easier for everyone concerned if I would play Cora. So much better theater too.
Karen: You'd do all that just for a part in a play?
Eve: I'd do much more for a part that good.
Karen: You'd do all that just for a part in a play?
Eve: I'd do much more for a part that good.
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Margo: Bill, don't get stuck on some glamour-puss.
Bill: I'll try.
Margo: You're not much of a bargain, you know. You're conceited, and thoughtless and messy.
Bill: Well, everybody can't be Gregory Peck.
Margo: You're a set-up for some gorgeous, wide-eyed young bait.
Bill: How childish are you going to get before you stop it?
Margo: I don't want to be childish. I'll settle for a few years.
Bill: Then cut that out right now.
Margo: Am I going to lose you, Bill? Am I?
Bill: As of this moment, you're six years old.
Bill: I'll try.
Margo: You're not much of a bargain, you know. You're conceited, and thoughtless and messy.
Bill: Well, everybody can't be Gregory Peck.
Margo: You're a set-up for some gorgeous, wide-eyed young bait.
Bill: How childish are you going to get before you stop it?
Margo: I don't want to be childish. I'll settle for a few years.
Bill: Then cut that out right now.
Margo: Am I going to lose you, Bill? Am I?
Bill: As of this moment, you're six years old.
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De Witt: We're a breed apart from the rest of humanity, we theater folk. We are the original displaced personalities.
Miss Casswell: [interrupting] Oh, waiter!
De Witt: That isn't a waiter, my dear. That's a butler.
Miss Casswell: Well, I can't yell, 'Oh, butler!' can I? Maybe somebody's name is Butler.
De Witt: You have a point. An idiotic one, but a point.
Miss Casswell: I don't want to make trouble. All I want is a drink.
Max: Leave it to me. I'll get you one.
Miss Caswell: [smiling] Thank you, Mr. Fabian.
De Witt: Well done. I can see your career rising in the east like the sun.
Miss Casswell: [interrupting] Oh, waiter!
De Witt: That isn't a waiter, my dear. That's a butler.
Miss Casswell: Well, I can't yell, 'Oh, butler!' can I? Maybe somebody's name is Butler.
De Witt: You have a point. An idiotic one, but a point.
Miss Casswell: I don't want to make trouble. All I want is a drink.
Max: Leave it to me. I'll get you one.
Miss Caswell: [smiling] Thank you, Mr. Fabian.
De Witt: Well done. I can see your career rising in the east like the sun.
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Dear Margo. You were an unforgettable Peter Pan. You must play it again soon.
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And so my hat, which has lo these many seasons become more firmly rooted about my ears, is lifted to Miss Harrington. I am once more available for dancing in the streets and shouting from the housetops...Miss Harrington had much to tell and these columns shall report her faithfully about the lamentable practice in our theater of permitting, shall we say, mature actresses to continue playing roles requiring a youth and vigor which they retain but a dim memory...about the understandable reluctance on the part of our entrenched first ladies of the stage to encourage, shall we say, younger actresses about Miss Harrington's own long and supported struggle for opportunity.
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Nice speech, Eve. But I wouldn't worry too much about your heart. You can always put that award where your heart ought to be.
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The little witch must have sent out Indian runners, snatching critics out of bars and steam rooms and museums, or wherever they holed up. Well, she won't get away with it, nor will Addison De Witt and his poison pen. If Equity or my lawyer can't or won't do anything about it, I shall personally stuff that pathetic little lost lamb down Mr. De Witt's ugly throat.
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There are very few moments in life as good as this. Let's remember it. To each of us and all of us, never have we been more close, may we never be farther apart.
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If nothing else, there's applause... like waves of love pouring over the footlights and wrapping you up.
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She is the wife of a playwright, therefore of the theater by marriage. Nothing in her background or breeding should have brought her any closer to the stage than Row E, Center. However, during her senior year at Radcliffe, Lloyd Richards lectured on the drama. The following year, Karen became Mrs. Lloyd Richards.
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Phoebe: I call myself Phoebe.
De Witt: And why not? Tell me, Phoebe, do you want someday to have an award like that of your own?
Phoebe: More than anything else in the world.
De Witt: Then you must ask Miss Harrington how to get one. Miss Harrington knows all about it.
De Witt: And why not? Tell me, Phoebe, do you want someday to have an award like that of your own?
Phoebe: More than anything else in the world.
De Witt: Then you must ask Miss Harrington how to get one. Miss Harrington knows all about it.
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Karen Richards
Then stop being a star. And stop treating your guests as your supporting cast...It's about time Margo realized that what's attractive on stage need not necessarily be attractive off.
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[to Eve, who is upset] The reason is Margo, and don't try to figure it out. Einstein couldn't.
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Lloyd never got around somehow to asking whether it was all right with me for Eve to play Cora. Bill, oddly enough, refused to direct the play at first - with Eve in it. Lloyd and Max finally won him over. Margo never came to rehearsal. Too much to do around the house, she said. I'd never known Bill and Lloyd to fight as bitterly and often and always over some business for Eve, or a move, or the way she read a speech. But then I'd never known Lloyd to meddle as much with Bill's directing, as far as it affected Eve, that is. Somehow Eve kept them going. Bill stuck it out. Lloyd seemed happy. And I thought it might be best if I skipped rehearsals from then on. It seemed to me I had known always that it would happen, and here it was. I felt helpless, that helplessness you feel when you have no talent to offer - outside of loving your husband. How could I compete? Everything Lloyd loved about me, he had gotten used to long ago.