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All About Eve

All About Eve quotes

78 total quotes

Addison DeWitt
Birdie Coonan
Eve Harrington
Karen Richards
Lloyd Richards
Margo Channing
Multiple Characters




View Quote Bill Sampson Bill Sampson: Zanuck is impatient. He wants me, he needs me.
View Quote Bill Sampson: The theatah, the theatAh - what book of rules says the theater exists only within some ugly buildings crowded into one square mile of New York City? Or London, Paris, or Vienna? Listen, junior. And learn. Want to know what the theater is? A flea circus. Also opera. Also rodeos, carnivals, ballets, Indian tribal dances, Punch and Judy, a one-man band - all theater. Wherever there's magic and make-believe and an audience - there's theater. Donald Duck, Ibsen, and the Lone Ranger. Sarah Bernhardt and Poodles Hanneford, Lunt and Fontanne, Betty Grable, Rex the Wild Horse, Eleanora Duse - they're all theater. You don't understand them, you don't like them all - why should you? The theater's for everybody - you included, but not exclusively - so don't approve or disapprove. It may not be your theater, but it's theater for somebody, somewhere...It's just that there's so much bourgeois in this ivory green room they call the theater. Sometimes it gets up around my chin.
View Quote Max Fabian: She loves me like a father. Also, she's loaded.
View Quote Old Actor: [about Eve] We know her humility, her devotion, her loyalty to her art, her love, her deep and abiding love for us, for what we are and what we do, the theater. She has had one wish, one prayer, one dream - to belong to us. Tonight, her dream has come true. And henceforth, we shall dream the same of her.
View Quote Birdie: What a story! Everything but the bloodhounds snappin' at her rear end.
Margo: There are some human experiences, Birdie, that do not take place in a vaudeville house - and that even a fifth-rate vaudevillian should understand and respect!
View Quote Margo: Bill, don't get stuck on some glamour-puss.
Bill: I'll try.
Margo: You're not much of a bargain, you know. You're conceited, and thoughtless and messy.
Bill: Well, everybody can't be Gregory Peck.
Margo: You're a set-up for some gorgeous, wide-eyed young bait.
Bill: How childish are you going to get before you stop it?
Margo: I don't want to be childish. I'll settle for a few years.
Bill: Then cut that out right now.
Margo: Am I going to lose you, Bill? Am I?
Bill: As of this moment, you're six years old.
View Quote Margo: You bought the new girdle a size smaller. I can feel it.
Birdie: Somethin' maybe grew a size larger.
View Quote Bill: We started talking. She wanted to know about Hollywood. She seemed so interested.
Margo: She's a girl of so many interests.
Bill: A pretty rare quality these days.
Margo: A girl of so many rare qualities.
Bill: So she seems.
Margo: So you've pointed out so often. So many qualities so often. Her loyalty, efficiency, devotion, warmth, and affection, and so young. So young and so fair.
Bill: I can't believe you're making this up...Of course it's funny. This is all too laughable to be anything else. You know what I feel about this age obsession of yours. And now this ridiculous attempt to whip yourself up into a jealous froth because I spent ten minutes with a stage-struck kid.
Margo: Twenty.
Bill: Thirty minutes, forty minutes, what of it?
Margo: Stage-struck kid! She's a young lady of quality. And I'll have you know I'm fed up with both the young lady and her qualities. Studying me as if I were a play or a blueprint, how I walk, talk, think, act, sleep.
Bill: Now, how can you take offense at a kid trying in every way to be as much like her ideal as possible?
Margo: Stop calling her a kid. As it happens, there are particular aspects of my life to which I would like to maintain sole and exclusive rights and privileges.
Bill: For instance what?
Margo: For instance you.
Bill: This is my cue to take you in my arms and reassure you. But I'm not going to. I'm too mad...
Margo: [interrupting] Guilty.
Bill: ...Mad! Darling, there are certain characteristics for which you are famous onstage and off. I love you for some of them in spite of others. I haven't let those become too important. They're part of your equipment for getting along in what is laughingly called our environment. You have to keep your teeth sharp, all right. But I will not have you sharpen them on me - or on Eve.
Margo: What about her teeth? What about her fangs?
Bill: She hasn't cut them yet, and you know it! So when you start judging an idealistic, dreamy-eyed kid by the barroom benzedrine standards of this megalomaniac society, I won't have it. Eve Harrington has never by a word, a look, or a suggestion indicated anything to me but her adoration for you and her happiness at our being in love. And to intimate anything else doesn't spell jealousy to me. It spells out paranoiac insecurity that you should be ashamed of.
Margo: Cut! Brilliant! What happens in the next reel? Do I get dragged off screaming to the snake pit?
View Quote Karen: Margo, nothing you've ever done has made me as happy as your taking Eve in.
Margo: I'm so happy you're happy.
View Quote Eve: I'm afraid Mr. De Witt would find me boring before too long.
Miss Casswell: You won't bore him, honey. You won't even get a chance to talk.
View Quote De Witt: Do you see that man? That's Max Fabian, the producer. Now go and do yourself some good.
Miss Casswell: Why do they always look like unhappy rabbits?
De Witt: Because that's what they are. Now go and make him happy.
View Quote Bill: Many of your guests have been wondering when they may be permitted to view the body. Where has it been laid out?
Margo: It hasn't been laid out. We haven't finished with the embalming. As a matter of fact, you're looking at it - the remains of Margo Channing, sitting up. It is my last wish to be buried sitting up.
Bill: Wouldn't it be more natural for you to be taking a bow?
View Quote Miss Casswell: Now there's something a girl could make sacrifices for.
Bill: And probably has.
Miss Casswell: Sable.
Max Fabian: Sable? Did she say sable or Gable?
Miss Casswell: Either one.
View Quote De Witt: We're a breed apart from the rest of humanity, we theater folk. We are the original displaced personalities.
Miss Casswell: [interrupting] Oh, waiter!
De Witt: That isn't a waiter, my dear. That's a butler.
Miss Casswell: Well, I can't yell, 'Oh, butler!' can I? Maybe somebody's name is Butler.
De Witt: You have a point. An idiotic one, but a point.
Miss Casswell: I don't want to make trouble. All I want is a drink.
Max: Leave it to me. I'll get you one.
Miss Caswell: [smiling] Thank you, Mr. Fabian.
De Witt: Well done. I can see your career rising in the east like the sun.
View Quote Bill: To be a good actor or actress or anything else in the theatre means wanting to be that more than anything else in the world.
Eve: [softly] Yes, yes it does.
Bill: It means concentration of desire or ambition, and sacrifice such as no other profession demands. And I'll agree that the man or woman who accepts those terms can't be ordinary, can't be just someone. To give so much for almost always so little.
Eve: So little. So little, did you say? Why, if there's nothing else, there's applause. I've listened backstage to people applaud. It's like, like waves of love coming over the footlights and wrapping you up. Imagine. To know, every night, that different hundreds of people love you. They smile, and their eyes shine. You've pleased them. They want you. You belong. Just that alone is worth anything.